Review: A rollercoaster ride of an EP characterised by wobbly basslines, boisterous beats, rowdy dubstep, ferocious breakbeats and pumping dancefloor riddims. With the overriding theme of "it's a remix", this seven track treat featuring refixes from the likes of High Rankin, Calvertron, Hostage, Rico Tubbs, Lazy Rich, Figures and Attic Kings. From opening track, the fidgeting grouchy "Wobblin" through house-inspired "Raw 2 Da Floor" to the finale, the dubstep remix of "Everybody", it's a non-stop party compilation.
Review: After 14 blinding releases, the Trouble & Bass crew have compiled the best of the bass for this collection of original releases from their epic series of gonzoid-electro bangers. From the snakey Dutch leads of Drop The Lime's "Doomsday Device" to the hardcore dubstep tweaks of "Days Go By" by Boogaloo Crew, this is a must-have for anyone who missed out on the earlier Champion releases. Rico Tubbs and Calvertron are to be found in typically ravey form on "Body Free", while Baobinga mixes nasty rap verses with bassline beats on "Make It Drop". With AC Slater, Mumdance, Samo Sound Boy, Marc Remillard and Zombies For Money also included, this is an essential collection of the finest bass beats out there.
Review: It has to be said that the combining of the terms 'night' and 'bass' does create an extra heady image of nefarious nocturnal shenanigans. Night Bass is a Los Angeles party, the popularity of which proves that America, currently in the early throes of EDM mania, is starting to look deeper for their dancefloor kicks. This compilation, featuring both new and established talent, captures their scene perfectly - highlights including the atmospheric tech-house meets bassline joint "Wild Fire" by Jack Beats, the sparse clickety-clack heavy bass house of "Gloom" by Jay Robinson and Taiki Nulight's staccato hip-house-step bouncer "Checking Out Time".
Review: The Night Bass crew promised an 'epic selection of new tracks...a colorful mix of styles' for the second installment of their This Is Night Bass series, and they haven't let us down. The nine sizzlers included here really do capture a snapshot of here the bass scene is currently at. Highlights include the doomy house of "Bodyback", the raw techy disco of Sinden & Bot's "Grit Manis" and the brooding jacker "Shotgun" by Landis & LaPace.
Review: Boy, it's their instalment of the This Is Night Bass series and, as always, it's a tight and severely jam-packed bag of pure bass-ridden quality. The rhythm carrying the best part of the release is one that locks into 4/4 mode, but the melodies, low frequencies and vocals contain something seriously UK about them. In fact, if you're looking for purist British house music with a garage flavour then you'v hit the right spot; it's as if these guys have tele transported back to 2000/2001, when the roots of dubstep were being laid-down from the foundations of garage and bassline. YES.
Dillon Nathaniel - "Like The Groove" - (4:30) 124 BPM
219 Boys - "House Down" - (6:10) 125 BPM
Review: LA's Night Bass imprint is contributing significantly to the US' newfound love for dance music that takes low frequencies to new extremes. As such, the label have opted to launch the fifth instalment of the This Is Night Bass series and, as you'd expect there's all sorts of bangers ready-made for dancehall gun-slinging in here! Tagged as bass doesn't do it justice though; Volac's opening "Wait A Minute" is basically a house tune that meets Drake-like r&b vocals, with the same going for Bijou's and Sinden's own 4/4, bass-filtered killers. Petey Click's "U NO I" takes the electro house framework to new and bruising levels, whereas Astronomar manages to strip it back down to tech-house territories on "100 MPH". Jay Robsinson, Dillon Nathanie and the 219 Boys are all the same wave-length, which is impressive given the fact that each one of these artists caters to a particularly niche shade of nu-school house. SUMMER ANTHEMS ABOUND.
Review: The phenomenon that is AC Slater's Night Bass: a label, a party, a collective of like-minded spirits, a movement... In the space of a few years, they've dominated the low end game on a global scale. Their debut remix collection is another bedpost notch as they take each other's favourite tracks and versionise the dickens out of one another. Highlights include Phlegmatic Dogs' warped bass, slo-mo break-charged twist of "Gonna Be Mine", Petey Clicks jack-happy slapper take on "Nose Powder" and Landis LaPace's technoid shake up of "Guttural". File under heavyweight.