Review: Brighton-based Fingerman teams up with fellow UK disco stalwart Slync for this latest salvo on his own Hot Digits imprint, which is presented in a choice of five mixes. In its Original Vinyl Mix form, 'Saft Junk' (see what they did there?) is a shuffling instrumental affair that sits somewhere between 'disco', 'deep' and 'soulful' house - think early 00s Om - while on the remix front Chewy Rubs gets fat n' funky, Vigi ups the tempo a notch to give the track a lil' more peaktime appeal, Boogietraxx take inspiration from the title and serve up a French Touch-ish pass, while Homegroove plays us out with a slightly more stripped back 'n' percussive rub.
Review: A collaborative four-track EP here from two leading lights of the contemporary funk and disco scene, and the results don't disappoint. The EP opens with 'Beats For Chance', an unsurprisingly percussion-led affair with snatches of boogie-style male vox. Next comes the looping funk workout that is 'Hook Of Love' with its chanted "1 2 3, look at me, I'm hooked up on your love" vocal, which is followed by the suppressed energy of 'Time To Freak'. The EP's then completed by 'Throw It, Shake It', a cheeky little strutter with another boogie-esque vocal that potentially has the most floor appeal of the lot.
Get To Know - "Love Is The Answer" - (6:14) 120 BPM
Various - "Disco Funkin' Vol. 4" (continuous DJ mix by Birdee) - (1:11:43) 120 BPM
Review: Birdee is a rising star of the nu-disco and re-edit scenes, so it makes perfect sense that Bomb Strikes has recruited him to curate and mix the latest volume in their excellent Disco Funkin' compilation series. As you'd expect, it's a thoroughly and joyous affair, rich in colourful synth sounds, funky disco basslines and beats that flit between housed-up heaviness and more organic-sounding, less pumped-up grooves. There are tons of essential cuts amongst the 25 unmixed tracks on show, with highlights including the sun-bright rush of Pete Herbert's remix of Da Chick's 'Chick a Boom', the crunchy Clavinet-sporting disco-funk of Shaka Loves You's 'Let's Move (SLY Disco Rub)', the slick French Touch style warmth of Birdee's own 'Thinking About You' and Ray Mang's celebratory revision of Smoove & Turrell's 'Do It'.
Review: Having recently notched up a sixth year in business, Fingerman's Hot Digits imprint is in a celebratory mood - hence this all-action round-up of recent delights and unheard treats from the disco-loving label. Encompassing no less than 30 tunes, the collection giddily skips between warming beatdown disco (P-Sol's "Walter"), Mark E style slo-mo loop jams (Vigi's "I'll Be There") and glassy-eyed Balearic nu-disco (Picklejam's "Untitled Love"), before raising its hands skywards as the peak-time party-starters begin to appear thick and fast. Highights in this category include the vibrant jazz-house flex of Dexter Jones' "Swing Thing", the bustling boogie re-edit business of Monsieur Von Pratt's "Let's Dance" and the hearty disco-funk heaviness of Chewy Rubs' "Funky Bee Bop".
Review: You're only five years old once, so why not celebrate in style? And here Warrington lad Danny Worrall's disco and re-edits label Masterworks Music do just that, with an anniversary collection packing a whopping 50 back catalogue nuggets. You'll excuse us the full track-by-track, then, but suffice to say that this is the label that helped launch the careers of Dr Packer and Natasha Kitty Katt, both of whom feature here, and with names like Ziggy Phunk, Rayko, Alkalino, Chuggin' Edits and Fabiolous Barker also on bill, you should already have a pretty good idea what to expect. Classy stuff all round, and a great VFM package - here's to five more years!
Review: According to our records, "Back2ThaBeatdown" marks Hot Digits boss Fingerman's first solo single for almost three years. As the title suggests, the music on the EP was inspired in part by Detroit Beatdown, a mid-tempo style more associated with deep house than the disco cuts the British producer has used as his source material. Our pick of a strong quartet of cuts is "High Priorities", a rolling disco instrumental re-imagined as a toe-tapping slice of mid set dancefloor dreaminess. That said, other listeners will rightly gravitate towards the excitable, string-laden disco-funk of "Brass Monkeys", the even heavier and hazier "Don't Leave Me, Yeah?" and the rubbery disco-house grooves of "The Feel Good Factor".
