Review: It's been a long time coming, but after a long run of exciting single drop, Night Bass founder and all around dance music legend: AC Slater lands on his home imprint for a brand new album project. The project features the previously released single 'Final Fantasy' but as a club mix alongside a bag of incredible collaborative additions, including Dread MC, Jay Robinson, Chris Lorenzo, Murkage Dave, Taiki Nulight and more. With twelve tracks of the highest quality, AC has really set the bar super high, with particular highlights including the high energy collaboration with Jack Beats, Sinden and Flowdan entitled 'Boss Like That', along with the tasty house tones of 'Feeling Awake'.
Jay Robinson & Supabeatz - "Screech" - (4:25) 128 BPM
Star Eyes & Pharaoh - "Cry Baby" - (5:07) 128 BPM
Review: Four huge funky/garage house tunes come out of their corners fighting on this latest volume of Trouble & Bass' EP series. Label boss Drop The Lime kicks things off in style with the clattering snares of "Thwomp Stomp" - one of the most apt names for a tune in a long time. While DTL's contribution is kept deliberately bare, Baobinga's "Make It Drop" is riddled with looped hip-hop vocals, with the beat cutting perfectly into a half-step for the verses. Star Eyes & Pharaoh lace "Cry Baby" with female vocals and plenty of low-filter bass, while the chopped and pitch-shifted vocals of Jay Robinson & Supabeatz's "Screech" is probably the highlight - thoroughly unique sounds and as funky as hell!
FooR, Killa P, Irah & Long Range - "Black Bandana" - (4:28) 134 BPM
Don't Judge Me (feat Dekar Da Don) - (4:52) 138 BPM
FooR, Evil B vs B Live - "Hooligans" - (3:29) 135 BPM
Cafe Del Paar - (4:12) 132 BPM
Everybody's Free - (5:38) 132 BPM
The First (continuous DJ mix 2) - (46:56) 132 BPM
Review: FooR celebrate four years in the business. They are are a UK collective of producers, musicians, DJs, and MCs at the forefront of the current UK Garage revival. The four-piece have also become UK garage's fastest rising stars on the live circuit, and are being championed by some of the scene's biggest names 'Friends Of FooR' was their first commercially available mixtape, following 2017's Pure Garage mix album. Hailing from Southampton and fronted by Gavin Foord, Aki, MC Jukie and Tyrone - they have all been friends for 15 years - literally since they were kids. Once they hit their teens they started making music together and then throwing parties, first locally, and then across the south coast.
Review: If FooR were to put together a studio album, where else could it be other than their legendary home imprint of YosH. As an album 'Friends Of FooR' is a collection of high profile collaborations from the bass house giants, including both production features and high energy vocal additions. Our favourites include the swordplay duo with Endor, the skippy house textures of 'Bad Man' alongside Jay Robinson and Dekar artist' and of course the triple threat rinse out of 'Black Bandana' which features Killa P, Irah and Long Range.
Review: Rising Welsh DJ/producer Jay Robinson has made himself right at home with the Night Bass label, here presenting his third EP for the imprint. If ain't broke and all that. There are four turbo charged bass pounders packed on to this release, starting with the bad man bounce of opener "Fury". Next is the creepy, bleepy shuffle of "The Model", before he gets his wobble out on the skippy "Red Dot". Lastly he wraps things up with the UKG-informed "The Start", which is actually the end, but Robinson never plays by the rules.
Review: There we were, thoroughly enjoying Welsh DJ Jay Robinson's brand of doomy bass heavy house, when he disappears for ages! Now he's back with all fists flying on the Fight Music EP. There are three ferociously pissed off tunes here for the harder dancefloors out there. Opener "Dogfight" ducks and weaves with instrumental breaks, big breaks and some seriously growling bass. Elsewhere "Kombat Dub" is a taught and techy affair littered with video game samples and finally "Choker" is a straight out thumper with a bassline that's more likely to chew your leg off than ever fetch your paper!
Review: Night Bass is very protective of Welsh wonder kid Jay Robinson, whom they have helped nurture from the get go. So, it's no wonder that they're thrilled to announce this latest three track EP from the guy (his forth in total for the label). "Hussle" sees producer JM help contribute to this thumpin' big room gritty house monster. Next up "Heiss" is bouncy tech house with extra bottom end and finally the best of the lot is sleazy growler "SWYMGY", which also features labelmate Dillon Nathaniel on extra production duties.
Review: The Nightbass domination continues as long term bass revolutionary Jay Robinson puts together 'The Return' EP. In typical Jay fashion, the EP is outstanding and serves as a real lesson in rhythmic prowess. The title track A darkened demon, focused on lofi drum work and crunchy bass synths. This is followed by the funky grooves of 'Falling Upwards' and the monstrous lead synth design of 'The Ripper'. The EP is then finalized in style as the horn-like synths of 'The Melodic Weapon' take the reigns, driving this roller forward. This is a top project as ever from Jay Robinson and Night Bass look set to continue this incredible run of releases well into 2018 and beyond.
Review: One of the most prolific and consistent basssmiths in the house/tech/broken beat axis, Robinson continues to raise the profile with four more mischief-making collaborations; Pelikann joins in for a little Python rattling on the twisted bass throw-down "Gettuh", NIQW and Ami Carmine collide with Jay for a little dirty soul shaking on "Right Back" while GAWP is onside for the a sweet strutting house groove that's tickled with a riff that's reminiscent of mid 2000s Get Physical material. Finally we have the epic stripped back jacker "Oblivious" with Vanilla Ace that drops into an immense hood-heaving mid-section and cowbell popping groove. Jay: 1 / World: 0 It's a knockout.
