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Four Tet
Various
Review: By now, we should all know what to expect from both the Balance series and Danny Howells, namely slick, atmospheric, spine-tingling electronic music of both an uptempo and downbeat bent. This bumper digital version of his latest double CD mix features some exceptionally good tracks, from the exotic, psychedelic techno of Will Saul and October's rework of Michael Mayer's "Mantasy" and the evocative Balearic deep house of Joakim's "Another Light", to the dreamy fluidity of Matthias Voigt's remix of Ian Pooley's "I Got You", and the crystalline electronics and wide-eyed beauty of Maricopa's ambient delight "Neon Shoals". It is, then, a sizzling hot collection of evocative electronic music for dancers and dreamers. Don't sleep.
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BAL 010D
29 Nov 13
Minimal/Tech House
29 Nov 13
Minimal/Tech House
James Lavelle / Various
UNKLE - "Erebus (feat. Mich?le Lamy And Emil?ana Torrini)" (feat Michele Lamy & EmilAana Torrini) - (2:15) 73 BPM
Noel Gallagher's High Flying Birds - "AKA... What A Life! (UNKLE Rework)" (UNKLE rework) - (8:23) 119 BPM
Lana Del Rey - "Ride (James Lavelle Remix - Lyla's Surprise)" (James Lavelle remix - Lyla's Surprise) - (8:13) 122 BPM
UNKLE - "The Answer [Baltimore] [Trentem?ller Remix]" (feat Big In Japan - TrentemAlller remix) - (5:50) 116 BPM
UNKLE - "Money And Run [16 Bit Lolitas Remix]" (feat Nick Cave - 16 Bit Lolitas remix) - (9:18) 64 BPM
UNKLE - "With You In My Head [UNKLE/Redux Reconstruction]" (feat Liela Moss - UNKLE/Redux Reconstruction) - (6:55) 62 BPM
Jagwar Ma - "Come Save Me (The Pachanga Boys' Jagwar Pawar Version)" (The Pachanga Boys' Jagwar Pawar version) - (12:32) 62 BPM 
UNKLE - "In A State [UNKLE/Redux Reconstruction]" (feat Liela Moss - UNKLE/Redux Reconstruction) - (7:07) 133 BPM
Various Artists - "GU41 James Lavelle Presents UNKLE Sounds: Naples (Continuous Mix 1)" (continuous mix 1) - (1:17:38) 100 BPM
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825646 008803
06 Nov 15
Balearic/Downtempo
06 Nov 15
Balearic/Downtempo
Various
The John Betsch Society - "Earth Blossom" (feat Build An Ark - Loving Heart Collage by Carlos Nino - remix) - (4:05) 95 BPM
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366372 9180230
25 Nov 21
Soul
25 Nov 21
Soul
Nils Frahm / Various
Carl Oesterhelt & Johannes Enders - "Divertimento Fur Tenorsaxophon Und Kleines Ensemble Part 4" - (4:40) 109 BPM
Review: Apart from Ministry Of Sound and Fabric, the Late Night Tales crew is perhaps the best and most respected compilation series these days. Moreover, these guys have invited some of the biggest names in the game over the last fifteen years, a highly impressive catalogue which includes the likes of Fatboy Slim, Jamiroquai, AIR, Arctic Monkeys, Sly & Robbie, and many more of the same calibre. This September is Germany's Nils Frahm who takes care of the selection, and the DJ/producer serves up a gorgeously vast selection of sounds from around the globe and from all corners of time. Inside, you get shreds of house and techno from Four Tet and Nils Frahm himself, among others, but the mix explores much wider terrains; Miles Davis makes an appearance with the masterful "Concerto De Aranjuez", electronic dub maestros Rhythm & Sound join the party the timeless "Mango Drive", and even Nina Simone's "Who Knows Where The Time Goes" gets selected. It's as excellent and compelling as you would expect from this sublime mix series. A class act.
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ALND 42
11 Sep 15
Jazz
11 Sep 15
Jazz
Jon Hopkins / Various
Played by: Juno Recommends Downtempo
Review: The Late Night Tales mix series - going strong since way back in 2003 - never ceases to both amaze and please our eardrums when they're in need of a sonic massage. With legendary artists such as Fatboy Slim, Jamiroquai, Groove Armada, MGMT and many others on their roster, you just know it's going to be quality throughout. This time it's up to Domino man Jon Hopkins to give us an outlook onto his own tastes and musical influences. The selection is vast and varied, with everyone from Four Tet to Darkstar and even Peter Broderick featuring within. An incandescent blend of sci-fi electronica, tropical bass nuggets and lighter shades of drone-fuelled house. Quality.
