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Felipe Gordon
Browse the latest digital releases by Felipe Gordon
The Punk Automata EPCOMING SOON
Self Love - (8:44) 120 BPM
The Punk Automata - (4:49) 120 BPM
Your Feelings - (5:22) 120 BPM
Please Don't Go (feat Bob The Egoist) - (6:22) 125 BPM
Review: Colombian underground hero Felipe Gordon makes his bow on G.A.M.M, delivering a typically warm, sample-rich collection of deep house cuts in his trademark, jazz-funk flecked style. Opener 'Self Love' is vintage Gordon: all twinkling, sunrise-ready piano motifs, bouncy jazz-house drums, jazz-funk synths and dirt-encrusted piano solos. Title track 'The Punk Automata' is a more spacey and hypnotic affair with enough odd noises to prick the consciousness of even the most locked-in dancers, while 'Your Feelings' is a lightly acid-flecked trip into deep, woozy, early morning house. To round things off, he joins forces with old pal Bob The Egotist on 'Please Don't Go', a warm, disco-sampling chunk of hearty deep house haziness.
GAMM 185
12 Dec 24
Deep House
12 Dec 24
Deep House
Review: Phonogramme Records gathers four remarkable talents for 'Various Artists, Vol 1', a compilation that explores different shades of very refined house music. Abacus leads the charge with 'Loisada', a soulful house track that beautifully blends the sounds of Chicago and Detroit. His legendary production style shines through, with smooth melodies and an effortless groove that feels both nostalgic and fresh. Fred P follows with 'States Of Motion', where a deep, swelling bassline drives the track as melodic elements float along, complemented by soulful keys that rise to an emotive peak. Felipe Gordon switches things up with 'The Gordon Way', bringing in a funky jazz groove. The track feels like stepping into an old piano bar, but with a modern twist of deep funk bass and electronic accents that push the sound forward. Byron The Aquarius closes the compilation with 'When The Freaks Come Out' featuring Computer Jay, delivering laid-back, late-night deep house. With jazzy elements and a lounge-like vibe, it's smooth, swinging, and perfect for winding down. This compilation provides a refreshing mix of styles, showcasing house's versatility.
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PHONOGRAMME 50
21 Oct 24
Deep House
21 Oct 24
Deep House
Review: Fresh from a run of four EPs on Shall Not Fade - not to mention bonus outings on Razor N Tape Reserve and Phonogramme - Felipe Gordon pitches up on Chiwax for the first time. By now, we've become accustomed to the foundational elements of the Colombian's trademark sound - think deep house grooves and musicality mixed with jazz-funk basslines, dusty samples, and nods to jazz and acid house. This trademark sound is naturally at the heart of the four tracks on show here. There's much to admire throughout, from the gorgeously spacey, acid-flecked wonder of 'Like Father, Like Son' and the jazz-funk bass-propelled deep house warmth of 'Seasick is Better Than Homesick, Baby', to the bold stabs, talkbox samples, breakbeat-spotted house beats and toasty bass of Bob the Egoist collaboration 'Mundo Blau'. Best of all, though, is closing cut 'The Doctor', where fizzing synth sounds, warm keyboard riffs, jazzy sax samples and freewheeling vocal snippets ride a joyous deep house groove.
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CHIWAX 024LTD
11 Oct 24
Deep House
11 Oct 24
Deep House
Review: Summer may be fading fast, but nobody told this generation's most prolific deep house producer, Felipe Gordon. The Colombian's latest treat is packed to the rafters with hot, sunny and suitably summery dancefloor workouts - all smothered in dusty samples, nods to jazz and vivid, brilliantly executed ideas. For proof, check the lolloping jazz-house shuffle of opener 'Happy Sunday', or the fizzing, jaunty and kaleidoscopic deep house warmth of 'I'll Find a Way', where his own vocalisations catch the ear. Elsewhere, 'The Lichtenberg Effect' is another jazzy house roller rich in dusty samples and fast-fingered bass guitar, while 'You Can Do It On Your Own' is a genuinely blazed, DJ Cam style trip-hop interlude.
