Review: Ed Wizard and Disco Double Dee come with more contemporary disco vibes on their own Editorial label. 'Be Free' comes on like a long-lost Sister Sledge dub - check those fluttering guitars - before being given a more Euro-flavoured rerub courtesy of Nebraska. Elsewhere, 'Mista Groove' is redolent of early 80s NYC disco from the likes of Raw Silk and Loose Joints, 'Ol School' is a bass-y, mid-paced cut topped with an "interview" vocal - it sounds like Roger Sanchez talking, but don't quote me on that - before the aptly titled 'Western' plays us out on a more downtempo, cinematic note. Good stuff all round.
Review: Mexican funk and disco producer Hot Mood (AKA Guillermo Gonzalez) comes to Canada's Editorial Records on this split EP with label bosses Ed Wizard & Disco Double Dee, with a little remix justice from Thatmanmonkz thrown in. The latter's rub of 'Shades Of Blue', with its Gil Scott-Heron 'H20gate' vocal, would sit just as happily in our deep house section, EW&DDD's 'Cantina' is a fat-assed slab of slo-mo, flute-sprinkled funk (and the pick of the EP for this reviewer), while there's - unsurprisingly - a Latin funk feel to Hotmood's two contributions. Contemporary funk/disco at its least cheesy, and hence most satisfying!
Review: We've become accustomed to the Editorial label offering up expansive EPs packed to the rafters with tasty edits and reworks, but even by the imprint's high standards Raw Funk is rather special. It begins with a bumpin' chunk of hazy and excitable sample house courtesy of Cody Currie (the brilliant 'Aquarian Girl') and ends with some slow-motion, downtempo disco sweetness from Ed Wizard & Disco Double Dee ('Slippin'); in between, you'll find a fine rearrangement of an organ-laden chunk of sweaty dancefloor soul (the Funk District's 'An Evening With El Diablo'), some slap-bass-sporting disco-funk (Matt Hughes' 'Get Down'), and a righteous trip into driving disco territory (the Owl's low-slung 'Funky Feelin').
Review: There are plenty of re-editors and rework merchants with larger discographies than Editorial regulars Ed Wizard and Disco Double Dee, though few who deliver quite as consistently. Further proof arrives via their first outing of 2020, "Soul Shakers", a four-track collection of reworks based around breathing new life into dusty soul jams. The sweatiest and more obviously peak-time focused cut is undoubtedly the dense and energy-packed percussion workout "Spaced Drumz" (and yes, it lives up to the title), though celebratory disco-soul rework "Make Some Love" will also get hearts pounding out on the dancefloor. Of the EP's two slower and chuggier moments, it's the wonderfully hazy opener "Do The Thang" that's our pick.
Review: More multi-artist action from the effervescent Editorial label, a stable that has consistently delivered some of the strongest re-edits, remixes and reworks of the last few years. The imprint's most storied outfit, Ed Wizard and Disco Double Dee, kick things off with the lolloping, piano-heavy disco positivity of "Spirit Power" - where sampled female speech provides an interesting focal point - while slow disco stalwart Duff Disco delivers the head-nodding, toe-tapping warm-up warmth of "Burning Hot". Elsewhere, Hotmood ups the heat and tempo on the P-funk-fired stomp of "I Was Born in Mexico" and Alex Zuiev lightly beefs up a swirling peak-time disco jam on EP standout "I Feel Funky".
Review: There's no high concept behind Midnight Riot's latest compilation of label favourites and unheard cuts, just a desire to deliver "summer burners" to "make your body move". As usual, label boss Yam Who has gathered together a selection of original productions, re-edits and remixes that prioritize frenzied limb shaking. Highlights include a deliciously deep and woozy, Joey Negro style M+M rub of Soulpersona's "Sunset City", a bouncy, boogie-meets-nu-disco revision of Hypnotic Lovers' "Chemistry" by Birdee, the sax-laden disco-funk shuffle of Stephen King's "Hold On To You", some soaring peak-time disco edit business from Alan Dixon and a suitably cheery, talkbox-sporting rework of an underground disco classic by long-serving edit crew Drop Out Orchestra.
Review: In our eyes, prolific re-editors and party-starting mash-up merchants Ed Wizard and Disco Double Dee have always been "top of the chops". The Editorial imprint thinks this, too, hence serving up this expansive collection of some of the duo's finest reworks. There are gems aplenty to be unearthed throughout, from the loved-up, delay-laden mid-tempo dreaminess of sultry opener "Summer Love" and the 80s soul-with-filters lusciousness of "Boogie Flight", to the gentle house drums and disco-boogie horns of funk-fuelled favourite "Feel Good Jam". There's more straight-up celebratory disco to be found elsewhere on the compilation, too, with the parping horns and soaring strings of "People's Groove" and the low-slung flex of "Like U Do" standing out.
