Review: Following up a killer inaugural release by local duo Dirty Channels, the sophomore edition of the label Take It Easy (connected to the well-known party in Milan) is back with co-owner DJLMP. For his debut EP, he shows his eclectic vision of club music. From the uplifting and euphoric disco loops of the vibrant opener "Blow Your Mind", to the funky and super lo-slung groove action of "Kachi Kachi" by the brilliant In Flagranti - which he edits to perfection. Elsewhere, we have the bleepy Italo action of "Tiger Cat" with its "Funky Town" kinda vibe and the moody late night latin house of "Angry" - which is anything but to be honest!
Review: Cosmic-minded Brazilians get busy with Razor N Tape with an artistically presented eight track collection of native edits and originals. Charming from the off-beat funk of "7 8 E 1", we're soon hammered by the steady stamps of "Botoque", massaged by the come-to-bed soul of "Formula 1" and whipped into a shamanistic frenzy by the percussion-fuelled "E Um Barato". Complete with a cheeky little 7" brother - that features the acid slapping Latin club smasher "Margarida" and the ghetto-busting funk of "Blaus" - these are the type of packages RSD was invented for. Party time.
Review: Ten years ago, Eskimo Recordings emerged from Ghent, as an outlet for mix albums from hometown heroes the Glimmers. Since then, the label has gone on to be a leading light on the nu-disco and nu Balearic scenes. Fittingly, this expansive tenth anniversary set was put together by the Glimmers, and features two solo DJ mixes featuring label highlights aplenty. For DJs, the real bonus is the huge selection of unmixed tracks on display, which adeptly showcases the depth and variety of the label's output. Highlights are plentiful, from the woozy Scandolearic vibes of Lindstrom & Prins Thomas and brilliance of early Aeroplane, to the sun-bright dream pop of Hiem, and the bouncing dancefloor groovery of LHAS Inc.
Review: Despite being active in the scene for decades, In Flagranti show no signs of slowing down or slipping up. For those who enjoy druggy, off-kilter club cuts, it's comforting to know that each successive EP from the Swiss duo will be as essential as its predecessor. There's naturally plenty to get the juices flowing on their latest four-track missive, from the densely layered hand percussion, dubbed-out spoken word snippets and weirdo samples of "Expensive Wardrobe", to the bustling late '80s warehouse pump of "Soft White Skin" and hypnotic late night throb of metronomic deep house jack-track "Arousing Touch". Bizarre-but-brilliant opener "Rather Sexy" is pretty darn tasty, too.
Review: In Flagranti are the partnership of Alex Gloor and Sasa Crnobrnja. Both are from Switzerland and currently live in Basel and Paris respectively. The duo were originally inspired by the pioneering cosmic scene that emerged from '80s Italy, plus a general eclectic bag of genres (which you can all hear across this opus' 30 tracks) including "funk, rock, punk, afro, electronica, house, reggae, kraut, classic, glam, blues and hillbilly". Incidentally, 'Sprezzatura' is an Italian term defined in the Renaissance that means doing something extremely well without showing effort, and on the evidence of this joyful, mind-bending and next-level creation and it's impossible to disagree.
Review: In Flagranti, the undisputed kings of the one-track digital EP, return to their Codek imprint with another sweaty dancefloor slammer. "A Million Wiggles" sounds like the sort of heavy, low-slung workout capable of raising temperatures on even the most packed and lively dancefloors. Built around a relentless, post-punk disco bassline, wild organ stabs and rolling, old school house percussion, the track is peppered with quirky samples. The most ear catching of these is a gravelly American voice stating: "the party...is me". This has seemingly been taken from a recording of strip club promoter, which later develops into rambling speech. It adds interest, but it's the restless, rump-shaking groove that's the real winner.
Review: In Flagranti seem incapable of putting out releases that feature more than one track. Of course, when that track is pretty tasty, it's still an enticing proposition. That's certainly the case with "Whenever", which continues their method of blurring the boundaries between re-edits, remixes, and sample-heavy original production. Heavily electronic, a little trippy and seemingly designed for locked-in dancefloor moments, it sits somewhere between groovy proto-house, proto-trance, and the more Balearic end of later Italo-disco. There's also a rather odd spoken word vocal that plays throughout, though it's buried in the mix making it tricky to comprehend. It all adds to the track's inebriated effect.
Review: In Flagranti seem to have a thing for releasing one-track digital singles. Unbelievably, As Fast As I Can is their 36th such release since the turn of the millennium. The Swiss duo has described this one "as a little vintage slow sleaze", suggesting it was recently rediscovered in their no doubt bulging vaults. Interestingly, it's a little baggier, looser and groovier than their usual, often forthright fare, with woozy, Moodymann/Seven Davis Jnr style vocals riding a head-nodding, live-sounding groove. There are some neat touches, of course - sparkling synthesizer melodies, sweet strings, additional percussion hits - but it's the blazed feel of the track that makes it so addictive.
Review: Swiss disco outfit In Flagranti have had more releases than we've had hot dinners. They deliver singles at an alarming rate, alternating between re-edits and more original work. Here "Different From The Rest", is less electro than some of their earlier work and appears to be based on an obscure but infectiously slinky disco-boogie sample. The remixes though are the real winners here with Moscoman's "Disco Voodoo Habit Mix" going all slo-mo, phased-out hi-NRG and Sebastian Tex delivering a lean and mean tech-infused disco-house version.
