Review: Here's something to set the pulse racing: a hot and sticky, two-track collaboration between 10-piece Parisian disco-funk outfit Cotonete and disco-house survivor Dimitri From Paris. "Parribean Disco", a Latin-tinged take on Caribbean disco rich in expansive jazz piano solos (think "Strings of Life", and you're close), pressure-building grooves and rousing horn lines, is undoubtedly the star of the show, though the high octane and fiendishly heavy disco-funk slammer that follows, "The Hustle Parisian" - all "Spank" electric piano stabs, mazy synth solos and layered trumpet riffs - arguably boasts more dancefloor weight. Both are superb, though, and sound like peak-time anthems in waiting.
Review: While more often associated with punk-funk and dirty Italo style dancefloor workouts, Gomma's vast back catalogue contains a string of disco and boogie-inspired gems. To highlight the fact, the label has decided to release a series of EPs featuring some of its finest "Disco Jams". This first installment begins with a fine WhoMadeWho interpretation of Munk and LCD Soundsystem founder James Murphy's Sly Stone style growler, "Kick Out The Chairs", before charging into dub disco-meets-proto-house territory via In Flagranti's "In The Silver White Box". There's another chance to admire Dimitri From Paris and DJ Rocca's Prelude Records tribute, "Eros Disco Theme", while original NYC disco don Nicky Siano channels the spirit of Loose Joints on his fantastic rework of KDMS's "Never Stop Believing".
Review: Here's something to cheer: the first EP from Dimitri From Paris and DJ Rocca's collaborative Erodiscotique project following the release of last year's superb debut album on BBQ Japan. As usual, their inspirations and musical reference points tend towards the vintage. Opener "One For Frankie", for example, smothers a vintage Chicago house groove with the kind of dreamy, positive and melodious musical flourishes that were a hall mark of Frankie Knuckles best productions, while "Zanzibar" pays tribute to the bustling, percussive, synth-heavy pressure of early '80s NYC and NJ "proto-house" productions. "Don't You Feel The Same", on the other hand, wraps sweet Balearic synth lines around a chunky, "French Touch" style disco-house groove.
Review: No one does contemporary disco like Dimitri From Paris. And no one has the compilation licensing clout like Defected. Naturally this is a match made in glitterball heaven as DFP spans 40 years of grooves with a spotless collection of his own edits and upfront jams. Ranging from his own twists on standard disco gems such as "Le Freak" and "Lost In Music" to the likes of Disclosure's "F For You" and Todd Terje's "Delorean Dynamite" this is, without question, one of Defected's most extensive, expansive and exciting collections to date - which really is saying something. A natural fit for all house, disco and funk fans young and old.
Review: Inspired by Chicago house, Black Hole Bass relives the glory days of primal rhythms and kettle drums without sounding contrived or cheesy. The 606 version is based on heavy beats and a searing bass, while Alejandro Paz' version introduces a fresh take on Chicago house thanks to its funk bassline. The stand out version however, is the 909 remix; full of evil acid squelches and dramatic snare rolls, it captures the heady madness of late 80s Chicago. The acapella version features the unnamed male vocalist making the claim that 'once you black, you never go back'. You can't really argue with that.