Review: This latest bumper-packed compilation from the mighty CR2 label is pretty much all you'll need to get yout through this summer season, if not the whole year! Yep the classic imprint has done it again, rounding up Todd Terry, label boss Mark Brown and the CR2 Allstars to each deliver sizzling summery mixes with a combined tracklist of 57 tunes! A selection of the many highlights includes the melancholy Italo disco vibes of "Epiphany (Copy Paste Soul mix)" by The Golden Boy, the nasty low-down jacker "Starfucker" by Audion, the techno lazer funk jam "Funky Tees(Tee's Freeze mix)" by Todd Terry himself and and the moody trance of Superpitcher's DJ Hell rework, "Je Regrette Everything".
Review: Having previously teamed up on releases for Southern Fried, tropical house twosome Malente and Jay Robinson join forces once again with much-missed MCs Yo Majesty on the mic for this big, big tune. With a marching band rhythm and urgent soca stabs locked into a bouncy groove, the YM ladies tear it up and add an inimitable swagger to this future classic. With a host of brilliant remixes also included, highlights include Botnek's insanely warped yet infectious treatment and Raffertie's tight eski-garage reworking.
Review: A rollercoaster ride of an EP characterised by wobbly basslines, boisterous beats, rowdy dubstep, ferocious breakbeats and pumping dancefloor riddims. With the overriding theme of "it's a remix", this seven track treat featuring refixes from the likes of High Rankin, Calvertron, Hostage, Rico Tubbs, Lazy Rich, Figures and Attic Kings. From opening track, the fidgeting grouchy "Wobblin" through house-inspired "Raw 2 Da Floor" to the finale, the dubstep remix of "Everybody", it's a non-stop party compilation.
Review: Rising Welsh DJ/producer Jay Robinson has made himself right at home with the Night Bass label, here presenting his third EP for the imprint. If ain't broke and all that. There are four turbo charged bass pounders packed on to this release, starting with the bad man bounce of opener "Fury". Next is the creepy, bleepy shuffle of "The Model", before he gets his wobble out on the skippy "Red Dot". Lastly he wraps things up with the UKG-informed "The Start", which is actually the end, but Robinson never plays by the rules.
Review: There we were, thoroughly enjoying Welsh DJ Jay Robinson's brand of doomy bass heavy house, when he disappears for ages! Now he's back with all fists flying on the Fight Music EP. There are three ferociously pissed off tunes here for the harder dancefloors out there. Opener "Dogfight" ducks and weaves with instrumental breaks, big breaks and some seriously growling bass. Elsewhere "Kombat Dub" is a taught and techy affair littered with video game samples and finally "Choker" is a straight out thumper with a bassline that's more likely to chew your leg off than ever fetch your paper!
Review: Boy, it's their instalment of the This Is Night Bass series and, as always, it's a tight and severely jam-packed bag of pure bass-ridden quality. The rhythm carrying the best part of the release is one that locks into 4/4 mode, but the melodies, low frequencies and vocals contain something seriously UK about them. In fact, if you're looking for purist British house music with a garage flavour then you'v hit the right spot; it's as if these guys have tele transported back to 2000/2001, when the roots of dubstep were being laid-down from the foundations of garage and bassline. YES.
Review: It's been a long time coming, but after a long run of exciting single drop, Night Bass founder and all around dance music legend: AC Slater lands on his home imprint for a brand new album project. The project features the previously released single 'Final Fantasy' but as a club mix alongside a bag of incredible collaborative additions, including Dread MC, Jay Robinson, Chris Lorenzo, Murkage Dave, Taiki Nulight and more. With twelve tracks of the highest quality, AC has really set the bar super high, with particular highlights including the high energy collaboration with Jack Beats, Sinden and Flowdan entitled 'Boss Like That', along with the tasty house tones of 'Feeling Awake'.
