Review: One listen to Dev79's Boom Boom Down EP and you'll understand why the Philly artist gave it that name. The title track is a quick shifting, 4/4 bass riddim that puts extra emphasis on the down-beat, while there's also signs of electro house, rave and footwork throughout. "Thunk About It" is a little more reserved, mixing hip hop rhythms with industrial techno-strength beats. David Lux provides a disgruntled and cartoonish remake to "Boom Boom Down" while Tanner Caldwell uses vocals as the main element in his remix. Max Klaw then recasts "Thunk About It" into something that's more like a deep version of dubstep than bass for what might be this EP's standout production.
Review: Now, this latest project from Dev79 goes by the name of 'Can't Fit In A Box', and we really feel that despite it being exactly what is says on the tin, Black Marble Collective have swapped boxes with Pandora as carnage in unleashed. This one kicks of with 'You & I Is Us', which features additional vocal work from MC Elixir, layering his potent vocals over a jukey, breaks hybrid, destined to damage dances. This is then followed strongly by the energetic vocal stabs of '215 Alive' and the hardcore nostalgia contained within the arrangement of 'Emerald Tree Boa'. finally, 'Where Kings Are Bred' strips everything back to cool bass sounds and breakbeats, rounding every up with a dash of finesse.
Review: It's time for Slit Jockey's annual Choice Cuts compendium. A lot has changed since their last collection: The US/UK neo-grime feedback loop has never been louder, and neither has Slit Jockey's relevance and influence. Highlights of this inherently futuristic bass exploration can be found on every track; from the sudden bliss twist of Starkey's "Trigger" to Shiftee's swampy, super-prang audio head-butt "Geek Flex" via the dungeonesque bubbles and blips of Korostyle's "Kalika" and TIMBS' emotional flute-snapping funeral trap vibe "Rivers", this is, without question, Slit Jockey's most exciting and all-encompassing curation to date. Not to be missed.
Review: 10 years of US/UK grime feedback: Slit Jockey celebrate a decade of dirt with this extensive collection of classics, currents and previously unheard cuts. There might be 10 years between some of the tracks but you'd never tell; such is the solid signature and high quality control of the label. Every track is a highlight but cuts like Lenkemz savage club shredder "Can't See U", Blak Twang & Conrank's midnight murker "Go Getter" and Mr Mitch's eerie moon-bouncing trapisms are essential staples for any grime and bass connoisseur's collection. Here's to another 10 years.
El Carnicero - "Orange Soda Moustache" - (3:06) 147 BPM
DJ Cable - "Cartridge" (VIP) - (4:36)
Bombe - "Still Riddim" - (3:36) 146 BPM
Review: Founded on importing the UK bass sounds to the US while embracing their own native bass techniques, Slit Jockey have developed a unique motif over the years. The annual Choice Cuts series is one of the best ways of experiencing their well chiselled sound, and this is one of their best compendiums to date. Whether you start studying for a degree in star-gazing to Ill-Esha's "Galactic Halo", play the air steel drums to Strooly & Swimwear's neon-tribal hypnosis session "Chemtrails" or lose your mind to the unique fusion of hardcore and trap on Wonder's "RaveT", one thing is certain - Slit Jockey will leave you feeling more than satisfied.
Review: Happy birthday Heavenly Sweetness! 10 years deep into their explorations, excavations and curations, French label Heavenly Sweetness look back over the decade and hand pick some of their favourite moments. With such a fine ear for timelessness and vibe, the whole collection runs with a soul and spiritual fluidity as one cohesive body of work; from the incredible-yet-so-gradual momentum of Chickenwing All Stars "Celestial Blues" to touching homages to the one and only Coltrane from both Patchworks and Byard Lancaster via slick spacebound feminist hip-hop from Sly Johnson and a stacks more, this is the type of collection you can lose entire weeks of your life to. Here's to another 10 years.