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SNF 120
16 Aug 24
Deep House
16 Aug 24
Deep House
Played by: FINGERMAN, Juno Recommends Deep House, Mike Riviera, Siggatunez, Mono/Loco, Chris Reed, Yuu Udagawa
Review: Colombian producer Felipe Gordon has been at the peak of his powers over the last few years, offering up countless EPs for the likes of Shall Not Fade, Royal Oak and Toy Tonics with no discernible dip in quality. Predictably, he's hit the mark once more on to be his first EP for French label Phonogramme. Gordon predictably hits the ground running with 'Who's Gonna Be', where sweat-soaked jazz drum fills and a vintage blues-soul vocal ride sturdy house beats and an infectious synth bassline, before opting for a more classic jazz-house sound on the deep and breezy 'Wait On You (Say Goodbye)'. The Colombian dives deeper style on the rolling, hazy and shuffling 'Keep Doing What You Love', while 'Phasing The Shit' is an expert exercise in spacey deep house lusciousness.
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PHONOGRAMME 45
21 Jun 24
Deep House
21 Jun 24
Deep House
Review: Felipe Gordon, a well-established figure on the Shall Not Fade label, makes a triumphant return with his seventh release, the "My Legs Are Numb" EP. This latest effort solidifies Gordon's reputation for delivering captivating house music with a unique flair. The EP opens with the title track, "My Legs Are Numb," where Gordon channels the deep house intensity reminiscent of Moodymann. The track's hypnotic grooves and rich textures set a high bar for what's to come. This deep and immersive soundscape is a testament to Gordon's ability to blend soulful elements with a dancefloor-ready vibe. "Sander's Journey" follows, offering a more laid-back, melodic experience. The track's serene and soothing atmosphere provides a beautiful contrast to the intensity of the opener, showcasing Gordon's versatility and melodic sensibilities. It's a perfect example of how he can create compelling narratives within his music. On "Do You Ever Miss Me?" Gordon injects extra drive into the drums, creating a more dynamic and energetic piece. The inclusion of a sultry saxophone adds a layer of sophistication and soul, making it a standout track that melts into the listener's consciousness with ease. The EP concludes with "A Perfectly Calmed Felipe," a jazzy, laid-back number that wraps up the journey on a serene note. The track's smooth rhythms and gentle melodies encapsulate Gordon's ability to infuse his music with a sense of calm and introspection.
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SNF 119
31 May 24
Deep House
31 May 24
Deep House
Review: Felipe Gordon may be a confirmed label-hopper - in the last 12 months alone he's appeared on Clone Royal Oak, Toucan Sounds and Shall Not Fade - but he's also Mr Consistency. Predictably, this return to New York's Razor N Tape imprint is full to bursting with tried-and-tested dancefloor treats. Gordon is at his expressive, musically expansive best on 'Flutes of Gold', where vibraphone and synth solos stretch out over a lolloping deep house beat and warming electric piano chords, while 'Right Beside Me' is an infectious, low-slung, sample-heavy jazz-house delight. To round off the EP, Gordon smothers a luscious deep house groove with extended organ solos ('Homage to Bossa'), before taking us deep into space via the wild TB-303 motifs, pots-and-pans beats and shimmering chords of 'Acid Party at Santa Barbara'.
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RNTD 103
09 Feb 24
Deep House
09 Feb 24
Deep House
Review: Colombian house hero Felipe Gordon impressed (as usual) on his first outing on Clone's Royal Oak offshoot earlier in the year, so naturally hopes are high for this speedy sequel. Title track 'No Words' comes presented in three different forms: Gordon's ultra-deep, hypnotic original mix in which immersive pads and echoing organ snippets ride hushed machine drums and a raw TB-303 bassline, and two takes by Byron The Aquarius. The Atlanta producer first reaches for flutes, jammed-out boogie synths and looser house grooves on a fine 'Dub' mix, before presenting a shorter "remix" that gives more prominence to the wigged-out solos and fluttering flutes. 'Travel Through Your Mind', a more driving chunk of intergalactic deep house, completes a fine package.