Review: An 11-track compilation of modern day funk and disco here from Norway's Walking Disco stable. While Rayko and C Da Afro are both represented, the emphasis generally is on lesser-known names, but there's still plenty of quality on offer. Fingerman conjures the classier, jazzier end of 80s boogie nicely on 'Mind Fonk', while equally convincing are the mid-70s velvet-suited disco vibes of Disco Funk Spinner's 'Fascinating Strike'. Funk Hunk apes classic Moroder on 'After Dark', while label owner Saskin S bookends the collection with two slow-moving funk jams, 'Yes, You Know I'm Right' and 'My Pnoop'. Classy stuff.
Review: For those who didn't live through the '90s, it was once the done thing to refer to ravers by their rhyming slang title: "Quavers". Therefore this collaborative EP from Chewy Rubs and Fingerman is aimed fairly and squarely at disco ravers. The title track brilliantly sets the tone, peppering a low-slung disco-house groove with intergalactic electronics, echoing spoken word samples and delay-laden string stabs. "Theory Funker" is a lesson in disco-tech heaviness - all swirling samples and acid-fired electronics - while "Maintain the Groove" is a lolloping dance into hazy dub disco territory. The most "disco-rave" cut of all, though, is closer "Maintain The Acid", a mind-altering re-make of the above cut smothered in psychedelic TB-303 acid lines and echoing disco samples.
Review: Every 12 months, Fingerman's prolific Hot Digits imprint serves up an epic compilation entirely made up of exclusive, previously unheard re-edits, reworks and original productions. They're invariably excellent and this year's edition - the fifth in total - is even more epic than usual. There's naturally plenty to set the pulse racing amongst the dancefloor focused 32-track selection, from the throbbing Italo-disco style electronic sleaziness of Peza's "I Gotta Little Love" and the bouncy, acid-flecked cheeriness of Limpdisco's "Rush Hour", to the angular nu-disco heaviness of Andy Kidd's "The Dope Cube", the sparkling 80s boogie goodness of LUP INO's "Don't Stop Fooling" and and disco-funk-goes-house pump of Fingerman's "Family Ties". Keep an eye out too for rock solid rubs by Dr Packer, Chuggin Edits, Rayko and Andy Buchan.
Review: Fingerman's Hot Digits label has now notched up 50 releases. To celebrate this landmark occasion, the man himself has selected 25 of his favourite cuts from the label's rapidly expanding back catalogue. As a showcase for everything that's good about the imprint, it does a bang up job, gleefully jogging between exotic mid-tempo disco and disco-funk (Frank Virgilio, Dr Packer, The funk District), slo-mo disco-acid (Fingerman's tremendous rework of B-Jam's "Sundog"), kaleidoscopic, reworked '80s boogie business (Casual Connection, Melon Bomb, the hard-tweaked filters and heady loop business of Chewy Rubs), tried-and-tested party-starters (Smashed Atoms, Get Down Edits remixing Stephen Richards) and giddy peak-time workouts (Shit Hot Soundsystem, Dave Gerrard, Thomas Maslo, Kiu D). As the old saying goes, this is all killer, no filler.
Review: To kick-start a fourth year of disco-fuelled madness, Hot Digits chief Fingerman has put together this sizeable compilation of previously unheard exclusives. As you'd expect, there's far more killers than fillers to be found amongst the 28-track deep selection or re-edits and original productions. Highlights include the clarinet-laden electrofunk-meets-disco bounce of Frank Virgilio's "It's Your Boogie Baby", the disco-goes-hip-hop flex of Tony Disco's delicious "Rolling Paper", the sparkling nu-disco goodness of "When It Comes To Funk" by Stephen Richards, the driving disco-house bump of Ash Reynolds' "Cold Girl" and the fuzzy electrofunk wobble of Don Dayglow's "Many Things". Throw in fine contributions from Chewy Rubs, Le Visiteur, norse man Jarle Brathen and, of course, Fingerman, and you have a must-buy collection of cuts.
