Review: For their 100th release, Hot Digits bring us a truly outstanding collection that gathers together the best of the label's last 50 outings. Just one look at the talent roster involved should be enough to get any contemporary disco lover's tastebuds tingling, replete as it is with names like Fingerman, Dexter Jones, Fray Bentos, C Da Afro, Dave Mathmos and Jet Boot Jack, and suffice to say the music they provide doesn't disappoint one iota! With 30 full-length cuts plus two hour-long DJ mixes there's no room here to go into every track, but whether you like it deep n' chuggy, funky n' furious or boogie-tastic n' soul-tinged, you'll find plenty of fresh ammo for your disco machine gun here.
Review: James Rod brings us another set of re-edits that draw on the late 70s/early 80s glory days of Italo and cosmic disco. The precise source material will have to remain unidentified this time out, but any crossword buffs reading this will have no doubt already spotted which legendary Italian producer's name 'More Dore' is very nearly an anagram of, so that's a start! Elsewhere, 'Reinhood Times' is a very Euro in feel and will appeal to fans of artists like Goldfrapp, Moloko or Christine & The Queens with its angular synth-pop and ice queen vocal, while the pulsing, throbbing and surprisingly pacey 'L'Amoure' plays us out in classic Italo style.
Review: Although his original productions have always been tasty, there's an argument that some of James "Rod" Rodriguez's finest moments have been sneaky re-edits and remixes. It's that side of his outfit that the Spanish producer explores on Rodriguez Reworks Volume 1, a compilation length collection packed to the rafters with peak-time ready treats. After starting with heavy disco-house loop jam 'What's Your Name', Rodriguez sprints between quite revolutionary reworks (see the Latin jazz-tinged re-imagining of Julia & Company, 'Breaklift Town'), throbbing and percussive nu-disco slammers ('Ceroni For Dancing'), driving dub disco ('Do You Know The Disco Love'), glassy-eyed, piano-sporting delights ('Goodbye Nights'), squelchy 80s soul re-fixes ('If You Take Care of Me') and rubbery electrofunk ('Yeny That All').
Review: Leading South American disco label U're Guay serve up a 13-track collection released in honour of Pride month. James Rod's 'Space Thunders' gets us started in epic, surging nu-disco mode, before Pepo Fernandez's 'Boys' kicks off a romp through hi-camp, hi-NRG pastures. As the album moves on, though, we're treated to everything from the strutty tech-funk of WeAmp's' 'Hair In The Air' to Imanol's driving, apocalyptic 'Follow The Stars' with its hints of Italo and acid, via the dark techno pulse of Axel Sundelin's 'Astroglide', Colau's garage-y 'Girl I Cried' and more, with Aleito's 'Nurse Hermosin' providing the obligatory mellower, temperature-lowering closer.
Review: Having recently notched up a sixth year in business, Fingerman's Hot Digits imprint is in a celebratory mood - hence this all-action round-up of recent delights and unheard treats from the disco-loving label. Encompassing no less than 30 tunes, the collection giddily skips between warming beatdown disco (P-Sol's "Walter"), Mark E style slo-mo loop jams (Vigi's "I'll Be There") and glassy-eyed Balearic nu-disco (Picklejam's "Untitled Love"), before raising its hands skywards as the peak-time party-starters begin to appear thick and fast. Highights in this category include the vibrant jazz-house flex of Dexter Jones' "Swing Thing", the bustling boogie re-edit business of Monsieur Von Pratt's "Let's Dance" and the hearty disco-funk heaviness of Chewy Rubs' "Funky Bee Bop".
Review: After nearly a decade in the game, Andrea Rucci's Cosmic Sumo release their first-ever 'best of' compilation. Unsurprisingly, cosmic and Italo-disco vibes predominate: you won't find many cowbells, handclaps or female multi-part vocal harmonies here (though there are some). But if it's Carpenter-esque synths, druggy Afro-inspired beats, bleepy electro flourishes and a distinct whiff of mid-80s Europe you're after then you're in the right place, because here all of the above are provided in spades by the big-hitting likes of James Rod, Tulioxi and, perhaps most signficantly, Italian founding father Alexander Robotnick himself.
