Review: Isabelle Maitre aka Epsilove follows her 2017 debut on Dekmantel with this weird and wonderful EP. "Time Is The Longest Distance" is a mid-tempo affair that warbles to the sound of cosmic synths, hushed vocals and slow, dubbed out drums. It makes for a wonderfully woozy piece. On "Sea Snakes", Maitre picks up the pace to deliver a rickety electro track that resounds to stop-start drums and deep acid lines. Dekmantel has also commissioned remixes of this singular artist; Ali Bobo & Shelter turn "Time..." into a teased out groove, while on their version of "Sea Snakes", HAJJ & Lastrack deliver a glitchy, stripped back techno stepper, replete with cosmic keys.
Review: A decade ago, the Dekmantel crew threw their first party in the Dutch capital; two years later the record label followed. For their decennial anniversary, Dekmantel Records are releasing 10 very special EPs over the course of 2017. The fourth release in their celebratory series is a collection of new material from some of the label's favourite artists. This fourth edition brings together their love of electro and wave influenced grooves by the likes of Los Angeles electro legend The Egyptian Lover, who serves up the aptly titled "This That Old School" which proves to all the bandwagon jumping wannabes what 'real' electro is. Staying on that retro flavoured tip are the Antinote affiliated Syracuse & Epsilove doing some acid infused analogue jack by way of pop on "Scubatomic Love". Finally, they look locally with the Red Light Radio affiliated/Rush Hour 'analogue adventurist' Interstellar Funk: who pursues some retro/balearic vibes on the sublime "EFX Harmonix"
Review: A true staple of the Amsterdam scene, the Rush Hour affiliated Yuri Boselie aka Cinnaman takes up the reins for local institution Dekmantel's extended tenth birthday celebrations with this mastermix. It takes in the entirety of the 10 volume edition - what an effort. What may seem as an outrageous challenge - what with the compilation's genre diversity and wide rage of tempos - it's a success, for they've certainly found the right candidate. Cinnaman plays a wide range of styles anyway, and is never afraid to mix the known with the unknown - he has a reputation for his remarkable combinations and transitions. From moments of sublime ambience (Italian ambient legend Gigi Masin with the utterly evocative "Maja") to bass heavy electro bounce (courtesy of Egyptian Lover or Syracuse & Epsilove), right through to techno bangers of the cerebral variety (by Donato Dozzy & Peter Van Hoesen or local hero Talismann) and stuff by Bufiman or Tony Allen - it's a solid effort here by one of Holland's finest selectors.
Review: Its festival operation may have enjoyed its most successful year so far, but Dekmantel remains true to its underground roots on this look back at 2019. There's the off beat disco of Freedom Engine, Mathew Jonson's new project, as well as left of centre curveballs from Lamellen and Epsilove. That said, the Dutch collective also understand what's needed to rock a dance floor. Fittingly, 2019 includes the electronic disco of Jex Opolis "Earth Boy" and Betonkust & Palmbomen II's acrid acid workout "Underground Dance Floor", which both appeared on the label earlier this year- as well as the timeless icy techno classic of Terrace's "Bewitched".