Review: It's been a while since we last heard from Hyperdub and Don't Be Afraid regular Ikonika. In fact, 'Details' marks her first solo material for almost three years, and her first release of any kind since last year's collaborative mini album with 45Diboss, 'Supernova'. 'Details' is a typically colourful and synth-heavy affair, with her own vocals and glistening electro-pop melodies riding bouncy beats (think Afrobeats-meets-pitched-down Afro-house and you're close) and a deliciously warped, sub-heavy bassline. The remix package is naturally strong, boasting fine revisions from BokBok (energetic and upbeat, with nods to peak-time bass music and broken beat), Girl Unit (thrusting, wobble bass-propelled techno) and Aryu Jassica (percussively propulsive tribal house revivalism).
Review: There aren't many labels that can genuinely hold a candle to the electronic mastery that Hyperdub have been able to deliver over the last decade alone, seeing their catalogue now bulging at the seams with the most intuitive dance music innovation. This latest collection takes the title '10.4' and supplies us with a deep dive into the full spectrum of where Hyperdub are at, with legendary figures such as Ikonika, Cooly G, Scratch DVA, Martyn, Funkystepz and many more all making their return for a fabulous compilation display. From the high energy rave-inspired synth slinks of Ill Blu's 'Bellion' to the unorthodox percussive bubbles of 'Noyfb' from Laurel Halo & iconic glitchy melodies of Burial's 'Lambeth', this is a truly fabulous exploration into just how abstract electronic dance music can get. Another exceptional collection from a truly outstanding imprint!
Review: Drawing from UK drill, dancehall and grime inspirations on her first release for Hyperdub since a 2017 LP (Distractions), Hollow sees Ikonika move back toward bass heavy beat making over the recent techno sequences heard on a recent Don't Be Afraid release. With the synths across this EP hit with a gated-effect and tremolo motion in tracks like "Terminus" and "Hollow", find more percussive effects and gestures in "Body Servants". Beats are low slung and trippy in "A-Void" with two-steppy drums, snap happy snares and urban melodies in "Blood Tinge", with dancehall elements coming through strongest on opening number "Kick Counts".
Review: As ever, the legendary production stylings of Ikonika have done it again as she unveils an absolutely stunning selection here on Don't Be Afraid' under the EP name 'Bodies'. It's always an enjoyable experience taking in one of her new EP's, but this one stands out for sure as we firstly dive into the stunning harmonic layerings and melodic inputs of 'Your Body', before sweeping smoothly into the more moogy bass punches and tight drum switches of 'Nobody'. Next, 'What Kinda Pain Are We Talking About?' combines moody sub-lines with hypnotic arpeggios and softer carnival rhythms with really fun results, finishing up with the shimmering delays and sweeping pads within the Roller mix of 'Bodied'. Awesome stuff as per!
Stallone The Reducer - "Always Hate" - (4:48) 126 BPM
Rrose - "Cricoid Pressure" - (8:15) 126 BPM
Machine Woman - "Just Made Some Jazz Music" - (7:10) 128 BPM
WCC - "Ana" - (4:16) 128 BPM
FIT Siegel - "Penny Rut" - (5:17) 129 BPM
Ikonika - "Bodied" (OG mix) - (4:38) 128 BPM
The Whitefield Brothers - "Ntu" - (1:39) 128 BPM
Review: Over the course of numerous albums and Eps, Laurel Halo has made a name with her experimental, uncompromising take on electronic music - can she do the same with her DJing? Listening to this, the 68th instalment of DJ-Kicks, the answer is a resounding 'yes'. It moves from the abstract chimes of her own "Public Art" to the bruising rhythms of Stallone the Reducer and Red Axes' low-slung electro into the next-wave Detroit techno of Fit Siegel and the bleary European sound of Dario Zenker, representing here with "Koraimer Bro". However, Halo is also aware that to understand where electronic music is going to, you must first understand its past - and the inclusion of tracks from Jeff Mills' Final Cut band and Blake Baxter's catalogue showcases her deep knowledge and passion.