Review: The first "Masterworks Legends" compilation saw label boss Danny Worrall giving digital debuts to a whole host of previously vinyl-only cuts. We're not sure whether he's taken the same approach this time round, but the quality of the material remains pleasingly high. Beginning with Dr Packer's hot-to-trot revision of Kiu D's Blaxploitation disco workout "Dynamite", Worrall offers up a swathe of hypnotic, disco-tinged house head-nodders (Ooft's "I Am Love" being a glassy-eyed standout), tasty '80s electrofunk revisions (Woodhead, The Silver Rider, Coutel, his own '80s Child project), thumping disco club cuts (Natasha Kitty Kat, Kiu D, James Rod, Ponchartrain) and sparkling nu-disco box jams (Gradient Logic). If you're looking for more tried-and-tested treats to pep up your sets, you should add this to your cart right now.
Review: To celebrate hitting 20 releases, Wonder Stories has decided to put out the label's first compilation. Wonder Buds is largely made up of arguably overlooked back catalogue highlights, but also includes a handful of previously unreleased tracks to appease regular label-watchers. There's plenty to set the pulse racing throughout, from the jostling Italo-disco/nu-disco fusion of Pop District's remix of Steve Cook's "Notice Me" and the boogie-influenced cosmic disco chug of DJ Rocca's Aimes rework (the brilliant "Notice Me"), to the foreboding psychedelic disco-chug of Curses' "Brains Bones Blood" and the acid-fired pulse of Los Fugazzi's "Paralel" [sic]. Oh, and the saucer-eyed, Balearic-inspired nu-disco dreaminess that is Mighty Mouse's wonderful remix of Air Zaire's "Love '94".
Review: Paper Disco's Trash The Wax compilation series certainly offers a lot of bang for your buck. This fourth installment continues the trend, serving up 22 tried-and-tested dancefloor jams for disco-loving DJs. As usual, the selected tracks are a mixture of killer edits (Ed Wizard & Disco Double Dee, Solid State, Electric Pendergrass, DJ Rocca & Chris Massey), sparkling remixes (a tasty '80s electrofunk rework of Reggie Got Beats' "It's On Tonight" by Norwegian eccentric Ralph Myerz), and stellar original productions (see 2 Billion Beats' "Bob", Daco's Gladys Knight-sampling throb-job "I Heard It", Picotropico's decidedly Balearic "Time Will Tell"). There's possibly a little more Italo-disco on this edition, but that's no bad thing - especially as the arpeggio-heavy cuts showcased here are universally excellent.
Review: Fingerman's Hot Digits imprint has packed in a lot of releases over the past 12 months, as this expansive roundup of the label's second year in business proves. Featuring 27 tracks and a bonus mix by the South Coast dwelling label boss, there's naturally plenty to admire. Highlights include, but are not limited to, the rolling, head-nodding grooves of Eyeco M's "Keeping It To Myself", the killer proto-house throb of "Tonight" by Bad Barbie vs Evil Smarty, the sexy, string-drenched disco loveliness of P-Sol's "Can't You See", LTJ's trumpet-boasting funk bumper "Fat Thing", and the hard-wired, bass-heavy rework of Julia & Company's "Breakin' Down (Sugar Samba)" by Melon Bomb. It is, though, all pretty darn hot.
Review: Fingerman's Hot Digits imprint has always reflected his production style, delivering releases that gleefully blur the boundaries between re-edits, remixes and original material, and blend elements of disco, funk, soul, boogie and deep house. This groovy, warm and floor-friendly formula is much in evidence on this first anniversary compilation. Featuring a blend of previously released gear, exclusives and a bonus DJ mix from Fingerman, Hot Digits: Year One is an effortlessly entertaining collection. There's naturally much to admire, from the subtle house beats and P-funk synths of Fingerman's own "Shine Yo Litez" (a rework of an old Grangers tune), and the disco-funk chunkiness of Groove Motion's "Party Now", to the compressed, dubbed-out disco house madness of Chewy Rubs' "Let It Go".
Review: Not to be confused with the techno-minded Dutch label of the same name, this Deep Sense is based out of Mexico, they have a penchant for the funkier side of the dance and the cheekier side of edit culture. They proved it on their inaugural voyage in November 2014, and they're proving it once again right here... Kicking off with the sax-massaging jack-jam "The Road To Kalakuta" the whole album is an instant party full of sassy sonic surprises. Highlights include the dusty vinyl crackles and heaving harmonics of Rafael Fernandez's "Nothing's Changed", the epic synth-slapping cosmicity of Funk My Jesus "24K", the classic funk guitar squeezes of Chuggin Edits "We Got The Funk". And that's just a handful of party peals to be harvested from this 16-track heavy album. Bon voyage indeed!
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