Review: It's been almost eighteen months since the last instalment in Paper Recordings' superb Trash The Wax series, so this fifth volume is well overdue. As usual, bosses Ben Davis and Chris Massey have done a terrific job gathering together a sterling selection of hot-to-trot modern disco cuts from a mixture of heavy hitters and rising stars. Highlights include the Balearic bustle of Rayko's rubbery and groovy "Toxic Avenger (Mix 1)", the strobe-lit Italo-disco throb of Fever Few's "Them Persians", the Barry White style slow disco sensuality of "Music Saved My Life" by Fantasy Love Affair, the body-popping electrofunk/nu-disco fusion of From Beyond's "Old Steel" and the glistening, Clavinet-heavy bounce of Kooky and Damoon's standout "Why Do You Always Take Your Time?"
Review: New York City's Wall Of Fame was established in August of 2014 by P-SOL. They really live up to their name on their new various artists release, which features an all star cast if we've ever seen it! Starting off with Aussie legend Dr. Packer who serves up some instant funk (see what we did right there?) on his truly burning "Instant Groove" while Guildford's Evil Smarty serves up a new rendition of a certain Ms. Vega classic on "4 Love". Elsewhere, Brighton's Fingerman gets down with a deep disco joint for lovers in the form of "Boogie Change Up" and finally the label boss himself - the always reliable Patrick Sullivan aka P SOL gets down with some hazy '70s rock swagger on "Let It Go". This follows up some great releases by UK's Andy Buchan and Napoleon, Munich's Alkalino and Javi Frias. For those of you that are chasing some 'respectful edits' look no further!
Review: York might not be the disco capital of the world, but the way the gang at Alpaca Edits carry on it might just as well be! They've been trotting out world class soul, disco and funk edits for a good while now, and here they deliver the second instalment of their compilation in aid of testicular cancer support. There are 15 quality scalpel jobs this time around, with highlights including the rumbling, evening poolside boogie of "I Need A Drink" by Hotmood, the punchy electro-disco of "Head Lights' by Stephen Richards and the white-hot 70s disco rock of "I'm A Man" Pontchartrain.
Review: "Button Pusher", Gregg 'Fingerman' Holmes' hot-to-trot 2015 disco edit, remains one of Hot Digits' best-selling tracks. It makes perfect sense, then, that Holmes has decided to get it remixed. Aussie maestro Dr Packer steps up first, filtering out the swirling strings and adding wavering TB-303 lines on a superb disco-acid interpretation. Predictably, Italian slo-mo don LTJ takes the opposite approach, dipping the tempo and wisely sticking closer to Holmes' sumptuous source material. The final version comes from deep house sort Martin Hayes, who turns "Button Pusher" into a stomping chunk of filter-heavy disco-house energy. As if that wasn't enough to get you to part with your hard earned cash, Holmes has also included another disco-house smasher in the shape of "Mainliner (Bonus Tool)".
Review: Fingerman's Hot Digits imprint has packed in a lot of releases over the past 12 months, as this expansive roundup of the label's second year in business proves. Featuring 27 tracks and a bonus mix by the South Coast dwelling label boss, there's naturally plenty to admire. Highlights include, but are not limited to, the rolling, head-nodding grooves of Eyeco M's "Keeping It To Myself", the killer proto-house throb of "Tonight" by Bad Barbie vs Evil Smarty, the sexy, string-drenched disco loveliness of P-Sol's "Can't You See", LTJ's trumpet-boasting funk bumper "Fat Thing", and the hard-wired, bass-heavy rework of Julia & Company's "Breakin' Down (Sugar Samba)" by Melon Bomb. It is, though, all pretty darn hot.
