Review: The Canary Islands' own disco don Ilya Santana has never been afraid of wearing his love for all things 80s on his sleeve, with this new two-tracker on his own Astrolead Recordings being but the latest example. 'Doublecross' is a reworking of the 1980 track of the same name by South African disco-rock fusionists Hot RS, who were best known for a disco cover of 'House Of The Rising Sun', while the synth-tastic, sci-fi-esque 'Underwater' originally featured on the 1979 long-player 'American Express' by German producer Harry Thumann, a contemporary of Giorgio Moroder and Patrick Cowley... think 'Geoff Love at Studio 54' and you'll get the general idea!
Review: Spanish don Ilya Santana returns to Rare Wiri and ropes in Scandinavian counterpart Rune Lindbaek on remix duties. In its Original form, 'Cosmos Rising' - as you can probably guess from the title alone - comes from that part of the musical spectrum where Italo/cosmic disco and progressive house/melodic techno collide, and as such should work on any floor where they like it big, bold and trippy. But it's the Rune Lindbaek Remix that nudges it for yours truly, being an even bigger, bolder and trippier pass with warehouse-friendly kicks and some added spoken vocal samples paying homage to the special magic of the mushroom.
Review: Legendary Canary Islands producer Ilya Santana recognised for his constant stream of releases on labels like Nang, Porn Wax and Eskimo returns to Astrolead Recordings for a second release in "Won't Look Back". Merging Italo and baerlic themes with a touch new wave and madchester guitars, Santana sends in a star-sailing synth progression graced by the slightest touches of a cosmic disco, slowed down, made lo-fi and chugged out New Order style by Throne Of Bloods always solid Hardway Brothers.
Review: Two Spanish stalwarts of the nu-disco and edits scene join forces on this two-track EP. As you'd expect from Rayko's Rare Wiri label, the emphasis is on re-edits, though there's enough additional production and contemporary trickery on display than you're average scalpel cut. Ilya Santana steps up first with "Logic", a decidedly cosmic, and trippy re-build of Japanese producer Logic System's 1981 electronic classic "Clash (Chinjyu of Sun)". Rayko, meanwhile, drops "Baby", a similarly dubbed-out and floor-friendly remake of what sounds like a forgotten Italo classic. Knowing Rayko, it could just as easily be something well known put through the mangler; either way, it's one of his strongest cuts for some time.
Review: The trio of Ilya Santana, Rune Lindbaek and Rayko is surely a line-up to get any nu-disco lover's mouth watering, but do be aware that the clue's very much in the title here, with all three producers drawing heavily on Spanish/Latin influences - Lindbaek's 'Moonlight', in particular, may invoke memories of sangria-sozzled evenings on youthful package holidays. Conversely, if you're NOT a huge fan of Latin sounds generally, then Santana's 'Fresa' is probably the one to head for, operating as it does in slightly more typical nu-disco territory, with only the vocal and strings bringing a hint of Latin flava.
Review: Canary Islands-based producer Ilya Santana released his great full-length The Retrowave Album last year on his very own Astrolead Recordings. He's back with the second part of the album now; the first track being "Love Savior" a neon-lit Italo disco number with an impassioned vocal that is pure bliss. There's also an featured instrumental and a remix comes from Jason Core (Feverball/Boite) who injects more dancefloor dynamics into the track by way of the rhythm department, yet retaining that terrific guitar solo.
Review: With releases on Balihu, Permanent Vacation, Rare Wiri, Eskimo and Nang, disco producer from the Canary Islands Ilya Santana is back on his beloved Astrolead Recordings with a scorching four set of disco heaters. Whether it's the dark and brooding Giallo energy of "Lost in Philadelphia" (Ilya Santana re-work) or the low slung classic funk attack of "Cryptonite" (Ilya Santana edit) he proves there's much within his sonic repertoire. Elsewhere, he takes you on a neon-lit night drive down the coast on the breezy "Geronimo" (extra instrumentation edit).