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ROYAL 054
22 Dec 23
Deep House
22 Dec 23
Deep House
Review: Just like his country's cyclists on the 'grand tours' of Europe, Felipe Gordon is climbing rapidly - though he has the summit of deep house in his sights, rather than a legendary French, Italian or Spanish mountain. His music is always assured, on-point and playable, and this three-tracker is no exception. Title track 'The Warehouse Beast' is, by his standards, pleasingly bold, with echoing spoken word snippets, classic-sounding stabs and fizzing electric piano riffs rising above a chunky bassline and loose-limbed deep house drums. Glenn Underground brilliantly re-imagines the track as an ever deeper, more musically detailed treat underpinned by a fantastic acid bassline, while bonus cut 'It's Over (Drive My Car)' is - somewhat surprisingly - a hazy, loved-up deep house take on The Beatles (really).
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YTCWVYL 06D
08 Sep 23
Progressive House
08 Sep 23
Progressive House
Played by: FINGERMAN, Juno Recommends Deep House, Andy Downtown Science, Black Pomade, Jo Wallace, Nutritious
Review: Some two years on from the release of his acclaimed 'A Landscape Onomatopeya' album on Shall Not Fade, Felipe Gordon delivers another fabulous full-length excursion. In the time that has passed since that set hit stores, the Colombian has become an even better producer and musician, and that's naturally reflected in the quality of the cuts on offer. There are naturally deep house gems aplenty - see the huggable, jazz-flecked grooves of 'Departing', warming and classy vocal number 'Authentic Feeling' (featuring Bob The Egoist), the simmering, sun-soaked 'Treat You Gently' and peak-time ready strut of 'What We Gonna Do' - but also some fine trips into downtempo deliciousness ('Para Jos', the album-opening title track), raging acid house ('Take It, Acid Comes'), and even a dash of modular synth-wave eccentricity ('Easel of Suave').
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WA 001
11 Aug 23
Deep House
11 Aug 23
Deep House
Various
Review: As part of Heist Recordings' ongoing 10th birthday celebrations, label founders Dam Swindle have decided to showcase some of the 'Hidden Gems' lurking in the imprint's back catalogue. It's a smart move, because there's plenty of high-grade dancefloor heat to be found across the 15 under-celebrated tracks on show. For proof, check the squelchy synth-bass, rushing piano riffs and classic house vibes of Fouk's 'Truffles', the gorgeous sci-fi techno melodiousness of Lord of the Samurai's 'Space Designer', the sun-splashed, jazz-flecked excellence of Crackazat's 'We Know', the low-slung, drum machine driven headiness of Adesse Versions' 'Push It Along' and the drowsy, soul-flecked late-night deepness pf Marina Trench and Sabrina Bellaouel's 'Wake Up'.
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HEIST 074
11 Aug 23
Deep House
11 Aug 23
Deep House
Played by: Irregular Disco Workers, FINGERMAN, Juno Recommends Deep House, Tonbe, BRENDON P, CHEWY RUBS, Stephen Richards (DiscoDaze), Andy Buchan, DiCE_NZ
Review: Columbian producer Felipe Gordon joins forces with Belgian artist Krewcial in an exciting collaborative EP, immersing listeners into their shared sonic universe. Inspired by their mutual passion for cycling, this EP takes you on a thrilling journey through various textures and terrains, transcending into moments of luminosity while delving into deep atmospheres. The EP commences with "1972", a captivating opening that blends intricate percussion with a compelling, driving bassline, akin to conquering steep hills during a cycling expedition. Next up is "Dying", featuring uplifting choir vocals that infuse a gospel-inspired sensibility into the undeniably funky bassline. Following is "Answer", navigating between clean and satisfying kick drums, interspersed with sharp snares while Session Victim is offering a beautifully ethereal reinterpretation.