Review: Sounds like a crew, actually a singular chap: Dave Allison's Ed Wizard & Disco Double D project returns with five more slippery soul shakers. "Red Hot" is all about the salubrious bassline wriggles while "We Gonna Shake" instructs on much more of a tight groove, heads-down level and "The Showdown" serves you with seriously slinky talkbox beef. Deeper again we find disco strings and hypnotising percussion on "Diggin' The Scene" before sparking up and dusting off the air piano for "Jazz Wave". Get your freak on.
Review: Elusive duo Ed Wizard & Disco Double Dee have been delighting dancefloors around the globe since 2009. With their signature brand of chunky disco dubs infused with hip-hop flavours and a slow mo house feel. They have had numerous releases on great labels around the globe like Whiskey Disco , Disco Deviance, Paper & more in addition to having their tracks played by the likes of Soul Clap and Derrick Carter. Not to mention being remixed by legend Greg Wilson, so these guys definitely have credentials. With no plans to slow down , they now drop the "Slo-Mo Disco" LP on the mighty Editorial Records this summer. A perfect way to light up any daytime disco pool party, BBQ or dancefloor!
Review: Editorial regulars Ed Wizard and Disco Double Dee join forces once more, this time to celebrate the joys of drunkenly dancing in a pub's backyard. There's a definite alfresco looseness to electric piano-laden jazz-funk opener "Basement Jazz", while the groovy and hypnotic "Disco Thang" - which boasts a sneaky nod or two to Yellow Magic Orchestra - may cause a few dancers to spill their pint. Elsewhere, a P-funk classic gets turned into a shuffling house number on "Down With The Groove", the duo drops some more low-slung, string-laden disco on "Come Back Baby", and "Get Down" is a riotous fusion of rubbery disco-boogie grooves, punchy horns, and funk-fuelled freestyle vocals.
Review: To mark reaching fifty releases, Editorial has decided to push the boat out a little, unleashing an album's worth of edits, reworks, re-imaginings and sample-heavy cut-ups from regular contributors Ed Wizard and Disco Double Dee. There are few surprises, but plenty of floor-focused groovers and breezy summer jams, in a range of tempos, that variously touch on funk, soul, disco-funk and boogie. It will almost certainly take you a while to really get your head round it all, but it's worth the effort; the fluttering, slap bass-propelled "Phunkosphere" and rip-snorting funk rework "Sho Nuff" are amongst the strongest things they've done to date.
Review: The long-standing Editorial stable have welcomed many choice boogie and disco heads to do the honours in reviving classic gems from the seemingly endless mine of 70s and 80s wares, and they're at it once again with the Good Fot Get Down collection. Regular contributors Ed Wizard and Disco Double Dee keep things lightly shuffling and laid back on "Let U Go" while The Owl gets into a more stripped and stiff floor-focused funk. The Funk District have more clear intentions in getting the party started with "Disco Dynamite", while Spankie Hazard gets a little jazzy on "Party". Whatever your funky needs, Editorial have it all and more.
Review: It's been a good four months since the last EP from formidable disco/funk/soul twosome Ed Wizard and Disco Double Dee. Here they return to the Editorial label (their usual home) with five more chunks of party-starting scalpel action. Naturally, there's plenty to get the juices flowing, from the rubbery bass, rolling grooves and undulating strings of "Boogie Box", and the whistle-laden disco-funk heaviness of "Groove Catcher", to the unfettered, looped-up sweetness of "Givin' Ya Up". Best of all, though, is the party-in-an-MP3 release of opener "Up 2 Get Down", a horn-totin' slab of disco-funk that hits all the right notes.
Review: Having previously appeared on a dizzying number of split EPs from the Chopshop and Editorial labels (amongst others), Ed Wizard & Disco Double Dee are finally given a release they can call their own. The Chop 40 (we sniggered, at least) is typical of their output to date, flitting between loopy, filter-heavy takes on sumptuous soul and disco jams (see the baggy house grooves and classic horns of "Push Da Groove" and slap bass-boasting "Bounce & Shake"), straight-up funk edits (the riotous "Sho'nuff") and slower excursions. It's the latter that arguably stand out here, with the string-laden sweetness of "Dance 2 Da Musique" and decidedly Balearic "Pinky" both impressing.
