Review: Night Bass are wasting absolutely no time this year, as they here bring forward the second edition of their 'Night Bass Freshmen' series, showcasing the new, up and coming artists that are going to be working with the Night Bass imprint in the future. We see six originals make the tracklisting for this one, with artists such as SQWAD, Qlank, SODF and Double Agent all providing us with absolute heaters. For us however, the clear highlights for this project have to include the tech infused brilliance of 'Bad Blood' from Hot Goods, and of course Sammy Legs' super bouncy roller in 'Hi-Def'.
Review: It's been a very exciting year for NuBass so far, who seems to be able to do no wrong as he continues to expand both his fanbase and catalogue with hard hitting releases dropping left, right and centre. We here see him touch down on the legendary Night Bass imprint across four absolute heaters, including the unique synth riffs of the title track 'Fuego'. This is followed by the pounding dancefloor flavours within 'Trippin', before a weighty collaboration with Hot Goods rolls into place by the name of 'Dead Prez'. Finally, Purple Velvet Curtains joins the party with yet another smashing vocal introduction, as the futuristic techy tones of 'Dusk' wade into view.
Review: It's safe to say that the 3000 Bass movement has been pretty instrumental in UK bass music's rise to eminence over the last few years. For this release they utilise their 3000 Digital imprint alongside Brighton's Hot Goods to put together this scorching two tracker. On the A-side we have the title track, 'Loanshark' a sharp piece of production led by monsterous synth work. On the flip side we are treated to 'Too Much', another synthy Goliath, this time with a more melodic selection of bass instruments working in electronic harmony.
Review: The Saucy imprint is on its way to establishing itself as a new source of quality, reliable bass music for the corner dwellers aka dubstep aficionados aka bassboys. Hot Goods debuts on the label with a bunch of direct, straight-up bruisers made for the dancefloor, and "1944" acts like the first missile shot in what quickly transforms into a rather menacing dance EP; WATSN's remix of the tune bridges the gap between techno, dubstep and electro house in a rather excellent manner. "Shogun" adds a little garage flavor to the producer's clearly audible grime fascination, whereas "Ghoul" heads straight for the tech-house formula with its steely percussion roll, and highly stripped back bass bumps.