Review: The Paper Recordings household keeps coming up with the goods; each new month brings a whole heap of quality house material, and this time they've grouped together a truly special crew of producers. Futureboogie and 20:20 Vision causual, Crazy P, kicks things off by delivering a magnetic slice of slo-mo, funk house in "Last Knockers", a true gem for the boogie heads, and just a great dance tune all-round. Paper Recordings associate, Flash Atkins, goes into more progressive mood on his "Rivers Of Jordan", a house nugget with a fine layer of arpeggios for maximum club damage, and Steve Cobby's "Boule De Suif" ties this stunning little three-tracker off with some gentle, balearic house waves that push the dust into the beat - check those vintage video game sonics, too!
Review: Manchester's Paper Recordings are back with a new generation of talent who pretend that the noughties never happened. Leading the charge is Flash Atkins - a man with a penchant for wearing dodgy superhero tights and producing slick, downbeat instrumentals. There are eleven such examples of this style on his Life & Times album, all woven together with a thread of mellow acid vibes - highlights include the slow and forlorn synth soul of "A New Kind Of Superhero", the punchier druggy bouncer "Summer Of Love" and the seductive electro-pop of "Forbidden Flesh".
Review: Flash Atkins (or Ben Davis) has been releasing steadily over the last 13 years, mainly on We Are Woodville and of course Paper Recordings who present the remix compilation of tracks from last year's great The Life And Times Of Flash Atkins LP. There's some awesome makeovers on here and so many to choose from. But for our money, our picks are The Revenge's take on "The Wilderness", Reverso 68's Pete Herbert delivering a funky injection to "Saved By The Fall" and Andy Meecham aka The Emperor Machine lending "Summer Of Love" some of his unmistakeable arpeggios, turning the track into a right boogie playground.
Review: Almost a year after his last release, Manchester-based caped crusader Flash Atkins (AKA Paper boss Ben Davis) returns to action. "Levenshulme Orphanage For Boys" is a synth-laden chugger - a 1110 BPM chunk of deep house/nu-disco fusion stuffed with undulating electronic motifs and chopped-up vocal yelps. The Deaf Boys Dub offers a rougher, rave-influenced interpretation, with dirtier synth motifs adding a druggy frisson of excitement to proceedings. While there's a faster, more frantic Richard Seaborne mix for those who want a little more energy, Doc L Junior provides the stand out rework - a decidedly trippy, psychedelic dancefloor concoction that sounds like it was tailor made for Andrew Weatherall and Sean Johnston's A Love From Outer Space parties.
Review: West Yorkshire's self-labelled deep house super hero Flash Atkins is back on Paper Recordings with more sultry late night grooves that he's steadily built his reputation on in the last few years. The original mix of "Acid House Creator" is a brilliant nu disco jam that fans of Futureboogie and Retrofit will definitely dig. While the driving funky house of Ralph Myerz mix will definitely come in handy during the peak time slot. Tal M Klein's remix however is the real highlight here; African drumming soon gives way to epic 303 acid and dramatic strings on this low slung groove. Finally the "2 Million Beats Remix" gets back on the nu disco tip that fans of Full Pupp will dig.
Review: Over the last few years, Paper Recordings' Ben Davis has been a little too busy directing acclaimed music documentaries to tend to the needs of his production alter ego, Flash Atkins. Here, the caped crusader finally returns to action following a two-year absence. Our hero begins with "Dark Night of the Soul", a quirky, clap-heavy affair that wraps vintage electrofunk synths and meandering acid lines around an eccentric but percussive groove that doffs a subtle wink or two to the early work of Norwegian legend Bjorn Torske. The Scandolearic disco influence is also evident on the piano-heavy, hazy house warmth of "Undertow", which comes accompanied with a bouncy and wonderfully eccentric dub that could easily have been produced by somebody like Todd Terje.
Review: Paper Recordings chief Flash Atkins is a friendly sort of chap, and in recent times has spent has evenings locked in the studio with some of the label's lesser-known names. Here, he delivers the fruit of those labours: a collaborative EP featuring a trio of new cuts. "Wilco", with 2 Billion Beats, begins as a chunky, low-slung, disco-influenced house number, before morphing into a Moroder-ish chunk of electronic disco madness. CP hook-up "Malawi Chant" (also available in stripped-back Dub form) is a breezy afrobeat affair - all undulating rhythms, darting organs and African chants. Finally, "Calieo Square", with Havana Candy, is an atmosphere, picturesque slither of melodic nu-disco.
Review: The always reliable Paper Recordings are back with West Yorkshire's Flash Atkins and the captivating vocals of one Charlie Sinclair from Canterbury - singer from Sylvette who are one of Manchester's hottest new bands. They join forces for a collaboration that promises to be the start of something special. The track has already been gathering heat, with the one and only Bill Brewster singing its praise. From the deep, hazy and sunkissed feel of the original (which you could imagine being played on a Los Angeles rooftop), to the remixes - The Hardway Bros moody rendition injecting it with a right dose of dancefloor drama, and the slo-mo and absolutely low slung makeover by San Francisco's Tal M. Klein - it's certainly all good!