Review: Perhaps the best way to describe these three cuts from Spanish disco don Ilya Santana is to say that we're only about 99% certain he's actually made them - 1% of our brains insists he must have broken into an Italian TV studios, found a load of incidental music from an early 80s sci-fi series that never actually aired, and cheekily snuck the tracks out under his own name! Well, that or he's just been listening to a lot of John Carpenter lately... either way, if you're in the market for some classically-styled, authentic-sounding cosmic disco bizniss this week, then look no further.
Review: Canary Islands disco legend Ilya Santana hooks up with the voice of a generation, Woolfy, for another pioneering release on the Spaniard's label, Astrolead Recordings. Combining an '80s electro vibe with touches of funk and cosmic Italo, the single brings with it a bonus instrumental version and classy uptempo remix for a heavier, industrial tip. Youch! This one's hot.
Review: It's time to welcome back Spanish nu-disco veteran Ilya Santana, who has been missing in action, presumed DJing, for the best part of two years. As comebacks go, "Electric Mind" is pretty darn good. Underpinned by druggy, Italo-disco style arpeggio lines and squeezable synth-bass, the slo-mo shuffler's best asset is undoubtedly the wild variety of vintage synthesizer lines that Santana smartly layers on top. The remixes are rather tasty, too. There's a decidedly Baldelli-esque, guitar-laden "Cosmic Western" remix from Rare Wiri boss man Rayko, while label regular James Rod pushes up the tempo and emphasizes Santana's Italo-disco influences on his dancefloor-friendly revision.
Review: Ilya Santana, a man whom we can say with some degree of certainty is the Cayman Islands' finest disco export, releases this lovely new EP via Eskimo Recordings. Santana's pedigree is well established - his first ever release came on Daniel Wang's Balihu imprint no less, with subsequent productions seeing the light of day on Tirk, Permanent Vacation and Gomma. He also released two fine 12?s on Eskimo in 2010, namely Burning Jupiter and Erin. "Transborder" is classic Santana tackle - 80s synth work, emotive strings and an immensely pleasing disco thud. Remixes come from two esteemed sources; Minilogue (Mule Electronic, Cocoon, Wagon Repair) and Letherette (Planet Mu, Warp, Ho Tep). For our money it's Letherette's off kilter, twinkling re-rub that resonates the most.
Review: Ilya Santana uses complex structures and enchanted melodies in his music in an attempt to uncover hidden emotions. Having previously remixed The Human League, The Phenomenal Handclap Band and Lindstrom, Santana's first release for Eskimo is "Burning Jupiter," a spaced out, disco tinged piece of electronic. The singles precedes his debut artist album, out later this year.
Review: Four tracks of heavily electronic disco make up this latest V/A collection from Rakyo's Rare Wiri stable. Ilya Santana gets the ball rolling with the ominous, cinematic 'After Dark', before Kay-chi & Keymon drag us onto the early 80s dancefloor with 'Patches Of Light' feat Kally Voo. The label boss himself then steps up with 'Relax Your Body', which looks to styles like cosmic disco, EBM and Belgian new beat for inspiration, before the EP's completed by MR Gee's 'Under The Moonlight', which opens with a mood-setting manic cackle then breaks out into something of a moody, midtempo synth epic.
Review: Four tracks from as many artists make up this latest V/A offering from Rayko's Rare Wiri, with a couple of heavy-hitters sharing the stage with a brace of newcomers. Up first is new boy Billy Woods, who channels early 80s cod reggae vibes on not-unlikable opener 'Reggae Music' before Spanish veteran Ilya Santana shows us how the big boys do it with the surging, euphoric and lightly rock-tinged nu-disco of 'X Factor'. Label chief Rayko then steps up with the decidedly 80s-sounding 'Jabdah' before Leo Zero plays us out with the rawk geetars of 'All Is Fair'.
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