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Mr Scruff / Various
Review: 2020 marks the 25th year of !K7's acclaimed DJ-Kicks series with Mr Scruff following contributions of late from Leon Vynehall, Laurel Halo, Peggy Gou and Kamaal Williams! Mr Scruff's adventures in sound brings to DJ-Kicks more than 30 tracks of wildly varying styles featuring highlighted music from Equiknoxx, Tiger, Errorsmith, Max Graef and Zongamin. Scruff brings to his edition an exclusive collaboration with CyberPunkJazz ("3001: A Space Disco Remix") and an unreleased track from Andy Ash to boot. Alexander Robotnik makes in there with the wild New York post-funk of "Love Supreme" alongside a heavy Tony Allen percussion session in "Gbedu B". DJ Nervoso for the win too!
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K 7387D
27 Mar 20
International
27 Mar 20
International
Review: With Modeselektor's highly lauded 50 Weapon's imprint on its way out after a great run of seminal releases, they're going out all guns blazing with two absolute killer tracks. The first from UK bass hero Antony Williams aka Headhunter aka Addison Groove, who throws down the jacking and unrelenting juke inflected monster that is "Allaby". Beware, there's some serious bass frequencies on this one! If that was not enough, they commission Berlin techno maverick and one half of MMM Erik Wiegand aka Errorsmith for some of his typically bleepy, massive and downright outrageous main room monsters in the form of "Airbag". If you thought the bass on the previous track was too much, just wait until you hear this full frontal sub assault.
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50WEAPONS 043
01 Jul 19
Bass
01 Jul 19
Bass
Review: Bill Kouligas' always unpredictable PAN imprint brings forth some cutting edge experimental electronics once again in the form of Erik Wiegand aka Errorsmith. Solo artist, a member of MMM and half of Smith 'n Hack in addition to producing some amazing musical software for Native Instruments. Superlative Fatigue is his first album in 13 years and reflects this tension between over-the-top/hysterical emotions, against more deeply felt expressions of realness. Wiegand has stated that it is a rather accessible and cheerful collection of tracks, compared to his usual work; going from 'ridiculously cheerful' but sincere and emotional all the same. From the broken, tongue in-cheek party techno of "I'm Interesting, Cheerful & Sociable" to the blunted and computerised hip-hop of "Retired Low-Level Internal Server" or the downright indescribable weirdness of "Internet Of Screws" it's all in all a pretty compelling listen.
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PAN 81
20 Oct 17
Experimental/Electronic
20 Oct 17
Experimental/Electronic
Magda / Various
Played by: Maceo Plex
Review: Australia's Balance Music is known for its quality mixes by the very finest in the underground music circuit. With previous compilations by the likes of New York's Danny Tenaglia, Deetron and Funk D'Void, among others, this is as close to a Fabric mix as you can get without those shiny tin cases. Ex-minimal legend turned all-out techno queen Magda steps up for number 27 in the series, and it's nothing but vibes on this one. Amalgamating shreds of stripped back techno - Marcel Dettmann, DVS1, Samuli Kemppi - together with newer, more underground sounds from some of the most cutting-edge labels around - Marco Bernardi's Sandman project, TTT's Minor Science, XDB and Shackleton - the Minus legend shows why she's still one of the best in the game and a true expert at evolving her aesthetic. A great mix, dig in.
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BAL 014D
09 Mar 15
Minimal/Tech House
09 Mar 15
Minimal/Tech House
Review: Errorsmith's third release, now availabel on digital, contains a selection of live recordings made between 2001 and 2003 in various clubs and concert venues like Ulraschall in Munich, WMF in Berlin or Empty Bottle in Chicago. Most of the tracks on this album are interpretations of classic disco and r'n'b songs. Digitally synthesized, distorted and filtered club music which goes far beyond its origin. Less abstract and much more dancefloor compatible than the two previous Errorsmith releases, this album relates closely to stuff from Smith n Hack and MMM, projects which Errorsmith is part of as well. The live sets were played on a laptop with a self build digital live tool, a combination of a simple sequencer and a synthesizer. Errorsmith uses this tool to manipulate both the rhythmical pattern and the triggered sounds in real time. With a huge degree of freedom in playing his instrument, two gigs weren't the same and a gig had its highs and lows. How different a track could be played out, can be heard on the two versions of "Near Disco Dawn" and "In A Sweat". Initially planned to be released as studio versions, Errorsmith decided to keep the rawness, incompleteness and live feeling of the concert recordings.
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ERRORSMITH 03
01 Jan 12
Techno
01 Jan 12
Techno