Review: Over the last few years, the Editorial imprint - an outlet for disco, electrofunk and house-centric re-edits and reworks - has established a winning formula: expansive, compilation style EPs featuring tracks from a wide range of scalpel-wielding talents. This 33rd excursion sticks to the script, offering another quintet of floor-friendly rubs. There's a dash of heavyweight P-funk (Ed Wizard and Disco Double Dee's forthright "Saturday Night"), some cut-and-paste, sampleadelic beats (Future Feelings' Steinski-ish "Basement Jam"), a sprinkling of deep disco-house (Matt Hughes, P-Sol) and a fluid, Aim-ish trip into downtempo instrumental hip-hop territory (Riccio's electric piano-heavy "Reflections").
Review: The cheeky scamps at Editorial can usually be relied on to bring the goodness. This latest split EP is, predictably, bulging with highlights. Ed Wizard and Disco Double Dee drop a bit of deep house/rubbery disco fusion on the head-nodder's fave "The Way You Move", while Aussie Jad & The Ladyboy ops for a sinewy, seductive, ultra-deep house vibe on his sumptuous "Love Is". B-Jam's "Have Some" is an almost X-rated chunk of electrofunk cut-up madness, all backwards cuts, grunting grooves and stuttering edits. There's a dash of straight-up disco in the form of Joutro Mundo's stretched-out "Body Heat", while Tonbe impresses with "Hot Ivy", a hip-grinding slice of electrofunk badness with analogue synths by the shipload.
Review: More from the popular and hard-working Editorial camp, as they unfurl another five track exercise in joining the dots between disco and house. Label regulars Ed Wizard and Disco Double Dee kick things off with "In Funk We Trust", a groovesome disco-funk edit with just the right amount of contemporary production wizardry (think tightened up grooves and drawn-out filters). Loz Goddard dips a toe into deep disco-house territory with the woozy "Over Ur Shoulder", while Tonbe gives a classic funk tune the 4/4 treatment on "Boss of Funk". The two standouts, though, are Brutal Disco's baggy, boogie-influenced head-nodder "Get Down", and Woodhead's midtempo delight "You Gotta Go", a low-down chunk of pitched-down soul.
Review: The last installment of Editorial's 'Waxed' series seems like quite a while ago, but now part six is here and it's worth the wait. The mo-mo grooves of the previous edition have been replaced by a more euphoric boogie vibe. "Power Of Funk" features catchy brass work, seriously elastic bass and a super anthemic chorus. Elsewhere we also get restrained electro-boogie "Lose Control" and a meandering '70s boudoir grind called "Soft Landing". However it's the sublime glistening loops of "Lucy Called" that's got us truly spellbound.
Review: There's something admirable about the no-nonsense approach of the Editorial camp. While steeped in a deep love of the disco sound and the genre's deep history, the edits and reworks they release are first and foremost tried-and-tested dancefloor bumpers. The four cuts here are a great case in point. Ed Wizard & Disco Double Dee's "Do It One More Time" is a hustlin', low-slung treat (recasting Harvey Mason's "Groovin You" as a sweaty chugger), while Rabo & Snob's "Camel Filter" romps along on a formidable disco-funk flex. The biggest surprise, though is Vinyladdicted's "Alright", a rush-inducing chunk of Balearic disco.
Review: The scalpel fiends and rework hounds behind the Editorial label rarely disappoint, and this latest split EP is packed with floor-friendly midtempo goodies. The most revelatory cut of all is Ed Wizard and Disco Double Dee's "Slow Fire", a delicious 109 BPM bumper that re-casts Gwen McRae's electrofunk-era disco bomb as a stoned head-nodder. It works so well that you wonder why nobody's done it before. Elsewhere, there's some sweet groovery from Feza, a surprisingly percussive disco-funk jam from the usually dawdling 78 Edits, and a decidedly Balearic jazz-funk excursion from Manmademusic and Freshtone. Really, it's only the usually on-point B-Jam who lets the side down with the so-so "Everyday".
Review: Ed Wizard and Disco Double Dee are arguably Editorial's most overworked duo; rarely a release slips out of the label's clandestine, underground HQ without at least one of their sneaky re-cuts on it. Here, they deliver two smart and sassy re-interpretations. The first, "Inner City", is a dubby, jazzy take on Marvin Gaye's "Inner City Blues (Make Me Wanna Holler)" that profits from some booming house bottom end. "Magic", on the other hand, has a delightful looseness - all lazy, loping breaks, sweet jazz guitars and rasping horns. Another solid Editorial EP is completed by Virgin Magnetic Material's "Fly", a faithfully Balearic re-incarnation of Steve Miller Band's "Fly Like An Eagle".