Review: Toy Tonics' latest release is a captivating collection of tracks originally introduced to the world via the German Gomma Records label during the years 2001 to 2010. Back then, Gomma stood as a pivotal figure in the Y2K indie dance movement, alongside luminaries such as James Murphy's DFA and Trevor Jackson's OUTPUT Records. Toy Tonics has taken it upon themselves to revive these early 2000s gems, with tracks encapsulating the raw, indie disco and punk-funk vibes that were the lifeblood of the party scene during those vibrant days. Gomma's influence was profoundly felt in off-location clubs like SCALA and RIO in Berlin, London's TRASH and 333 parties, to iconic Parisian clubs like Kill The DJ and Paris Social Club.
Review: There's plenty to get excited about on this selection of 'lost mixes' from the vast back catalogue of Toy Tonics' parent label, Gomma. Check first Pete Herbert and Tristan Dan Cunha's retro-futurist, proto-house-meets-Balearic nu-disco rework of The Glimmers' 'U Rocked My World', before moving on to In Flagranti's all-action, peak-time ready take on Golden Bug's 'LookLookLook'. The Ep continues via a now 22 year-old rework of Leroy Hanghofer's 'Pin' by Jacques Lu Cont and John Burillo - a brilliantly low-slung house workout featuring punk-funk bass and colourful boogie synth flourishes - before concluding with a killer dub disco take on the KDMS' 'Never Stop Believing' courtesy of NYC disco original Nicky Siano.
Review: A once legendary duo turned solo project of Antoine Harispuru - supplying hit records for Bang Gang 12 Inches, Gomma and Multi Culti - the Barcelona-based Frenchman refocuses his attention to La Belle (that he co-founded). With the help of a little Kompakt magic, this Tokoyo No Kuni single sees remixes from Michael Mayer, Wolf Muller and Nicola Cruz! The original sees a pumping electro-disco groove meet link up with spaghetti western space rock sound and Tokyo disco 'the year 3000' aesthetic. Wolf Muller adds to the vocal spectrum and percussion section is his remix with Michael Mayer turning in a 3AM post-punk version Tokyo-Disco-3000 original. And for that wild card inclusion is a downtempo, sparse and trippy remake by Cruz.
Review: Somewhat surprisingly, it's been eight years since the debut album from French electro-disco misfits Golden Bug. All these years on, the project is now the sole preserve of Barcelona-based Frenchman Antoine Harispuru. He uses V.I.C.T.O.R as an opportunity to showcase the various sides of his musical personality, variously touching on new wave-tinged deep house ("Black Soul"), warped post-punk-meets-dub disco heaviness (the Mascara-clad strut of "Wild Boys"), bubbly acid-disco ("Krokodil"), stylish, alternative '80s electrofunk (the squidgy "The Face Of Another"), trippy electronica (the superb "Dos Pallilos"), and 1980s horror movie soundtracks (album closer "Danse Machine"). Yet despite the disparate - if complimentary - influences, V.I.C.T.O.R hangs together brilliantly.
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