Review: Situationism is run by a mysterious 'collective of DJs and producers from the five valleys'. Although little is revealed about their identities, we do know that this compilation is their biggest release yet and it boasts the mighty "On It" by Peza. The track's clever fusion of a boogie sample (Starguard's High On The Boogie) and some subtle 303 work has got people talking and dancing already. The quality stays high over the remaining tracks too, highlights including George Kelly's melancholic Italo gem, "Trip to Jupiter", Vampire Disco's moody synth prowler "Orbit" and the chilled cocktail grooves of Alkalino's "Trigger".
Review: Brighton based nu-disco imprint pays tribute to old school essentials on their latest release by label boss Greg Holmes aka Fingerman and it totally kicks butt! First track "Hey Yo!" hears the drummer get wicked on this James Brown sampling, soul funk hoe down. On the title track it's a true disco classic from wayback that's sampled, but we're not giving it away;
keep digging! There's more of the same on "Way U Move" but it's the two remixes of the title track which are the real shiners on here. The "Situation Remix" is a slowed down tool version with lovely Rhodes piano, while the "James Rod Hypnotick Remix" is more on the energetic tip with funk bassline and killer synth lead to boot!
Review: Fingerman's Hot Digits imprint has always reflected his production style, delivering releases that gleefully blur the boundaries between re-edits, remixes and original material, and blend elements of disco, funk, soul, boogie and deep house. This groovy, warm and floor-friendly formula is much in evidence on this first anniversary compilation. Featuring a blend of previously released gear, exclusives and a bonus DJ mix from Fingerman, Hot Digits: Year One is an effortlessly entertaining collection. There's naturally much to admire, from the subtle house beats and P-funk synths of Fingerman's own "Shine Yo Litez" (a rework of an old Grangers tune), and the disco-funk chunkiness of Groove Motion's "Party Now", to the compressed, dubbed-out disco house madness of Chewy Rubs' "Let It Go".
Review: Having already carved a decent name for himself in the nu-disco universe, 80s Child (aka Danny Worrall), now turns his hand to running labels. Masterworks is his new imprint, and this eponymous compilation is its debut release. It's a total all-you-can-eat buffet of contemporary disco, featuring a whole host of familiar names. There are a whopping 23 tracks on here, some of the best include Tomas Malo's sultry grinder, "After The Rain", Yam Who?'s bouncy sunkissed disco joint "Find Out" and the digi-freestyle breaks of TV's "Love Situation".
Review: The Chopshop juggernaut - driven by DJ Butcher - shows no signs of slowing down. Here we have Jammin, a bulging compilation express featuring 12 sizzlers by many label favourites. There's a lot to boogie to here, and it'll all get the job done, but the best include Alkalino's cheeky house remake of Prince's Get Off ("23 Positions"), Jayl Funk's sensuous electro-boogie bomb "Do It Baby" and Butcher's own rework of Rockwell's '80s office party fave "Somebody's Watching Me". Basically all your party worries will be sorted in one with this package!
Review: Brighton's Hot Digits have managed to generate a roster boasting some pretty established names on the re-edit scene. Here, on Hot Jints Vol 2, they've rustled up some newer names to mix with the old. P-Sol delivers some swishy sun bleached laid back grooves on "The Closed Door", "Keep On Ducking", by Raw Artes & Jack Whitey, is a jauntier affair - all clavinet-fuelled funk, Causal Connection's "Sun Glider" opts for a fine duel between elastic slap bass and linear guitar licks, and finally Fingerman closes the show with the uplifting orchestrated harmonies of "Summertime Stringz".
Review: We Mean Disco! deal in quality and they also like to tease - they released a short preview of their latest comp a whole month ago, whetting appetites to a frenzy. Well, Allstar Nuggets Volume 3 is finally here and it's bursting with a whopping 26 pumpers including the chrome and carpet slap-bass jam "Double Express", the breezy Eurodisco of Butch Le Butch's "He's So Shy" and Max K's uplifting retweak of Tullio De Piscopo's hazy classic "Stop Bajon".