Review: For those in the know on the bassline scene, Welsh DJ Jay Robinson has been a hot name to watch for a while now. Always fine-tuning his brand of doomy bass heavy house, his latest single, 1987 has already picked up support from the likes of My Nu Leng, Shadow Child, Toddla T and Herve. "Carnage" and "Guttural" kick things off with vintage samples and bouncy bass, "Throwback" is all about the epic breakdowns, the deep and nasty "Shutdown" is an EP highlight and "The End" fuses dubstep and hip-hop to devastating effect
Review: The Night Bass crew promised an 'epic selection of new tracks...a colorful mix of styles' for the second installment of their This Is Night Bass series, and they haven't let us down. The nine sizzlers included here really do capture a snapshot of here the bass scene is currently at. Highlights include the doomy house of "Bodyback", the raw techy disco of Sinden & Bot's "Grit Manis" and the brooding jacker "Shotgun" by Landis & LaPace.
Review: The phenomenon that is AC Slater's Night Bass: a label, a party, a collective of like-minded spirits, a movement... In the space of a few years, they've dominated the low end game on a global scale. Their debut remix collection is another bedpost notch as they take each other's favourite tracks and versionise the dickens out of one another. Highlights include Phlegmatic Dogs' warped bass, slo-mo break-charged twist of "Gonna Be Mine", Petey Clicks jack-happy slapper take on "Nose Powder" and Landis LaPace's technoid shake up of "Guttural". File under heavyweight.
Review: A.C. Slater's Night Bass is a wildly successful, internationally renowned institution for ground breaking, forward-thinking dance music that's spearheading an underground movement across the U.S.A. The Los Angeles based imprint now serves up another one by label staple Jay Robinson: the ascendant Welshman who has previously appeared on Bingo Bass, Cr2 and Mau5trap. His new effort is "Pushing" featuring the captivating vocals of Ina Bravo - this bass driven tech house jam is so infectious. This is supported by second original offering "Wrong About You" - another vocal track which explores classic U.S. house aesthetic with a modern, and yes bass driven, twist!
Dillon Nathaniel - "Like The Groove" - (4:30) 124 BPM
219 Boys - "House Down" - (6:10) 125 BPM
Review: LA's Night Bass imprint is contributing significantly to the US' newfound love for dance music that takes low frequencies to new extremes. As such, the label have opted to launch the fifth instalment of the This Is Night Bass series and, as you'd expect there's all sorts of bangers ready-made for dancehall gun-slinging in here! Tagged as bass doesn't do it justice though; Volac's opening "Wait A Minute" is basically a house tune that meets Drake-like r&b vocals, with the same going for Bijou's and Sinden's own 4/4, bass-filtered killers. Petey Click's "U NO I" takes the electro house framework to new and bruising levels, whereas Astronomar manages to strip it back down to tech-house territories on "100 MPH". Jay Robsinson, Dillon Nathanie and the 219 Boys are all the same wave-length, which is impressive given the fact that each one of these artists caters to a particularly niche shade of nu-school house. SUMMER ANTHEMS ABOUND.
Review: Night Bass is very protective of Welsh wonder kid Jay Robinson, whom they have helped nurture from the get go. So, it's no wonder that they're thrilled to announce this latest three track EP from the guy (his forth in total for the label). "Hussle" sees producer JM help contribute to this thumpin' big room gritty house monster. Next up "Heiss" is bouncy tech house with extra bottom end and finally the best of the lot is sleazy growler "SWYMGY", which also features labelmate Dillon Nathaniel on extra production duties.
Review: It has to be said that the combining of the terms 'night' and 'bass' does create an extra heady image of nefarious nocturnal shenanigans. Night Bass is a Los Angeles party, the popularity of which proves that America, currently in the early throes of EDM mania, is starting to look deeper for their dancefloor kicks. This compilation, featuring both new and established talent, captures their scene perfectly - highlights including the atmospheric tech-house meets bassline joint "Wild Fire" by Jack Beats, the sparse clickety-clack heavy bass house of "Gloom" by Jay Robinson and Taiki Nulight's staccato hip-house-step bouncer "Checking Out Time".
Review: The Nightbass domination continues as long term bass revolutionary Jay Robinson puts together 'The Return' EP. In typical Jay fashion, the EP is outstanding and serves as a real lesson in rhythmic prowess. The title track A darkened demon, focused on lofi drum work and crunchy bass synths. This is followed by the funky grooves of 'Falling Upwards' and the monstrous lead synth design of 'The Ripper'. The EP is then finalized in style as the horn-like synths of 'The Melodic Weapon' take the reigns, driving this roller forward. This is a top project as ever from Jay Robinson and Night Bass look set to continue this incredible run of releases well into 2018 and beyond.