Review: With the catalogue that the Cuttin' It Fine team have both assembled and keep adding to, it's hard to expect anything less than exceptional with every release. They deliver another set of four breakbeat belters, courtesy of both El Bomba & Roast Beatz. First up, El Bomba delivers a dancefloor-ready funk out in 'Take A Break', a lively combo of sharp drum slaps and lip-curling basslines, before Roast Beatz the energy with the groovy guitar plucks and singalong vocals of 'Party Over Here'. Back to El Bomba next as the classic sounding guitar melodies and unpredictable drum shakes of 'Bronco Funk' tone down the madness a tad, before rounding off with anthem-like arrangements of 'Get On Down' from Roast Beatz, boasting a showstopper of a bassline, draped in pleasing horn switches and tidy vocal chops for good measure.
Review: Budapest beat conjurers MustBeat tether up 21 of the finest remixes they've commissioned over the past four years. The end result is a widescreen romp that explores - and consequently tickles - every nook, corner and cranny of funk's thick-shag underbelly. From the swampy glitch dub of Sammy Senior's remix of "Unreality" to the sunshine skanks and crisp nylon string plucks of Niles Philips' take on "Cop Dat Shit" via the midrange squiggles and sweaty swagger of Trotter's twist on "Supernature", there's a clear consistency and clarity on this package that's seldom seen on a remix collection. A neat testament to the label's toil and great opportunity to fill any gaps in your collection.
Review: It's a great sign of the state of music when the tenth installment of Tru Funk's Tasty Beats series, which normally features about five tunes, boasts 21 fresh new cuts! It's a veritable feast of party mash-up bangers, with something for everyone. Highlights include the funky Khia/Snoop blend of "Gangsta Lick", the cut-up electro-funk of "Golden Ass" and the hands-in-the-air Stevie Wonder madness of "Party Like We Do".
Review: Swiss booty dealers Tremendo launch a new series and the title says it all. The label's established funk sound is still in abundance, but it rolls with a heavier bass twist. In some places the low end urgency is more obvious than others - DJ Soo and Tim Livingstone's earworm bassline rips through "Boom!" with true musical mischief while Father Funk's "Feel The Beat Y'All" is less dirty and more cheeky with its classic swing motifs and occasional wobbles. Elsewhere we hear Jayl Funk pay homage to classic 60s funk, Trotters and Telephunken munching on raw squidgy bass and El Bomba getting all slinky and sexy. Get dirty.
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