Review: In recent times, Gregg "Fingerman" Holmes has approached Rayko levels of productivity, dropping EP after EP of floor-friendly, house-centric disco edits. Here he's at it again, giving a bunch of boogie classics the filter-heavy, house-friendly treatment. "Dance With You" turns Krystol's "After The Dance Is Through" into a slinky deep house chugger. Label owners Hotbox Boogie deliver a chunky, late night dub of the same track that should please those looking for a more "heads down" take on Holmes' interpretation. Elsewhere "Be Wit U" is looser and groovier in a chiming, synth-heavy '80s soul style, while "Le Diner et La Danser" bumps along on a wave of synthesized bells, flecked guitars and sultry vocal cuts.
Review: We Mean Disco's All Star Nuggets series of re-edit and rework comps have proved something of a hit in recent times. There's a third installment coming soon, and ahead of that the Austrian imprint has put together a four-track taster EP. There's much to enjoy, from the rush-inducing Balearic sweetness of Fingerman's "Knockin' (Soulful Beatdown)" - all head-nodding bottom end and enveloping soul melodies - and delay-laden disco-soul shuffle of Alan Mooney's "Every Time", to the loopy heaviness and celebratory vibraphone solos of Bachteen's "Coffy is the Colour". Best of all, though, is the 10-minute disco-funk wig-out that is JSki's "Can You Get Down (Universe City Super Tribute)", which makes great use of the source material's hustling groove and bustling breaks.
Review: The nu-disco world loves a good split EP and here's another, this time from the Hot Digits crew. First up is re-edit champion Fingerman, whose "Norman's Disco" is nine minutes of swirling bass twisting retro funk fun. Elsewhere we get more elongated funk joints on Dr Packer's "Feel Like Dancing" and Pontchartrain's "Funk Down", whilst Peza decides to slip Harlequin Four's electro classic "Set It Off" some nasty acid for some bonkers party action.
Review: Every now and then we get a faint signal from this Beaten Space Probe, lost in the depths of the nebulous disco cosmos. It usually crackles through on our radio about once a year and is unanimously greeted with whoops of delight and much dancing on our analogue space consoles. This missive contains nine galaxian edits, presumably all peak time bangers on the hottest alien dancefloors. Highlights include the elasticated bass frenzy of "Double Lines", the Kool & The Gang redux "Don't Wanna Dance" and Fingerman's electro-boogie blaster, "Like 2 Baby". Far out!
Review: Paper Recordings' reputation precedes them in house circles. Now however, they've bitten the bullet and dived into the deep end of the disco pool with this compilation (on sub label Paper Disco) of current nu-disco producers and edit heroes. It's a brave comp that tackles every interpretation of disco, including 2 Billion Beats' deep '80s synth groover "See Us Through", Richard Seabourne's bizarre funk-goes-doomy 303 workout "This Is Acid" and Mezman's bass heavy, dream-pad odyssey. We're looking forward to plenty more disco thrills from this new stable!
Review: Dynamicron's Los Grandes label is fast becoming one of the more reliable sources of contemporary disco. Their Black Lace compilations, which feature tracks that sit somewhere between straight-up edits and disco-tinged house productions, have proved particularly popular. There's predictably plenty to enjoy on this sixth instalment in the serious, from the righteous rubbery bass and space synths of Sunner Soul's "One Game" and heavyweight Italo pulse of Nicko's "Electronic Disguise", to the bouncy cut-up disco house antics of Mr Moustache Love's "El Coca", and Plastic Fantastic's dreamy downtempo gem "Beyond The Horizon". While the latter stands out like a sore thumb next to such boisterous dancefloor fare, it arguably provides the album's most startling moment.
Review: Everybody loves a good collaboration and Chewy Rubs is happy to oblige, hooking up here with fellow acclaimed producer, Fingerman. We get four meetings of minds here, covering feelgood piano stomps ("Everybody Loves A Good Thing"), strings 'n' guitar jams ("Power"), cool and sparse low-slung bass workouts ("Hit On You") and discofied electro-funk ("Take You Home"). More please!