Review: It's time to dive deep into the realms of experimental tech on this one as we are introduced to this hard hitting four track compilation from the K7 imprint, showcasing 4x4 creativity at its very finest. We kick off with Laurel Halo's fabulous 'Sweetie', a moody rolling tech adventure, packed with percussive melodics. Next, Ikonika returns with her OG mix of 'Bodied' which plays off both grimey and techno themes, followed by the hypnotic synthesizer ramblings of 'Cricoid' from Rrose. Finally, it gets very tribal indeed as Nick Leon ventures forth with the Amazonian rhythms and rhythmic twists of 'Pelican Dub'.
Review: Four years have passed since Ikonika last dropped a body of work this size on us. And boy is she making up for lost time.... Instantly hitting with warmth and humour on "Girlfriend" she sideswipes us into a vast musical world where dots are joined between west coast funk, grime and R&B with stark linear style. From the sensual stutters and swoons of "Noblest" to the grainy, immersive Boards Of Canada-style "Do I Watch It Like A Cricket Match?" by way of the rich juicy west coast funk elements of the otherwise barbed "Lossy" and delicate futurist soul of "Hazefield", this is the warmest and most expressive Ikonika has sounded so far.... And it sounds amazing. Distractions are good for the soul, right?
Review: London's Night Slugs are back with their class of 2016 and if this is anything to go by, it's going to be quite the graduation party. Be prepared for some bass driven, street level, low end theories as per usual. There's Bok x Sweyn J featuring Semma on the sexy future R&B of "Good 2 U", Helix with some superb hyper-riddims on the explosive and syncopated "Funky 1irst", while label mainstays appear too, rest assured. There's Jam City with the brooding and powerful rhythm workout of "Direct Drums" and of course L-Vis 1990 with the sultry vocals of Ronika on the late night noir thriller "Sweet Spot".
Review: The title for West London producer Ikonika's second album Aerotropolis supposedly refers to a city centred around an airport, and was apparently chosen because the album is "about height, getting high and become distant". It supposedly underwent more significant polish than her previous productions and it shows; lead single "Beach Mode" sounds like a classic '80s house track, while "Mr Cake" glimmers with all the sheen of classic US boogie and the shimmering arp of "Eternal Mode" shows hints of disco in its DNA. But Ikonika's connection to the darker strains of UK dance music still shine through; the thick bass and syncopated rhythms of "Manchego" are pure grime while the monolithic "Mega Church" sounds like futuristic, high concept dubstep. Incredible stuff.
Review: On her latest release for Hyperdub, Sara Abdel-Hamid is in as eclectic and confrontational a mood as ever, delivering razor sharp modernist beat constructions and mind-bending synth work to get the dance well and truly hyped. From the cavernous drum throwdown of "Position" to the melancholic, melodic reflection of "Praxis", the Ikonika style is ever broadening and ever unpredictable. There's also snappy electro stylings to be enjoyed on "Strawberry Underlay" and poppy house overtones on "You Won't Find It Here (VIP)", while Perc and Alex Deamonds turn in remixes that bring completely fresh perspectives to her music.
DVA - "Solid" (feat Zaki Ibrahim & Metrodome) - (4:19) 126 BPM
Review: The ten year celebrations from Hyperdub continue apace here with the second of four planned label compilations arriving with the stated intention of casting "some sunshine" over the label's sometimes "dread filled reputation". Arriving on just one disc this time round as opposed to two, the fourteen tracks nevertheless features productions from DVA, Morgan Zarate, Cooly G, Jessy and Burial among other Hyperdub regulars, who are joined by the vocal talents of Dam-Funk, Fatima and others. Perhaps most exciting is the inclusion of an unreleased track from the defunct partnership of Dean Blunt & Inga Copeland; fans of the latter will also be intrigued by Kode9?s "Lies Lies", which features the talents of Inga in her new solo guise, copeland.
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