Londoner Kieran Hebden, best known as Four Tet, stands as a trailblazer in indie electronic music. In 1997, Hebden ventured into his solo career as 4T Recordings, debuting with "Double Density." He later introduced the Four Tet project with the 1998 single "Thirtysixtwentyfive," a captivating, jazzy composition foreshadowing the innovative soundscapes he would explore. The debut album, "Dialogue" (1999), showcased Hebden's adept blend of organic and electronic elements.
As Four Tet gained prominence, Hebden's remix on Warp's "Warp 10+3: Remixes" compilation and collaborations with Rothko and Pole highlighted his versatility. In subsequent years, Hebden evolved his sound, collaborating with Burial and exploring minimal techno with the EP "Ringer" (2008). "Moth 12" (2009) and "There Is Love in You" (2010) revealed a club-friendly side, appealing to a broad audience. The mix "Fabriclive.59" (2011) and "Pink" (2012) showcased Hebden's DJ prowess and penchant for singles on Text. "Beautiful Rewind" (2013) reflected immersion in pirate radio culture, while "Morning/Evening" (2015) featured two 20-minute tracks, demonstrating versatility.
Through 2018 and 2019, Four Tet released live sets and festival anthems like "Only Human." "Sixteen Oceans" (2020) solidified Hebden's genre-defying reputation. Collaborations with Yorke and Burial, along with the 2021 collaboration with Madlib on "Sound Ancestors," displayed Hebden's editing and arranging skills.
Hebden continued pushing boundaries, collaborating with Skrillex and Fred again.., performing at Coachella, and releasing "Mango Feedback" (2022). As Four Tet captivates audiences with his evolving sound.
Review: Kieran Hebden, better known by his moniker Four Tet, has graced us with his first full-length album in nearly three years. "Three," released on his own Text Records imprint, is a meticulously crafted exploration of sound, weaving together elements of electronica, downtempo, and folktronica influences. The album strikes a balance between organic and electronic textures. Tracks like "Loved" showcase Hebden's signature ability to manipulate found sounds and samples, creating a shimmering sonic tapestry. "Gliding Through Everything" leans more towards the downtempo side, with its gentle piano chords and woozy atmosphere. However, Four Tet doesn't shy away from exploring the electronic realm. Tracks like "Daydream Repeat" feature driving uptempo rhythms intertwined with ethereal piano melodies, showcasing his talent for building tension and release. "Storm Crystals" injects a dose of ambient energy, while "Skater" leans into playful, almost chiptune-like melodies. The closing track, "Three Drums" (another pre-release single), brings back the energy with its pulsating bassline and infectious groove. Not to miss!
Review: Enigmatic supergroup Burial, Four Tet and Thom Yorke reunite with a new age splice of their sound first heard in the Ego / Mirror collaboration of 2011. Revealed as a limited 300 copy vinyl release only available from a set of record store clerks somewhere in Soho, London, Her Revolution/His Rope (as if right on time) dramatises the modern day gender role in bringing 2020 and its forlorn soundtrack to an end. Yorke's voice wavers in the distance as ever while crumpled noise floors of Burial seemingly give cushion to the soft percussion and shimmering melody lines of a Four Tet's making. Capture the moment.
Review: Before Domino, Late Night Tales and Skrillex back-to-back sets there was the original Kieran Hebden, aka Four Tet. Back some 20 years ago the storied producer was associated with an electro-acoustic style of freeform jazz, broken beats, ambient and electronica that was given full and early support from Trevor Jackson's Output label. Dialogue presents Four Tet's first official studio album (released in 1999) conjuring up a montage of guitars, horns, big beat drums and other instrumentals alongside humming rhodes, electrified bass, and deeper, old school classics like "The Butterfly Effect". Enjoy this on the back of Four Tet's newest album, Sixteen Oceans (2020
Review: On his first new album in three years, Kieron Hebden aka Four Tet proves why he is such a rare talent. Tracks like "School" and "Baby" see him merge ambient and electro-acoustic sounds together with vocal samples and tight dance floor rhythms, while on "Love Birds" he delivers tight drums and melancholic keys. What makes this so impressive is the fact that the dividing line between the organic and the electronic is imperceptible. Of course there is an accessible side to Hebden's style - the effortless warbles of "Teenage Birdsong" and the evocative "Harpsichord" being the stand out tracks - but in the same way that he blends the organic with the synthetic, Four Tet never lets this album dip into rampant commercialism.