Review: In their typically minimal press release for this two-track salvo, In Flagranti simply describes the EP's content as "edit/rework/party tunes". It's an apt description. Lead cut "Beast" delivers a deliciously saucer-eyed trip into vintage Chicagoan deep house territory, cutting up what sounds like a classic Mr Fingers production and layering it with nagging vocal samples, additional electronics and hypnotic, locked-in beats (admittedly with some additional crashing cymbals as the track progresses). "Forty Deuce", on the other hand, is an altogether more celebratory affair, brilliantly looping and chopping a long forgotten AOR disco gem. Think Tiger & Woods builds and blue-eyed soul vocals, and you're close.
Review: Swiss duo In Flagranti are ridiculously prolific. When they're not releasing bombastic original material (see their recent outing on Erol Alkan's Phantasy Sound label, "Headrush"), they're churning out party-friendly cuts that blur the boundaries between re-edits, remixes and original material. That's what they deliver here, in the shape of a pair of sample-heavy, floor-friendly bangers. Choose between the wonky electronics, punk-funk drums, rap samples and 808 handclaps of sweaty hip-houser (of sorts) "Interpolation", and the rolling, organ-heavy disco groovery of "Different From The Rest". It's the latter, with its curious vocal and house sassiness, which gets our vote.
Review: "Eocene" is arguably In Flagranti's most interesting release of recent times, delivering a sweaty, tropical brew of shuffling, low-end house rhythms, deft electronics, cute marimba melodies and a Sting vocal sample. It's loosely based on The Police's "Walking In Your Footsteps", utilising the original's melodies and the vocal hook that dominates the original track. Since the original is definitely Balearic, it's a clever move.
Review: Serial disco-punk troublemakers In Flagranti continue their obsession with single-track releases, delivering another eccentric but desirable one-track missive. "On The Spot" is a typically curious concoction, mashing together elements from familiar favourites (the break from "Dirty Cash", a dash of vocal from "Somebody Else's Guy", various bits of barely audible AOR vocals), with formidably heavy bass, twiddly synths and some very odd (but rather good) backing vocals. It should be a mess but, strangely, it works. There's little subtle about it, but it's a bona fide party banger. In these miserable times, we heartily improve.
Review: Yep, this is another one of those killer single-track salvos that In Flagranti seem so obsessed with these days. To be honest, it's one of their best for a while; a woozy, midtempo cut that sits somewhere between lazy disco-funk, stoner prog and moody nu-disco. This groove itself is authentically disco - with a touch of stoned rock in the guitars and bass - but the stuff layered on top - bittersweet strings, fuzzy electronic noises, all manner of effects -is anything but. The combination works well, though, giving the impression that it'll sound good over a sizeable system.
Review: Swiss duo In Flagranti, have been peddling their unique brand of leftfield, risque punk-funk-electro for about a decade on such esteemed labels as Kitsune, Kill The DJ and of course their own Codek imprint. They now return after a recent hiatus with "Cephalagia", a seven-minute odyssey into blissed-out Balearic waters, beginning with a hypnotic percussive loop before taking the slow train to pleasureville, like a cosmic-disco version of SueNo Latino. Highly recommended.
Review: Sleaze disco dons In Flagranti slip out another killer single on Codek, and this time it's some moog-heavy soundtrack business in the shape of "Alemande". Clearly enjoying the freedom that releasing music on your own label affords artists, Sasha and Alex open the track with a slow-mo beat which emerges amid a smoky haze of fuzzy guitar licks. Before long the moog bassline enters the fray to lend "Alemande" a deliciously dense and exotic feel. Big tip as always!
Review: In Flagranti present "Sensory Cue", the latest in their current run of digital-only one track releases. Even if you've followed In Flagranti's career for some years it's unlikely you'll be prepared for just how insane this track is. Combining a stuttering, low-slung squelch with library music melodies and spoken vocal samples that seem to come from 80s television broadcasts, it's quite unlike anything else you're likely to have heard this year, and is simultaneously one of the most brilliant.
Review: Fans of In Flagranti must be thrilled with the duo's current productivity. "Clustering Illusion" is the latest cut to drop in their ongoing series of single-track, digital-only releases, and it's really rather good. Typically psychedelic in its outlook, the track blends sparse, experimental electro rhythms (very cosmic disco) with dubbed-out vocal snippets, woozy chords and smacked-out fragments of delay-laden guitar. It sounds like the results of an imagined meeting between Throbbing Gristle's Chris Carter, Codek and Felix Laband, with Todd Terje on production duties. Which, to be fair, would be a dream combination.
Review: For the third week in a row, veteran disco-punks In Flagranti drop a single-track Juno Download exclusive. This time round, they're off on a far-out, sample-laden journey that's two parts trippy old skool electro, three parts analogue deep house and two parts dub disco oddity. As you've no doubt gathered, it's fiendishly hard to describe and doesn't fall neatly into any particular category. Yet as with much inspired music, that's part of the charm. There are some strange spoken vocal samples ("Oh yes... oh no!") that add a quirky charm to proceedings.
Review: Following last week's well-received "Restraint Bias", veteran disco-punks In Flagranti drop another Juno Download exclusive - the similarly worthy "Reminiscence Bump". Whereas its predecessor was jolly, jangly and shot through with a thick vein of disco, "Reminiscence Bump" is an altogether cuter and cuddlier affair. While still retaining some floor-friendly hefty bottom end, there's a delicate feel to the percussion and chiming, melancholic melodies utilised throughout. In Flagranti's usual trademarks remain - live drums and bass, dubby guitar riffs etc - but they're kept low in the mix. It's a wise choice; "Reminiscence Bump" is one of their deepest and most cultured cuts to date.