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ALND 39
01 Mar 15
Balearic/Downtempo
01 Mar 15
Balearic/Downtempo
Four Tet / Various
Review: Following hot on the heels of the Lindstrom reissue, the Late Night Tales digital remasters series continues with a typically eclectic and atmospheric selection from Four Tet man Kieran Hebden. Like many other Late Night Tales selectors before and since, Hebden used the opportunity to cram in many weird and wonderful choices as possible, digging deep into his impressively left-of-centre record collection. So, we get American classical minimalism from Terry Riley, a smattering of spooky jazz numbers, the psychedelic folk-rock of Manfred Mann and Fairpoint Convention, off-kilter experimental hip-hop from Gravediggaz and Madvillain, and some clicky electronica from Manitoba. Predictably, the included DJ mix joins the dots in fine style.
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ALND 12
27 Feb 12
Broken Beat/Nu Jazz
27 Feb 12
Broken Beat/Nu Jazz
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OPR 014
27 Jul 98
Broken Beat/Nu Jazz
27 Jul 98
Broken Beat/Nu Jazz
Played by: Juno Recommends Downtempo
Review: Kieran Hebden, better known by his moniker Four Tet, has graced us with his first full-length album in nearly three years. "Three," released on his own Text Records imprint, is a meticulously crafted exploration of sound, weaving together elements of electronica, downtempo, and folktronica influences. The album strikes a balance between organic and electronic textures. Tracks like "Loved" showcase Hebden's signature ability to manipulate found sounds and samples, creating a shimmering sonic tapestry. "Gliding Through Everything" leans more towards the downtempo side, with its gentle piano chords and woozy atmosphere. However, Four Tet doesn't shy away from exploring the electronic realm. Tracks like "Daydream Repeat" feature driving uptempo rhythms intertwined with ethereal piano melodies, showcasing his talent for building tension and release. "Storm Crystals" injects a dose of ambient energy, while "Skater" leans into playful, almost chiptune-like melodies. The closing track, "Three Drums" (another pre-release single), brings back the energy with its pulsating bassline and infectious groove. Not to miss!
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TEXT 056D
15 Mar 24
Balearic/Downtempo
15 Mar 24
Balearic/Downtempo
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TEXTDDD 26
14 Feb 24
Experimental/Electronic
14 Feb 24
Experimental/Electronic
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TEXTDDD 25
10 Jan 24
Experimental/Electronic
10 Jan 24
Experimental/Electronic
Played by: Juno Recommends Experimental
Review: British electronic musician Kieren Hebden aka Four Tet's latest offering "Three Drums" is a captivating track that showcases his versatility and creativity as an electronic musician. The song starts with a gentle synth melody that gradually builds up to a crescendo of drums and bass. The drums are layered and complex, creating a rhythmic and hypnotic effect, with an overall pastoral and epic feel, as if it was inspired by nature and adventure. While the song is a contrast to Hebden's recent collaborations with Skrillex and Fred Again, it still proves that he can master any style.
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TEXTDDD 24
27 Apr 23
Experimental/Electronic
27 Apr 23
Experimental/Electronic
Review: Acclaimed British producer Kieran Hebden returns under the Four Tet alias with two new tracks on his Text imprint. The result is "Mango Feedback", a hypnotising house journey presented in his idiosyncratic style where a sublime sitar melody plays centre stage, underpinned by an infectious UK garage rhythm. For something a bit more different, the second offering "Watersynth" is an exploration in downbeat ambient sounds that will have you in a state of blissful freefall.
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TEXTDDD 22
11 Aug 22
Deep House
11 Aug 22
Deep House
Played by: Juno Recommends Broken Beat Nu Jazz
Review: Twenty years later and we're given another fresh reminder as to why Four Tet is still the guy. Released back in 99, Glasshead, in its original 11-minute form (with bizzarro breaks), sees Kieren Hebden pay tribute to some of his treasured inspirations in the jazz saxophonies of Robin Kenyatta, neu elektronik deutsche musik of Amon Duul and the early mainstream electronica of experimental pioneers Perrey and Kingsley. A future funk classic of freeform fusion, big beat jazz and electronica gone wild, get lost in the ragtime future beats of a legendary artist's formative years.