Review: If you were judging Kieran Hebden's 11th Four Tet studio album merely on the way it's presented, you'd immediately think he'd spent the last two years immersed in early '90s ambient house albums. While it's unlikely he's done that, it's fair to say that New Energy does owe a debt to classic electronica sets from that period. For all the exotic instrumentation and subtle nods to post-dubstep "aquacrunk" experimentalism and chiming, head-in-the-clouds sunrise house, the album feels like a relic of a lost era. That's not meant as a criticism - New Energy is superb - but it is true that his choice of neo-classical strings, gentle new age melodies, sweeping synthesizer chords and disconnected vocal samples would not sound out of place on a Global Communication album.
Review: Apart from Ministry Of Sound and Fabric, the Late Night Tales crew is perhaps the best and most respected compilation series these days. Moreover, these guys have invited some of the biggest names in the game over the last fifteen years, a highly impressive catalogue which includes the likes of Fatboy Slim, Jamiroquai, AIR, Arctic Monkeys, Sly & Robbie, and many more of the same calibre. This September is Germany's Nils Frahm who takes care of the selection, and the DJ/producer serves up a gorgeously vast selection of sounds from around the globe and from all corners of time. Inside, you get shreds of house and techno from Four Tet and Nils Frahm himself, among others, but the mix explores much wider terrains; Miles Davis makes an appearance with the masterful "Concerto De Aranjuez", electronic dub maestros Rhythm & Sound join the party the timeless "Mango Drive", and even Nina Simone's "Who Knows Where The Time Goes" gets selected. It's as excellent and compelling as you would expect from this sublime mix series. A class act.
Review: The Late Night Tales mix series - going strong since way back in 2003 - never ceases to both amaze and please our eardrums when they're in need of a sonic massage. With legendary artists such as Fatboy Slim, Jamiroquai, Groove Armada, MGMT and many others on their roster, you just know it's going to be quality throughout. This time it's up to Domino man Jon Hopkins to give us an outlook onto his own tastes and musical influences. The selection is vast and varied, with everyone from Four Tet to Darkstar and even Peter Broderick featuring within. An incandescent blend of sci-fi electronica, tropical bass nuggets and lighter shades of drone-fuelled house. Quality.
Review: Given that Four Tet's recent 0181 LP was comprised of material from Kieran Hebden's archives, and last year's Pink was largely compiled of tracks from the previous 18 months of 12" releases, it seems fair to say that Beautiful Rewind is his first proper album since 2010's There Is Love In You, and as such, it arrives with some degree of expectation. The past few years have seen the producer engage increasingly with the dancefloor, and these rhythms are most definitely present across the LP, particularly in the jungle breaks of "Kool FM", pirate radio-influenced techno of "Buchla" and hesitant dubstep style rhythms of "Parallel Jalebi". For the most part however Beautiful Rewind is as varied as the likes of Rounds and There Is Love In You, with the minimalist kosmische of "Ba Teaches Yoga", analogue gurgles of "Crush" and dawn chorus sounds of closer "Your Body Feels" all as beautiful as his most enduring tracks.
Review: Following hot on the heels of the Lindstrom reissue, the Late Night Tales digital remasters series continues with a typically eclectic and atmospheric selection from Four Tet man Kieran Hebden. Like many other Late Night Tales selectors before and since, Hebden used the opportunity to cram in many weird and wonderful choices as possible, digging deep into his impressively left-of-centre record collection. So, we get American classical minimalism from Terry Riley, a smattering of spooky jazz numbers, the psychedelic folk-rock of Manfred Mann and Fairpoint Convention, off-kilter experimental hip-hop from Gravediggaz and Madvillain, and some clicky electronica from Manitoba. Predictably, the included DJ mix joins the dots in fine style.
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