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SNF 086
14 Jul 23
Deep House
14 Jul 23
Deep House
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WA 001S2
14 Jul 23
Breakbeat
14 Jul 23
Breakbeat
Played by: Monkey Boots, PBR Streetgang, Pete Haigh, FINGERMAN, Superbreak, Juno Recommends Deep House, Andy Downtown Science, BRENDON P, Matt Brown (SanchoPanza), Spincycle
Review: Is there anything Felipe Gordon can't do? On his second Clone Royal Oak outing, Gordon eschews the acid flex of his previous EP for the Rotterdam imprint in favour of nods towards New Jersey garage and turn-of-the-90s NYC deep house. The headline attraction is 'For Martha', a bumpin' excursion rich in squelchy synth-bass, synthesiser horn sounds and deliciously dreamy chords. Kai Alce delivers two revisions: an even more old school-sounding revision blessed with his usual jazz-flecked instrumentation (the 'Remix') and an arguably even stronger 'ClubJazz' mix that could have come straight from Jovonn's archive of unreleased early '90s productions. Elsewhere, 'Waves' is a spacey, off-kilter, percussion-rich workout of the sort we'd usually associate with Ron Trent, and the hazy, all-action early morning delight that is 'The Beginning Of That Lonesome Road'.
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ROYAL 052
06 Mar 23
Deep House
06 Mar 23
Deep House
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091012 582165
23 Dec 22
Funky/Club House
23 Dec 22
Funky/Club House
Played by: DJ M4SH, FINGERMAN, Superbreak, Kisk, Juno Recommends Deep House, Andy Downtown Science, BRENDON P, Andy Vann/Grass Green, LEGO EDIT, Gledd, Reed & Radley
Review: We've banged on about how much we enjoy Felipe Gordon's work before, noting that nearly everything he touches turns to musical gold. Predictably, his first outing on Clone's Royal Oak offshoot is superb, too. Opener 'Impresiones Acidas' is particularly impressive: a near-perfect fusion of hazy deep house, Tourist-era St Germain jazz-house and undulating, near psychedelic acid lines. It comes accompanied by a TB-303-free take, 'Impressiones' (where the original's luscious jazz guitar solos get more of an airing) and two bonus cuts: the sunshine-ready, jazzual deep house wonder of slowly shifting loop jam 'Can't You See' and the chunkier, piano-sporting deep house heaviness of 'Displacing Resolution'. In a word: impeccable!
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ROYAL 051
25 Nov 22
Deep House
25 Nov 22
Deep House
Played by: Juno Recommends Funky House
Review: Is Felipe Gordon Colombia's most prolific producer? There's certainly a strong case that he is, with this Karakul label debut marking his 14th new EP since the start of 2021. You'd expect the quality to dip given that level of output, but as usual Gordon is in fine form throughout. For proof, check Bob The Egotist collaboration, 'Get Your Body Movin', a wonderfully warming chunk of gently soulful house rich in the Colombian's usual tasty Rhodes chords, jazz-funk-fired bass and subtle nods towards mid-90s US garage. On 'Timeless', Gordon douses hypnotic deep house beats and weighty bass guitar loops in ultra-dreamy chords and weary early morning intent, before 'Moving Results' delivers colourful, acid-flecked deep house perfection. Closing cut 'Take It Away', meanwhile, is a more tactile, spacey and loose-limbed chunk of eyes-closed deep house goodness.
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KARAKUL 009
21 Oct 22
Funky/Club House
21 Oct 22
Funky/Club House
Played by: Juno Recommends Deep House
Review: One-man musical whirlwind Felipe Gordon has been one of the deep house sensations of the last few years, notching up a formidable catalogue of subtly jazz-funk flavoured treats for all manner of labels. This EP for Toy Tonics marks something of a departure for the talented Colombian, as it marks the first time he's worked with a vocalist - fellow countryman Daniel Pardo AKA Bob The Egotist. The latter makes a big impression on title track 'Freedom', a weighty, wobble-bass propelled chunk of ultra-atmospheric, '90s-influenced deep house brilliance. The other four tracks on the EP are equally as impressive to be honest, with highlights including the flute-sporting, deliciously percussive 'Don't Try It', the shuffling, jazz-funk flavoured mid-tempo warmth of 'Time' (featuring marc Bianco) and the Georg Levin-esque brilliance of 'Expandable'.
