Review: 'Big' Daddy Kane is veteran of the Midnight Riot label and Timmy Vegas is from the soulful house scene (Z Records etc). Together the disco fever is scorching hot. Throwing vocals powerhouse Jacqui George into the mix and the results are off the hook. "Feeling Me" is an infectious homage to the American soul and funk world of the early 80s, totally classy. Yam Who? also appears, remixing the track into the 21st century by adding some tougher house undercarriage to the chassis. Alan Dixon stretches the tune to over seven minutes, concentrating on the top line melodies and a rolling bassline.
Review: Danny Kane is becoming a true master when it comes to producing the funkier side of club house, and this new joint on ISM is just in time for the mid-summer thrills, making for the perfect EP to smash out at the beach parties. "Go" is a fun, playful slice of nu-disco complete with magical strings, a heavy bass tone, and that early 80s funk sound that is made to get people moving. "Do It Right" is nothing but a sweet-ass boogie ride with a sweltering elector bass to get it truly pumping; the Yam Who? remix takes that one step further, adding more guts and panache to an already killer bassline!
Review: Unashamed boogie revivalists Qwestlife are a good fit with Defected's disco-minded Glitterbox offshoot. It probably helps, though, that "Give Me A Minute" is something of a shimmering, synth-fired treat. The "ultra-hot" boogie band, assisted by the sensual vocals of Jacqui George, are in prime form on "Give Me a Minute", which is so authentic in its' construction, vibe and instrumentation that it could have been produced in New York in 1983. Sadly, this digital download edition doesn't include the Paul Simpson/Serious Intention style "Dubbed Out" and "Bonus Beats" versions showcased on the vinyl release, though the sublime "Give Me a Minute 7 (Extended Mix)", with its subtle nods towards Leroy Burgess and Patrick Adams, will be more than enough for most DJs.
Review: The Z Records crew is off to the White Isle of Ibiza and they want us to dance along at home - hence this fittingly summery selection of celebratory disco and house gems. There are naturally plenty of recent label highlights (see the cuts from Crackazat and JKriv & Adeline) and a swathe of fine tracks and revisions from boss man Joey Negro. Amongst the many highlights you'll find the celebratory disco brilliance of Bob Sinclar, Dimitri From Paris and Byron Stingily's "Love Is The Answer", the boogie/house/soul fusion of Opolopo's colourful revision of "Searching" by Roberto De Carlo and Dyanna Fearon, the soulful house sweetness of Cookie's "Best Part of Me (Unreleased Original Mix)", and Faze Action's epic, solo-laden, jazz-funk style re-make of Raven Maize classic "Forever Together".
Review: If you missed any of Z Records most potent releases this year, do not fear: boss man Joey Negro has brought together all of the label's best bits on one handy, plus-sized compilation. There's another chance to savour the Escort style Brooklyn disco revivalism of J Kriv and Adeline's "Vertigo", Sean McCabe's smooth and soulful rework of Detroit Rising and Ron Trent's impeccably musically rich remix of Joey Negro's "Distorting Space Time". Synth-fired boogie goodness is also provided via a superb "Unreleased Dub" of Janet Kay's 1980s gem "Eternally Grateful" and a brilliant Joey Negro rework of the APX, while soaring, string-laden disco hits are dotted throughout the compilation. If you dig disco, house and boogie, you need this in your life.
Review: Given the success of their previous joint single on Z Records, "Grateful", we know that Yam Who, Jacqui George and Jaegerossa are natural collaborators. Predictably, they've hit the mark again with this heavy, peak-time ready cover of Francine McGhee disco classic "Delirium". They've replicated many of the original's most potent features - think jammed-out electric piano riffs, heady vocals and wild synth solos - whilst updating it a little for house-centric contemporary dancefloors. The accompanying remixes are rather good, too. First, '80s Child and Ruff Diamond offer up a warmer, looser and breezier disco revision that adds a little more synth-heavy electrofunk flabvour, before Danny Russell and Ronald Christoph brilliantly strip the track back and emphasize the killer bassline on a superb disco-house take.