Detroit's techno titan, Robert Hood, has donned many personas throughout his illustrious career, from the industrial grit of Monobox to the ethereal soundscapes of the Vision. Yet, none shine quite as brightly as Floorplan, a project that began as his solo venture and blossomed into a vibrant family collaboration.
Floorplan first carved its path in the late '90s and early 2000s, showcasing Hood's mastery of deep, hypnotic grooves. After a brief pause, the project roared back to life in 2010, unleashing critically acclaimed albums like "Paradise" and "Victorious." Each release pushed the boundaries of techno, showcasing Hood's relentless innovation and unwavering dedication to the genre.
But 2016 marked a pivotal shift. Lyric, Hood's talented daughter, stepped onto the scene, her vibrant energy infusing Floorplan with a renewed dynamism. This father-daughter duo became a force to be reckoned with, their combined creative prowess injecting an undeniable freshness into the project's sound.
Lyric's musicality, nurtured by years of observing her father's mastery, added a soulful touch to Floorplan's signature techno thump. Together, they explored uncharted sonic territories, weaving gospel influences, soulful vocals, and driving rhythms into their tapestry of sound.
The result? Floorplan's evolution as a collaborative effort has yielded some of their most groundbreaking work yet. Each new release stands as a testament to their ever-evolving sound, their shared passion for pushing the boundaries of techno, and the undeniable power of creative synergy within a family.
Review: This much anticipated EP on his own M Plant label sees Detroit legend Robert Hood continue to develop to his Floorplan alias after the recent Living It Up single. "We Magnify His Name" is a peak time piano driven anthem which is as religious an experience to listen to as its name suggests, complete with uplifting gospel vocals carrying the whole thing into the heavens. Up next, Hood explores his darker techno tendencies over two tracks. "Baby Baby" relies more on a cut up vocal sample and a slightly wobbling Motor City leaning bassline and a Model 500 style funk swing to it, provided in no small part by a particularly great guitar lick, while tension and release is offered in spades by a well placed horn sample. "Basic Priciple" meanwhile is a druggier affair, propelled by its murky sub bass and techno stabs, the only melody coming from a particularly sinister two note organ line.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.