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TOYT 133
02 Sep 22
Deep House
02 Sep 22
Deep House
Review: There's lots to love about Felipe Gordon, not least his jazz-funk-tinged deep house sound and a work ethic that ensures a regular stream of rock-solid releases. The Colombian producer begins his latest Shall Not Fade outing with the ultra-deep jazz-house/deep house fusion of 'The Love' - all meandering Rhodes solos, hissing cymbals, jazzy drums, sustained synth-strings and looped bass guitar - before joining the dots between rubbery electrofunk and uplifting deep house on the classy and addictive 'Da Ghent Life'. He reaches for dusty clarinet samples, twinkling pianos and dusty deep house beats on 'More Than Grateful', before attempting to get us to throw our hands in the air on 'Natural Born Climber', where stretched-out sci-fi chords, elastic synth-bass and jammed-out piano riffs catch the ear.
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SNF 074
19 Aug 22
Deep House
19 Aug 22
Deep House
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FF 003S
15 Aug 22
Deep House
15 Aug 22
Deep House
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HD006R 1
16 Jun 22
Electro House
16 Jun 22
Electro House
Review: Six pleasingly varied deep house cuts here from Felipe Gordon, a Colombian producer whose work has appeared on labels such as Local Talk, Toy Tonics and Razor N Tape as well as his own Nomada Records. 'Mr Umbawa' is a pleasant little roller with hints of Afro and jazz flavas, 'Feeling All Over It' and 'For Jose And Martha' nudge towards Balearic territory, 'Inherently Deep' is yer classic-style deep houser with some very fine keys work while 'Ventana Al Tiempo' puts a squealing synth front and centre. The pick for yours truly, though, is 'Superimposition' itself - a garage-leaning organ jam to die for!
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N&B 007
06 May 22
Deep House
06 May 22
Deep House
Various
Review: By now, we should all know what to expect from Heist Recordings' annual Round-Up EPs, namely label regulars and selected guests remixing each other. JKriv and Peter Matson do a terrific job in turning Fouk's 'Money' into a squelchy, TB-303-fired slab of nu-disco/retro-futurist house fusion, before Makez re-imagines Mariana Trench's 'Wake Up' as a jazz-funk flavoured broken beat number and Fouk re-frames a Lore of the Samurai track as a gorgeous slab of house-not-house sunshine. Elsewhere, Mariana Trench gives Felipe Gordon's 'Highly Corrosive Acid' a driving, riff-heavy deep house spin, Felipe Gordon opts for a drowsy and eccentric mid-tempo house sound on his version of JKriv and Peter Matson's 'New Friend', and Lore of the Samurai's rework of Makez's 'City of All' is a hypnotic, tech-tinged treat.
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HEIST 058
11 Jan 22
Deep House
11 Jan 22
Deep House
Review: Man-of-the-moment Felipe Gordon was little more than a Columbian producer with promise when he first appeared on Razor N Tape Reserve back in 2019. Since then, he's chalked up impressive, jazz-funk influenced deep house releases for all manner of high-profile labels including Heist, Local Talk and Shall Not Fade. This belated return to Razor N Tape is great, too. Opener 'Strings of the Afterline' is pleasingly hazy and dreamy whilst boasting Gordon's usual synth-heavy squelch, while 'The Fall of a Withered Empire' is a rare vocal number with a deep jazz-house feel. Elsewhere, 'Classico' is a bouncy, classic-sounding deep house bounce-along rich in sparkling synth riffs, while 'Julia Y Lewis' is a more languid and laidback chunk of jazz-sampling, funk-fuelled deep house haziness.