Review: Having previously teamed up on releases for Southern Fried, tropical house twosome Malente and Jay Robinson join forces once again with much-missed MCs Yo Majesty on the mic for this big, big tune. With a marching band rhythm and urgent soca stabs locked into a bouncy groove, the YM ladies tear it up and add an inimitable swagger to this future classic. With a host of brilliant remixes also included, highlights include Botnek's insanely warped yet infectious treatment and Raffertie's tight eski-garage reworking.
Review: For those in the know on the bassline scene, Welsh DJ Jay Robinson has been a hot name to watch for a while now. Always fine-tuning his brand of doomy bass heavy house, his latest single, 1987 has already picked up support from the likes of My Nu Leng, Shadow Child, Toddla T and Herve. "Carnage" and "Guttural" kick things off with vintage samples and bouncy bass, "Throwback" is all about the epic breakdowns, the deep and nasty "Shutdown" is an EP highlight and "The End" fuses dubstep and hip-hop to devastating effect
Review: Following his recent stint on the esteemed Arcade Pony label, this former partner of Malente is back continuing his solo quest, this time on Party Like Us. Although still rooted in garage and bass, his sound is ever more streamlined, and more mature too. He's not lost his edge though: "Hyer" is big and rolling with peak time breaks and a smattering of warped, jazzy garage. Elsewhere we get growling wobble "Slung" and the distorted retro house of "Turn" before proceedings wrap up with the euphoric, hands in the air melodies of "With You".
Review: Boy, it's their instalment of the This Is Night Bass series and, as always, it's a tight and severely jam-packed bag of pure bass-ridden quality. The rhythm carrying the best part of the release is one that locks into 4/4 mode, but the melodies, low frequencies and vocals contain something seriously UK about them. In fact, if you're looking for purist British house music with a garage flavour then you'v hit the right spot; it's as if these guys have tele transported back to 2000/2001, when the roots of dubstep were being laid-down from the foundations of garage and bassline. YES.
Review: The Night Bass crew promised an 'epic selection of new tracks...a colorful mix of styles' for the second installment of their This Is Night Bass series, and they haven't let us down. The nine sizzlers included here really do capture a snapshot of here the bass scene is currently at. Highlights include the doomy house of "Bodyback", the raw techy disco of Sinden & Bot's "Grit Manis" and the brooding jacker "Shotgun" by Landis & LaPace.
Review: The phenomenon that is AC Slater's Night Bass: a label, a party, a collective of like-minded spirits, a movement... In the space of a few years, they've dominated the low end game on a global scale. Their debut remix collection is another bedpost notch as they take each other's favourite tracks and versionise the dickens out of one another. Highlights include Phlegmatic Dogs' warped bass, slo-mo break-charged twist of "Gonna Be Mine", Petey Clicks jack-happy slapper take on "Nose Powder" and Landis LaPace's technoid shake up of "Guttural". File under heavyweight.
Dillon Nathaniel - "Like The Groove" - (4:30) 124 BPM
219 Boys - "House Down" - (6:10) 125 BPM
Review: LA's Night Bass imprint is contributing significantly to the US' newfound love for dance music that takes low frequencies to new extremes. As such, the label have opted to launch the fifth instalment of the This Is Night Bass series and, as you'd expect there's all sorts of bangers ready-made for dancehall gun-slinging in here! Tagged as bass doesn't do it justice though; Volac's opening "Wait A Minute" is basically a house tune that meets Drake-like r&b vocals, with the same going for Bijou's and Sinden's own 4/4, bass-filtered killers. Petey Click's "U NO I" takes the electro house framework to new and bruising levels, whereas Astronomar manages to strip it back down to tech-house territories on "100 MPH". Jay Robsinson, Dillon Nathanie and the 219 Boys are all the same wave-length, which is impressive given the fact that each one of these artists caters to a particularly niche shade of nu-school house. SUMMER ANTHEMS ABOUND.
Review: It has to be said that the combining of the terms 'night' and 'bass' does create an extra heady image of nefarious nocturnal shenanigans. Night Bass is a Los Angeles party, the popularity of which proves that America, currently in the early throes of EDM mania, is starting to look deeper for their dancefloor kicks. This compilation, featuring both new and established talent, captures their scene perfectly - highlights including the atmospheric tech-house meets bassline joint "Wild Fire" by Jack Beats, the sparse clickety-clack heavy bass house of "Gloom" by Jay Robinson and Taiki Nulight's staccato hip-house-step bouncer "Checking Out Time".
Dillon Nathaniel - "Can't See Me" - (6:46) 125 BPM
BIJOU - "Do Not Disturb" - (4:39) 63 BPM
Review: The guys at Nightbass have had truly sensational year, with top quality releases flowing out of the camp left, right and centre. As a label, AC Slater's outfit has developed into one of the most forward thinking projects currently rolling out across the bass music expanse and this compilation showcases just how far they have moved forward. The tracklisting contains a monstrous host, featuring the likes of Flava D, Shift K3y, Jack Beats, Cause & Affect and many more heavy hitters. For us the immediate standouts have to come from Jay Robinson firstly, who's acidic roller 'The Return' hits home heavily, alongside Phlegmatic Dogs, who's classic 'Cuatrocats' adds major weight to the selection. Awesome stuff and a top quality signout.