Review: Tape Records owner Deniro makes his debut on DGTL with a mesmerising release. The title track is a deep but impactful track, blending shimmering synths with a dense rhythm, while on his version, Berghain resident Marcel Dettmann strips it back for a steely, wiry take that skates at the edge of industrial. While this remix is sure to grab attention, Deniro's own material is just as impressive; "Infrared" is a propulsive, grainy workout, featuring impactful bleeps, while on an entirely different note, closing track 'Sunset" is a seductively deep track that's based on subtle break beats. It sounds like Deniro's got as much presence as his famous film namesake.
Review: Deniro follows Mendoza, his 2017 debut on Trip, with this superb techno EP. The title track's jarring synth riff and insistent rhythm come across like a more streamlined take on classic Lost Recordings releases, while "Needles" is a rough analogue jacker that strays into Cristian Vogel-style minimalism. On "Egalize", the Dutch producer goes deeper to deliver hypnotic, chiming bells over a bubbling rhythm, while both "Tainted" and "Zoom 303" see him focus on more dance floor friendly takes on deeper techno as atmospheric synths swirl over dubbed out kicks. Rounding off this great second outing on Trip is the acid-heavy banger, "Boss 303".
Review: On the latest instalment of the long-running DJ-Kicks series, Peggy Gou paints a vivid picture. It starts with the widescreen ambience of Space Time Continuum's 1993 debut, "Fluresence", before moving into her own, cosmic "Hungboo" and the niggling acid of Pearson Sound's "Earwig", a contemporary cousin to Plastikman's Musik. There are other endearing oddities here, such as Andrew Weatherall's seductive house version of Sly & Lovechild's "The World According To..." and the raw drums of Kyle Hall's "Flemmenup". Gou has also included a Detroit techno classic, Psyche's "Crackdown", but balances this out with new, unreleased tracks from I:Cube - "Cassette Jam 1993" sees the maverick French producer deliver a frazzled, hazy affair - and Hiver's pulsating, acid-flecked "Pert".
Review: A true staple of the Amsterdam scene, the Rush Hour affiliated Yuri Boselie aka Cinnaman takes up the reins for local institution Dekmantel's extended tenth birthday celebrations with this mastermix. It takes in the entirety of the 10 volume edition - what an effort. What may seem as an outrageous challenge - what with the compilation's genre diversity and wide rage of tempos - it's a success, for they've certainly found the right candidate. Cinnaman plays a wide range of styles anyway, and is never afraid to mix the known with the unknown - he has a reputation for his remarkable combinations and transitions. From moments of sublime ambience (Italian ambient legend Gigi Masin with the utterly evocative "Maja") to bass heavy electro bounce (courtesy of Egyptian Lover or Syracuse & Epsilove), right through to techno bangers of the cerebral variety (by Donato Dozzy & Peter Van Hoesen or local hero Talismann) and stuff by Bufiman or Tony Allen - it's a solid effort here by one of Holland's finest selectors.
Review: The ongoing celebration this year of Dekmental's tenth anniversary has already yielded a series of interesting split EPs and the eight instalment is no exception. It starts with Peter Van Hoesen and Donato Dozzy's "Storta". Over a sliding, distended rhythm, the techno duo conjure up cinematic sound scapes. In stark contrast is Matrixxman's "Sexual Frustration", which draws on classic Midwest techno to deliver pneumatic kicks and wild acid tones. Deniro's "Serval" sees another shift in style, but remains in the same geographical space as Matrixxman; combing atmospheric synths with powerful bass tones, it sounds like the lost connection between Patrice Scott and Kenny Larkin. The droning, discordant techno of Talismann's "Aciano" completes the latest Dekmantel celebration.
Review: If your finances couldn't quite stretch to buying all four releases in the unique Dekmantel x Patta series - in which limited edition vinyl EPs came packaged with exclusive items of clothing - this digital compilation is something of a lifesaver. For starters, the exclusive material - first included on the hard-to-get EPs, and now showcased here - is pretty darn tasty. The various Amsterdam-based producers involved generally hit the spot, from the melodious, analogue-rich Balearic techno of Young Marco's "The Best I Could Do (With What I Had)", and sparkling Detroit retro-futurism of Mark Du Mosch's "2nd 5ystem", to the cosmic deep house shimmer of Tom Trago's "Brutal Romance", and bizarre, off-kilter deep house-jazz of Makam's "The Struggles". Aardvark's quirky rumba-house workout, "Kubaa Rumbaa" is rather good, too.