Review: It's been a long time coming, but after a long run of exciting single drop, Night Bass founder and all around dance music legend: AC Slater lands on his home imprint for a brand new album project. The project features the previously released single 'Final Fantasy' but as a club mix alongside a bag of incredible collaborative additions, including Dread MC, Jay Robinson, Chris Lorenzo, Murkage Dave, Taiki Nulight and more. With twelve tracks of the highest quality, AC has really set the bar super high, with particular highlights including the high energy collaboration with Jack Beats, Sinden and Flowdan entitled 'Boss Like That', along with the tasty house tones of 'Feeling Awake'.
Review: There we were, thoroughly enjoying Welsh DJ Jay Robinson's brand of doomy bass heavy house, when he disappears for ages! Now he's back with all fists flying on the Fight Music EP. There are three ferociously pissed off tunes here for the harder dancefloors out there. Opener "Dogfight" ducks and weaves with instrumental breaks, big breaks and some seriously growling bass. Elsewhere "Kombat Dub" is a taught and techy affair littered with video game samples and finally "Choker" is a straight out thumper with a bassline that's more likely to chew your leg off than ever fetch your paper!
Review: Night Bass is very protective of Welsh wonder kid Jay Robinson, whom they have helped nurture from the get go. So, it's no wonder that they're thrilled to announce this latest three track EP from the guy (his forth in total for the label). "Hussle" sees producer JM help contribute to this thumpin' big room gritty house monster. Next up "Heiss" is bouncy tech house with extra bottom end and finally the best of the lot is sleazy growler "SWYMGY", which also features labelmate Dillon Nathaniel on extra production duties.
Review: Rising Welsh DJ/producer Jay Robinson has made himself right at home with the Night Bass label, here presenting his third EP for the imprint. If ain't broke and all that. There are four turbo charged bass pounders packed on to this release, starting with the bad man bounce of opener "Fury". Next is the creepy, bleepy shuffle of "The Model", before he gets his wobble out on the skippy "Red Dot". Lastly he wraps things up with the UKG-informed "The Start", which is actually the end, but Robinson never plays by the rules.
Review: The Nightbass domination continues as long term bass revolutionary Jay Robinson puts together 'The Return' EP. In typical Jay fashion, the EP is outstanding and serves as a real lesson in rhythmic prowess. The title track A darkened demon, focused on lofi drum work and crunchy bass synths. This is followed by the funky grooves of 'Falling Upwards' and the monstrous lead synth design of 'The Ripper'. The EP is then finalized in style as the horn-like synths of 'The Melodic Weapon' take the reigns, driving this roller forward. This is a top project as ever from Jay Robinson and Night Bass look set to continue this incredible run of releases well into 2018 and beyond.
Review: A.C. Slater's Night Bass is a wildly successful, internationally renowned institution for ground breaking, forward-thinking dance music that's spearheading an underground movement across the U.S.A. The Los Angeles based imprint now serves up another one by label staple Jay Robinson: the ascendant Welshman who has previously appeared on Bingo Bass, Cr2 and Mau5trap. His new effort is "Pushing" featuring the captivating vocals of Ina Bravo - this bass driven tech house jam is so infectious. This is supported by second original offering "Wrong About You" - another vocal track which explores classic U.S. house aesthetic with a modern, and yes bass driven, twist!
Review: One of the most prolific and consistent basssmiths in the house/tech/broken beat axis, Robinson continues to raise the profile with four more mischief-making collaborations; Pelikann joins in for a little Python rattling on the twisted bass throw-down "Gettuh", NIQW and Ami Carmine collide with Jay for a little dirty soul shaking on "Right Back" while GAWP is onside for the a sweet strutting house groove that's tickled with a riff that's reminiscent of mid 2000s Get Physical material. Finally we have the epic stripped back jacker "Oblivious" with Vanilla Ace that drops into an immense hood-heaving mid-section and cowbell popping groove. Jay: 1 / World: 0 It's a knockout.
