Review: The second release on Spandau20 is a family affair. Fadi Mohem, who has previously released on Klockworks, gets down to business with the steely, percussive techno of "Nine". Shifting gears and changing tact, Balas delivers the broken beats, clanging hats and jungliest bass of "Desdemona", while Fjaak return to straighter techno thanks to the big-room chord stabs and pounding kicks of "Transmission", which has echoes of Dave Clarke's Red series. The sound shifts once again for Claus Schoning's "Wizard". In stark contrast to what went before it, it's an abstract, break beat track full of otherworldly squelches and atmospheric textures.
I Could Never Live Without You By My Side - (3:53) 128 BPM
Martin (feat J.Manuel) - (4:42) 134 BPM
Apollo Tag 2 (feat Fadi Mohem & Tobi Neumann) - (4:16) 133 BPM
Arctic Warmth - (1:38) 126 BPM
**Smells Like Security** - (5:03) 129 BPM
Netto (Interlude) - (2:39) 133 BPM
All My Friends Are In The Bathroom (feat Koogan, Fadi Mohem & J.Manuel) - (4:08) 133 BPM
Anio' - (4:22) 125 BPM
Review: Following on from last year's debut album, techno trio Fjaak bounce back with another fine long player. Whether or not Havel is named after the former Czech dissident is unknown, but there is no doubt that it finds them in fine form. "Take Your Life", which features Koogan on paranoid vocals, could be an acid-soaked Prodigy during their heyday, while at the other end of the spectrum, "I Could Never Live Without You By My Side" and "Version 22.214.171.124" are atmospheric break beat pieces. Fjaak are also adept at creating tough techno - just check the banging sound of "Martin" - while they team up with Tobi Neumann for the deeper break beat house of "Apollo Tag 2". On the evidence of Havel, it seems Fjaak can do no wrong.
Review: According to their label, Fjaak live and sleep in their studio, but whatever about their methodology, it is clear that they are doing something right. The title track is a monstrous affair, based on a gargantuan stepping rhythm and tough breeze block beats as the trio shoot out Landstrumm-esque grating noise. In stark contrast is "The Wind". Deeper and groovier, it centres on breezy chords but retains dance floor clout thanks to the shards of hissing percussion. "Curious" sees Fjaak back to the same kind of territory as "Attack"; the only difference is that this time, the groove is straighter, but the grainy drums are just as relentlessly unforgiving.
Review: Berlin wunderkind power trio Fjaak are back with the fifth installment on their eponymous imprint - strap yourself in for a wild ride on this one!. Features the furious and pummelling warehouse techno assault of "Phonox" reminiscent of '90s legends Devilfish, followed by the soulful hard jack of the 50 Weapons indebted "Midnight Take Out" (they are alumni of the label after all) and the industrial/dub techno experimental piece "They Can't Smell Us" - but unless they are hiding under a bar of soap we certainly can - this one's dirty!