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TEXTOPR 004
06 Jul 20
Broken Beat/Nu Jazz
06 Jul 20
Broken Beat/Nu Jazz
Played by: Juno Recommends Broken Beat Nu Jazz
Review: Get to really know the Four Tet you know now with this Misnomer EP, originally released back in '99. Dating back to a time when Four Tet was more of a side project for Hebden than his prevailing alias - thanks to Trevor Jackson's Output label - these four tracks are thrown back into the spotlight and may come as a shock to some in the way they dive deep into noise music and experimental sound sourcing. Most overtly heard in the wild jazz of "Fume", there's something easier to handle in the title-track. With eastern themed motifs gracing "Charm" and "Aying" too - allow yourself to revel in the early days of Four Tet, when trip hop, big beat and post rock was a thing.
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TEXTOPR 003
29 Jun 20
Broken Beat/Nu Jazz
29 Jun 20
Broken Beat/Nu Jazz
Played by: Juno Recommends Broken Beat Nu Jazz
Review: Before Domino, Late Night Tales and Skrillex back-to-back sets there was the original Kieran Hebden, aka Four Tet. Back some 20 years ago the storied producer was associated with an electro-acoustic style of freeform jazz, broken beats, ambient and electronica that was given full and early support from Trevor Jackson's Output label. Dialogue presents Four Tet's first official studio album (released in 1999) conjuring up a montage of guitars, horns, big beat drums and other instrumentals alongside humming rhodes, electrified bass, and deeper, old school classics like "The Butterfly Effect". Enjoy this on the back of Four Tet's newest album, Sixteen Oceans (2020
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TEXTOPR 002
22 Jun 20
Broken Beat/Nu Jazz
22 Jun 20
Broken Beat/Nu Jazz
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TEXTOPR 001
15 Jun 20
Experimental/Electronic
15 Jun 20
Experimental/Electronic
Played by: Dj Steef, Flash Atkins, Juno Recommends Experimental, Juno Recommends UK Garage, Kenneth Bager // Musicfordreams
Review: On his first new album in three years, Kieron Hebden aka Four Tet proves why he is such a rare talent. Tracks like "School" and "Baby" see him merge ambient and electro-acoustic sounds together with vocal samples and tight dance floor rhythms, while on "Love Birds" he delivers tight drums and melancholic keys. What makes this so impressive is the fact that the dividing line between the organic and the electronic is imperceptible. Of course there is an accessible side to Hebden's style - the effortless warbles of "Teenage Birdsong" and the evocative "Harpsichord" being the stand out tracks - but in the same way that he blends the organic with the synthetic, Four Tet never lets this album dip into rampant commercialism.
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TEXT 051D
13 Mar 20
Experimental/Electronic
13 Mar 20
Experimental/Electronic
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TEXTDDD 14
04 Mar 20
Balearic/Downtempo
04 Mar 20
Balearic/Downtempo
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TEXTDDD 12
10 Dec 19
Bass
10 Dec 19
Bass
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TEXTDDD 11
28 Nov 19
Balearic/Downtempo
28 Nov 19
Balearic/Downtempo
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TEXTDDD 09
18 Apr 19
Balearic/Downtempo
18 Apr 19
Balearic/Downtempo
Review: If you were judging Kieran Hebden's 11th Four Tet studio album merely on the way it's presented, you'd immediately think he'd spent the last two years immersed in early '90s ambient house albums. While it's unlikely he's done that, it's fair to say that New Energy does owe a debt to classic electronica sets from that period. For all the exotic instrumentation and subtle nods to post-dubstep "aquacrunk" experimentalism and chiming, head-in-the-clouds sunrise house, the album feels like a relic of a lost era. That's not meant as a criticism - New Energy is superb - but it is true that his choice of neo-classical strings, gentle new age melodies, sweeping synthesizer chords and disconnected vocal samples would not sound out of place on a Global Communication album.
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TEXT 046D
29 Sep 17
Experimental/Electronic
29 Sep 17
Experimental/Electronic
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TEXTDDD 08
14 Sep 17
Experimental/Electronic
14 Sep 17
Experimental/Electronic
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TEXTDDD 05
06 Jul 17
Balearic/Downtempo
06 Jul 17
Balearic/Downtempo