Review: For those in the know on the bassline scene, Welsh DJ Jay Robinson has been a hot name to watch for a while now. Always fine-tuning his brand of doomy bass heavy house, his latest single, 1987 has already picked up support from the likes of My Nu Leng, Shadow Child, Toddla T and Herve. "Carnage" and "Guttural" kick things off with vintage samples and bouncy bass, "Throwback" is all about the epic breakdowns, the deep and nasty "Shutdown" is an EP highlight and "The End" fuses dubstep and hip-hop to devastating effect
Review: The Night Bass crew promised an 'epic selection of new tracks...a colorful mix of styles' for the second installment of their This Is Night Bass series, and they haven't let us down. The nine sizzlers included here really do capture a snapshot of here the bass scene is currently at. Highlights include the doomy house of "Bodyback", the raw techy disco of Sinden & Bot's "Grit Manis" and the brooding jacker "Shotgun" by Landis & LaPace.
Review: It has to be said that the combining of the terms 'night' and 'bass' does create an extra heady image of nefarious nocturnal shenanigans. Night Bass is a Los Angeles party, the popularity of which proves that America, currently in the early throes of EDM mania, is starting to look deeper for their dancefloor kicks. This compilation, featuring both new and established talent, captures their scene perfectly - highlights including the atmospheric tech-house meets bassline joint "Wild Fire" by Jack Beats, the sparse clickety-clack heavy bass house of "Gloom" by Jay Robinson and Taiki Nulight's staccato hip-house-step bouncer "Checking Out Time".
Review: Boy, it's their instalment of the This Is Night Bass series and, as always, it's a tight and severely jam-packed bag of pure bass-ridden quality. The rhythm carrying the best part of the release is one that locks into 4/4 mode, but the melodies, low frequencies and vocals contain something seriously UK about them. In fact, if you're looking for purist British house music with a garage flavour then you'v hit the right spot; it's as if these guys have tele transported back to 2000/2001, when the roots of dubstep were being laid-down from the foundations of garage and bassline. YES.
Review: The phenomenon that is AC Slater's Night Bass: a label, a party, a collective of like-minded spirits, a movement... In the space of a few years, they've dominated the low end game on a global scale. Their debut remix collection is another bedpost notch as they take each other's favourite tracks and versionise the dickens out of one another. Highlights include Phlegmatic Dogs' warped bass, slo-mo break-charged twist of "Gonna Be Mine", Petey Clicks jack-happy slapper take on "Nose Powder" and Landis LaPace's technoid shake up of "Guttural". File under heavyweight.
Dillon Nathaniel - "Like The Groove" - (4:30) 124 BPM
219 Boys - "House Down" - (6:10) 125 BPM
Review: LA's Night Bass imprint is contributing significantly to the US' newfound love for dance music that takes low frequencies to new extremes. As such, the label have opted to launch the fifth instalment of the This Is Night Bass series and, as you'd expect there's all sorts of bangers ready-made for dancehall gun-slinging in here! Tagged as bass doesn't do it justice though; Volac's opening "Wait A Minute" is basically a house tune that meets Drake-like r&b vocals, with the same going for Bijou's and Sinden's own 4/4, bass-filtered killers. Petey Click's "U NO I" takes the electro house framework to new and bruising levels, whereas Astronomar manages to strip it back down to tech-house territories on "100 MPH". Jay Robsinson, Dillon Nathanie and the 219 Boys are all the same wave-length, which is impressive given the fact that each one of these artists caters to a particularly niche shade of nu-school house. SUMMER ANTHEMS ABOUND.
Dillon Nathaniel - "Can't See Me" - (6:46) 125 BPM
BIJOU - "Do Not Disturb" - (4:39) 63 BPM
Review: The guys at Nightbass have had truly sensational year, with top quality releases flowing out of the camp left, right and centre. As a label, AC Slater's outfit has developed into one of the most forward thinking projects currently rolling out across the bass music expanse and this compilation showcases just how far they have moved forward. The tracklisting contains a monstrous host, featuring the likes of Flava D, Shift K3y, Jack Beats, Cause & Affect and many more heavy hitters. For us the immediate standouts have to come from Jay Robinson firstly, who's acidic roller 'The Return' hits home heavily, alongside Phlegmatic Dogs, who's classic 'Cuatrocats' adds major weight to the selection. Awesome stuff and a top quality signout.