Dub Killer - sound producer and DJ,
who started his career in 2008, and delved into the production of dubstep music since 2010, which saw his first release on Bombeatz Ink, and also performed at a party for the first time with NickBee, Paralax Breakz, Nervel.
In 2011, she took part in the live broadcast of the Batiskaf radio show on the main electronic wave of Ukraine - Kiss FM. Since 2014, he has been interested in the style of deep dubstep. A wave of media and recognition took over in 2015, when Dub Killer's tracks began to be played by big names in the scene such as The Widdler, Truth, Enigma Dubz and others. His tracks are played at festivals such as DubRaw, Lost Lands, Outlook, Valhalla, Shambhala and many others.
The track India, which was released on DDD, took the first lines in the world dubstep charts, and the remix from the popular Canadian producer The Widdler, settled in the charts for a long time and did not lower its position.
In 2017, he founded the dubstep label Subline Audio, which he owns to this day.
Behind the shoulders releases on such labels as Deep Dark & Dangerous / Duploc / Monsters / Subline
Audio / Rewind140.
Co-founder of the international radio show Cross Bass, which is broadcast on Gasoline radio and plans to rotate on the main bass stations of Europe and America.
Review: Next up, an important release to get behind as Dub Killer lands of Subline Audio for his 'Ukraine War LP', being based in Ukraine at this moment in time can by no means be considered an easy thing, with the obvious global situation continuing to roll on, he has put together this collection to raise donations. The project itself is serious, with 14 hard hitting dubstep-inspired sizzlers being made available, from the the creeping vocal layers of Sound Kata on 'Ominous', to the complex percussive layerings and choppy bass sounds of 'Badman Future' and niche-inspired rethink of 'Rogue' with this official bassline VIP. The whole project holds a lot of weight, especially when considering the situation that has brought it into being, with our favourites including the minimal drum skips of 'Tachyon', tapped in between some seriously tasty drum processing, alongside the dance-ready march of 'Work Work Work' with Tenor Youthman and of course the dripping bass sounds and aquatic textures of 'Underwater Odyssey'. This is definitely an important release to get behind, with the sonic mastery to back it all the way.
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