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RNTD 072
05 Jan 22
Deep House
05 Jan 22
Deep House
Various
Review: Shall Not Fade rounds off its busiest year to date with a sixth anniversary compilation that's packed to the rafters with previously unreleased tracks from its now sizable family of artists. Also reflective of the sounds showcased by Shall Not Fade's various sub-labels and offshoots, the 24-track set confidently strides between deep two-step (Black Loops), saucer-eyed ambient jungle (Kessler), colourful deep house (Lis Sarocca), lo-fi jack tracks (Cinthie), loopy disco-house (Adelphi Music Factory), jazz-funk flavoured house warmth (Felipe Gordon), analogue-rich broken beat (Yosh), post-UKG heaviness (DJ Crisps), jaunty and jazzy 4/4 garage (DJ Swagger) and the kind of smile-inducing, huggable dancefloor goodness that defies simple categorization (Tilman and Phonk D).
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SNFLP 009
31 Dec 21
Deep House
31 Dec 21
Deep House
Review: Man of the moment Felipe Gordon is in a rich vein of form right now, which each new week bringing a fresh batch of tracks or remixes. He's in the latter mode on Reworks, Volume 3, the latest volume in his ongoing series for Local Talk. He heads for 4AM heads-down territory on his fine revision of Marcel Vogel AKA EmVee's 'Brotherman Part 1', adding hazy, hypnotic riffs, sampled blues vocals and dazzling early morning synth stabs to a bass-heavy deep house beat. He channels the Colombian sunshine on track two, a colourful, retro-futurist house re-make of Corrado Bucci's 'No One Can Stop Us' that's full to bursting with bright piano riffs, tactile synth bass and sweaty, swinging drums.
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BEER006C
15 Oct 21
Deep House
15 Oct 21
Deep House
Review: Felipe Gordon could be the hardest-working producer in deep house right now. We're not complaining though, because over the last 18 months he's delivered a string of formidable, musically rich releases. Predictably, there's plenty to set the pulse racing on his first Heist Recordings outing too, from the vintage St Germain-inspired jazz-house beauty of opener 'Highly Smooth Tone (featuring Julio Rigal and Equilibrium)', to the squelchy, percussive and intoxicating Latin house vibes of closing cut 'Highly Rhythmic Pace'. Sandwiched in between you'll find two more reasons to be cheerful: the Italian dream house-with-added-jazz flex of saucer-eyed treat 'Highly Deep & Conductive', and the jacking, mind-mangling insanity of 'Highly Corrosive Acid'.
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HEIST056D
08 Oct 21
Deep House
08 Oct 21
Deep House
Review: Having kick-started his new remix series with inspired re-rubs of tracks by Kyodai and Fish Go Deep, man of the moment Felipe Gordon has now turned his attention to cuts from Crazkazat and Merrick. His revision of the former's 'Silent Sling' is undeniably inspired, with heady Latin percussion, jazzy keys and Motor City techno chords rising above rolling house beats and a heavy, mind-altering bassline. It's basically Latin deep house re-imagined for the 21st century, and that's no bad thing. There's more of a swinging, loose-limbed feel to his version of Merrick's 'The Scene', which the Colombian producer re-imagines as a bumpin', stab-happy affair full of raw analogue bass, dreamy pads and electronic jazz-funk flourishes.
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BEER006B
01 Oct 21
Deep House
01 Oct 21
Deep House
Review: Not content with delivering some of the most inspired original productions of the year (see his EPs on Shall Not Fade for starters), jazz-funk loving deep house star Felipe Gordon has now decided to showcase his talents as a remixer. He begins his first Reworks EP for Local Talk by taking on Kyodai's 'Breaking', delivering a fine revision that adds rubbery bass guitar, tight organ stabs, short vocal snippets and waves of delay-laden jazz piano solos to a rolling deep house groove. Gordon veers deeper into jazz-house territory on the accompanying remix of Fish Go Deep's 'Off Script', making the most of snaking clarinet and sax lines, sparkling synth stabs and a quality broken house beat. In a word: superb.
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BEER006A
17 Sep 21
Deep House
17 Sep 21
Deep House
