Review: DRS working with Enei and LSB was music to our ears before we even heard the track. Drop Tyler Daley's blistering vocals into the mix too and you've got yourself a release that's 100 per cent drum and bass purity. "The View" starts things on a euphoric high with LSB rolling out those lush vibes he does so well. Tyler adds his vocals and what results is a cinematic love story played out at 170bpm. Enei prefers things strictly dark so when "Count To Ten" starts its militant march it's evident there's no escape. Abstract, tribal and earth-shatteringly heavy, DRS whips up the mood with agile aggression. Two tracks, two worlds. Choose carefully.
Review: Described as being "vital members of DJ Friction's irrepressible Shogun Audio movement", this acclaimed duo pride themselves on their ability to combine both depth and dancefloor-beats in their productions. For this split-release we have a remixes of their track "Organiser" by Foreign Concept who takes the original and twists it into a slow and sinister beast. The digital B-Side features "One Chance" by their Russian labelmate, Enei, remixed into an even darker, glitchy affair by Emperor.
Review: Highly anticipated and hotly tipped release from Russian producer Enei (who, incidentally, also produces dubstep with two others under the Giant alias), Eastcolours and Noel. This one's had heavy club rotation from across the board and no wonder it's a tough, taught roller with lacerating breaks, searing b-line which tears through the fabric of the music mercilessly with pounding subs, distanced, distorted vocal sampling and punchy delivery. "Danger Dance" pairs clicking beats with trademark enormous bassline and shimmying drum rolls in the manner of Alix Perez or Spectrasoul, marking another shining success for Kasra's Critical imprint
Review: As if his "Divided Mode" EP wasn't quite enough dark fire for us this year, OG Critical fam Enei comes correct with another multi-track blast up. "Sinking" takes the lead on a mean techno tip as thundering 4x4s do all the driving as Enei plunges us deep into his alien bass pool. Deeper into the EP we hit pure techy roller territory on the pranged-out "Ghost Boat" while "Get Closer" reminds us of the Russian's more emotional side as he leaves heaps of space for singer-of-the-moment Charli Brix to purr pure dulcet velvet into the mix. Finally "Dark Move" shuts down the shop on a mean, gritty, stripped-back minimal one. Watch out of the creaky, creepy off-beat cascades midway... The devil always makes the darkest moves.
Review: Hold tight Critical crew; Kasra's got a new series in the pipeline, as Critical Presents: Sequence One. Bringing together four gems from some of the hottest artists who have gravitated to the London label in 2011, this is a must buy for the discerning D&B fan. Russian-based emerging star Enei, with the hypnotic, ominous bass-laden "Obsession" (feat. DRS) features, as do Bournemouth duo Ulterior Motive with their suitably tech-ed up monster "Divergence". Also on there is Neosignal's Phace, live and direct from Germany with the punishing, neuro-tinged "Freedom Of Filth", and finally label owner Kasra makes an appearance with Jubei on "The Rift". Big, bad and heavy.
Review: Enei is an artist who has been massively blowing up in the D&B scene in the past year, and here he cements his reputation as one of Saint Petersburg's finest on Kasra's Critical imprint. The title track "Stonehead" is all trademark sharp, snapping breaks punctuated by a vitriolic gangster-style vocal urging us to "trust me", with a rolling b-line below. "No Fear", up next, features the lyrical prowess of Riya, who brings in a female Kemo style rap vocal to fidgeting drums and Ramadanman-meets-Rockwell SFX. Enei ups the dancefloor vibes in "Movin Fast" which has a trancey synth-led intro, with punchy drums and warping SFX, dropping into a bonafide banger. Last and not least, Jubei goes in on the remix duties for previous hit "Cracker", transforming it into an even moodier meditation.
Review: Enei is an artist who has been massively blowing up in the D&B scene in the past year, and here he cements his reputation as one of Saint Petersburg's finest on Kasra's Critical imprint. The title track "Stonehead" is all trademark sharp, snapping breaks punctuated by a vitriolic gangster-style vocal urging us to "trust me", with a rolling b-line below. "No Fear", up next, features the lyrical prowess of Riya, who brings in a female Kemo style rap vocal to fidgeting drums and Ramadanman-meets-Rockwell SFX. Enei ups the dancefloor vibes in "Movin Fast" which has a trancey synth-led intro, with punchy drums and warping SFX, dropping into a bonafide banger. Last and not least, Jubei goes in on the remix duties for previous hit "Cracker", transforming it into an even moodier meditation.
Review: Enei's evolution over the last year or two has immense and the Russian producer has combined the techy side of things with the jumpier bits better than anyone else, a stylistic blend that he puts to perfect use in this five-tracker. Regular partner in crime Jakes steps up for 'Master Key', and his typically menacing vocal work adds edge to an already jagged instrumental, one which rattles through double bass notes and withering, stabbing percussive touches. It's a proper dancefloor cut constructed for the reopening of gigs, and this attitude spreads across the entire release; from the moody steps of 'Ignit', to the bouncing shards of 'Dirty' and the jump-up infused murderation of 'Lucid' The master is back.
Review: A king selector and respected label director first and foremost, Critical bossman Kasra doesn't dish out sonic sermons very often. But when he does, it's always worth paying attention. Especially when Russian demon Enei is on board, too. Five tracks in total, we range from the swampy half time sludge of "Inside The Box" to the early Metalheadz ice and depth plunge breaks of "Words" via the peaktime heads down stepper "Arcana". The real highlight, though, is "Overthinking". Haunted pianos, ghostly breakbeat flickers and paranoid poetry from everyone's favourite MC, DRS, this is up there with "Count To 10". Yeah, it's that good.
Review: Not seen since his debut album Machines was released on Critical in late 2012, St Petersburg's best drum and bass exponent Enei resurfaces in double plated fashion with the Liberation EP. Despite the absence, Aleksei Egorchenkov is on fine form for Critical here, experimenting with new tempos and new collaborators without any hint of sacrificing his skills for raw, next level drum and bass. Fellow Critical producer Emperor, Mancunian vocalist and producer Chimpo and singer songwriter Sam Wills feature across the two slabs of wax, with the tempo shifting "Headtop" featuring Chimpo a standout track.
Review: Russian D&B supremo Enei returns with his first full EP since his epic debut album Machines in late 2012. As you'd expect, it's yet another masterclass in solid rhythm and industrial strength sound design. "Goliath" opens the ceremony with a distinctive sermon from MC-du-jour DRS. As the title suggests, it's majestically monolithic. Further in we're bombarded with demonstrative dynamics; the techno-like loopiness of "Hotplate", the dramatic, rim-shot-striking tantalisation on "The Artefact" and the slimy, sludgy half-time twists on "Prometheus". Will Enei ever make a bad record? We somehow doubt it. Get to know.
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