Review: The first two volumes of Paper Recordings' Trash The Wax series both flew off the (virtual) shelves, thanks in no small part to their on-point selections of modern disco in all its' glorious forms. This third installment is, if anything, even stronger. Beginning with Red Rack'em's killer rework of Solid State's cut-up disco classic "Philly Live", the 17-track collection variously touches on psychedelic disco-rock (Deckard), sweaty, homoerotic disco-acid (Dunn and Massey's filthy "Red Room Disco"), baggy revivalist disco-funk (Skinny Dipp), hustlin' edits (Get Down Edits), synth-laden nu-disco (Julian Sanza), and contemporary Scandolearic treats (Rave-Enka). In other words, it's a hugely strong collection of modern disco treats.
Review: Summer is here and it's time for the Sunday Paper compilation, featuring some of the more horizontal and forgotten corners of their catalogue. There are two exclusives with Bergen's Keyboy making a return to the label and the wondrous GladLaks i Galaxen. Plus, Leftside Wobbles' unreleased space dub of Leon Sweet's "Sunny Bigler". Add in artists new and old like Jamie L, Crazy P, Maxx Mortimer, Steve Cobby, Flash Atkins, De Fantastiske To, Kahuun and many more. It's sunshine all the way! So crack a tinny, roll a fat one, stick the kettle on, crank the BBQ and dive in.
Review: In the words of Paper Disco, episode six of their floor-friendly "Trash The Wax" series delivers "plenty of party pumping offerings". Predictably, proof of the set's club-ready status arrives via Hi-FI Sean's compilation opening remix of IPG v Hot Toddy's "Slow Motion Cowboy", which delivers a funk-fuelled riot of delay-laden guitars, funk rock attitude and sizzling dub disco grooves. Naturally, the rest of the collection is similarly strong. Highlights include a rare production outing from Bill Brewster (the throbbing, off-kilter Italo-disco him of "4 U Blue"), the Balearic Italo-disco bliss of Richard Norris's "Glow", the dreamy, arpeggio-driven nu-disco warmth of Kooky and Damoon's "Walk Back Into My Life" and Sheffield stalwart Solid State's deep, epic revision of "Remnants" by Speed For Lovers.
Review: In case you haven't noticed, Paper Recordings has been on fire in the 18 months that have passed since Paper Cuts volume three landed. Further proof is provided by volume four of the label's "best of" series, which adds a couple of unheard exclusives - the sparkling, ever-building nu-disco headiness of Bachgenaur's "Steady Drummer" and Vinny Villbass's Metro Area-ish instrumental re-make of Diskobeistet's "Birkelunden" - to a tight list of 2016 and 2017 highlights. These include (but aren't limited to) Chris Massey's rubbery, funk-fuelled tweak of 2 Billion Beats' "Sold My Soul", the glassy-eyed, sunset-friendly warmth of Crazy P's "Last Knockers", the organic haziness of Steve Cobby's "Boule De Suif" and the soulful house/nu-disco fusion of DJ Spinna's ace rework of Soundersons' "Can't Get Enough".
Review: Fresh from the runaway success of his brilliant "Sunny Bigler" single, Leon Sweet has been installed as the man behind the decks for the second volume of Paper Disco's Trash The Wax series. Sweet's two-hour DJ mix is excellent, of course, but it's the unmixed tracks - a combination of unheard bits and recent Paper gems - that make this compilation essential. Expect a range of re-edits and original tracks that variously touch on nu-disco, Italo, boogie and, of course, house. Highlights are plentiful, and include a trippy slow acid version of The Balearic Beat Boy's "Waiting For Me", a typically rubbery mid-80s soul re-cit from 80s Child, and a killer, filter-heavy rework of Melba Moore by Neil Diablo.
Review: Label co-owner Flash Atkins is at the controls for this second celebration of Paper Music's first 25 years. While there's a smattering of material from the label's first 15 years, the majority of Atkins' selections come from releases put out over the last decade. Like its' predecessor, it's an action-packed affair full of high quality cuts. Standouts include the swirling nu-disco bliss of Rave-Enka's "Honningen", the hazy lounge-jazz-meets-house sleaziness of Diskobeistet's "Birklunden", the piano-powered chunkiness of Leon Sweet's "Beat Slave Auto", the analogue deep house bubbliness of Doc L Junior's "Twilight" and the early morning deep house hypnotism of Ryan Kick's remix of Space Coast's "Just Past Midnight". Best of all, though, is the TB-303-powered hypno-house insanity of Ralph Myerz and The Kosmik Diamondz 14-minute "Acid 4 Eddie".