Review: Eddie C is known for his work with Endless Flight, Jiscomusic and
Red Motorbike and Lumberjacks head honcho
Marcel Vogel is happy to welcome him after wrecking many a party together.
Get It Together already found its way into Marcel's Boiler Room set.
And what it is was rescued from a batch of neglected older tracks that Eddie
had made early on in his career but is actually a stone cold banger that's tearing
apart every dancefloor.
Review: Movin 2 Fast? Not when these sparkling disco house jams are spinning... You'll be shimmying and boogying at just the right speed as these Whiskey wunderkinds let loose. Each of the four cuts is a highlight in its own way; Eddie C conjures up the spirits of Cevin Fisher with just a dash of Krivit keys, Alkalino's low-swung bass jacker is as sexy as disco gets, Cole Medina pilfers a very well-known sample and injects it with undiluted disco dust while Osmose closes the show with an ace edit of the Alan Parsons Project.
Review: Sleazy McQueen's Whiskey Disco imprint continues to be one of the more reliable sources of disco and boogie re-edits. Rather predictably, this latest installment in the series is bristling with high-grade dancefloor material. There's some riotous, party-minded disco-funk from newcomer Scott M, who delivers a killer touch-up of Vernon Burnch's "Get Up", and a thrillingly low-slung chunk of rolling disco-house from VinylAddicted and SMQ. While Pontcharain also provides a tightened-up, filter-heavy tweak of France Joli's Prelude classic "Gonna Get Over You" - heavy on the delay, and with the urgent hustle of house - it's the contribution from Canadian stalwart Eddie C that stands out. A smooth, midtempo cut-up of a lesser-known rollerboogie jam, it rises and falls in all the right places.
Review: A fine four-track V/A sampler here from Sleazy McQueen's Lovedancing label. Felipe Gordon and Vagabundo Social Club's 'Basilio' opens proceedings on a deep Afro-tip, pairing garage-y organs with tribal beats, chants and a spoken vocal about colonialism, before Eddie's Stomp Mix gives the track a shot of dancefloor energy, complete with space disco stabs, jazz-funk synths and a new "I got it!" vocal. Sleazy & VSC's 'Chips Y Salsoul' is 70s barrio funk given a 21st Century house makeover, and then finally 'Be There' sits right on the deep house/nu-disco cusp with its soaring strings and vaguely Latin-sounding backbeat.
Review: If a week is a long time in politics, then a decade is the equivalent of a lifetime in dance music terms. It's for this reason that so many labels are keen to mark their tenth birthday with a special release, just as Wolf Music - one of the UK's most reliable deep house imprints of recent times - has done here. Instead of opting for all new material, the imprint has decided to gather together some of their favourite "Wolf slammers" - cuts that have always done the business on the dancefloor. There's naturally plenty to set the pulse racing throughout, from the loopy R&B/disco/deep house fusion of Fantastic Man's "Look This Way" and the fabulously analogue Chicago retro-futurism of KRL's "Nothing You Can Teach Me", to the sample-heavy, riff-happy bounce of Red Rack'em's "Do Or Die" and the bass-heavy stomp of K98's warehouse-ready revision of Thrilogy's "Heaven".
Review: Last year, the crew behind Brazil's well-loved Mareh festival decided to launch their own label. Like their 2014 debut EP, which boasted cuts from Eric Duncan and Pete Herbert & Dicky Trisco, Mareh Drops is another all-star affair. The Revenge kicks things off with the sparse, string-laden tech-house bump of "Strings of Fife", before Berlin-based Canadian Eddie C delivers the quietly impressive "Take Me Or Leave Me", a delay-laden deep house shuffler with sun-kissed disco influences. Pete Herbert goes solo on the deliciously bright, breezy and sun-drenched Balearic disco groover "El Bigotes", before Max Essa goes deeper into Balearic territory with the sweet synthesizer arpeggios, bubbling beats and dreamy pads of "Night Measure".