Review: Over the course of the last decade, Swiss stalwart Deetron has been responsible for a string of impressive remixes. Happily, these - and many others you may have missed - have now been collected together on the decidedly epic Re-Creation: Remixes Compiled. As you'd expect, the 25-track set flits between full-throttle, peak-time friendly techno futurism, bustling deep house goodness and more downbeat explorations that defy his reputation as a maker of killer club cuts. Highlights include the loved-up synth breakdowns and jacking, Chicago-style groove of his Juan MacLean remix, a wonderfully retro-futurist take on George Fitzgerald's "Every Inch", a thrusting, stab-happy revision of Quarion and a lusciously jazzy take on Todd Terje's "Alfonso Muskedender". That said, on another day we could have listed another five or six highlights: it really is that good.
Review: Jimpster has a new album on the way - his seventh in total - so has decided to serve up this tantalizing taster of what's to come. "Crave", featuring the quietly soulful vocals of Florence Rawlings, is an exercise in sumptuous, musically rich dancefloor deep house in which the Freerange co-founder can showcase his admirable composition and production skills. Khalil Anthony adds his slick vocals to the chunkier and more bass-heavy richness of "Where You Are", which recalls his appearances on Thatmanmonkz's superb Columbising full-length. Meanwhile, the EP also boasts two remixes of "Crave": a wonderfully soulful, tech-tinged shuffler from Atjazz and a rolling, analogue-rich interpretation full of bubbly electronic flourishes by D.KO co-founder Flabaire.
Review: UK house producer Jimpster gets reworked by two of his European house contemporaries in fine, diverse style. Andre Lodemann's take on "Towards the Seer" is an expansive, gradually unfolding affair. It starts off in bleepy, stripped back mode and then is guided by a searing bassline into an emotive breakdown. By contrast, KiNK's version of "Porchlight & Rockingchairs" is deeper and even more considered; balmy chords wash in over a pulsing groove. KiNK then gradually introduces a melody line so sweet and dreamy that it sounds like it was plucked from Carl Craig's studio and given a modern twist that makes it suitable for European dance floors.
Review: Next month sees Freerange boss Jimpster return to the album game with Porchlight and Rocking Chairs, this release acts as a neat teaser for what to expect. Lead track "Rollergirl" pumps in arpeggio like a night drive scene from a '80s music video clip, while breathy male vocals whisper in the tracks background. It's a melodic piece fuelled by muted tension and soft aggression. Accompanying it is "Hold My Hand", a track featuring all the Jimpster trimmings; deep piano chords, spoken word vocals, chromatic synth loops and soft, yet thumpy drums.
Review: It's been a while since Freerange boss Jamie Odell (better known, of course, as Jimpster) delivered an album; in fact, his last full-length dropped way back in 2006. Seven years is a long time between drinks, but the rest seems to have done Odell good; Porchlight & Rocking Chairs is arguably his strongest album to date. While deep house remains his focus (see the intricate "Glowing Embers", Detroit influenced "Cracks In The Pavement" and Moodymann-ish "High Wire"), there's a soulful bagginess and barely concealed jazziness throughout. More impressively, many tracks hark back to his pre-house days as a producer of lovingly crafted downtempo gems (see "Jasmine Dragon", "Wanting You" and previous single "These Times".
Review: Freerange records boss Jamie Odell, or Jimpster as he's known amongst the house music fraternity, released "Alsace & Lorraine" in September of last year. A man who's rather fond of remixes and remixing, it's no surprise that we see an entire piece of wax dedicated to just that. Josh Wink, Dairmount & Berardi Perspective and Ripperton are on duty here, and a rather lovely job they've all done of it too. Josh Wink offers two tweaks, the first of which is led by a meandering take on the lead riff. Congas creep in and dance around some glitches and twitches while little else happens until a glorious kick comes to play after the build up. It's a twisted, eerie and thoroughly enjoyable adaptation. Dairmount & Beradi take a ravier stab with their turn; heavier kicks and prominent high's sit subtly over the whirring chords holding a distinctly dancefloor-centric edge. In simple but effective Ripperton style, it's the glockenspiels and groovy looped bass line that steals the show. Juno's pick of the bunch without doubt!
Review: UK deep house don Jimpster returns on his highly regarded Freerange imprint. Jimpster has for the last ten years kept on with a constant streak of mesmerising deep house. Deep and funky after hours jam "English Rose" whilst "Solitude" captures that absolute deepness that is the essence of Jimpster's work. On his homage to the most low end men's fragrance, "Drakkar Noir' picks up the tempo for a track more suited to the main slot; equally as funky and smooth but a beefier drum programming and triply female vocals. A return to form from a right legend of the sound.
Review: Jimpster (aka Jamie Odell) has been playing the house game for over 20 years as a DJ, producer, label owner and all round muso. Rarely disappointing, Jimpster's budding and spaciously constructed house has garnered deserved success for both him and his Freerange imprint. "Change In You" meanders through sweeping lower ends and crisp and intricate drums upfront to lead - captivating in its haze of warmth and moist, dewy sounds it sets the tone for the equally delightful flip: "Infinity Dub" smoulders under twinkling bells, light keys and double reverbed claps. We like.
Review: Having spent much of 2016 focusing on the 20th anniversary of his impressive Freerange label, Jamie "Jimpster" Odell returns with his long-awaited sixth full-length, his first album since 2013's much admired Porchlight & Rocking Chairs. As you might expect, Silent Stars is a musically expansive affair, with the producer's usual floor-friendly deep house workouts being accompanied by tracks that pay homage to starry jazz-funk (brilliant opener "Migrations"), synthesizer-heavy new age ambient (the wonderful "Sylvanshine"), loose and languid Balearica (Jinadau collaboration "The Sun Comes Up"), Floating Points Ensemble style jazz ("Tau Tona"), modern soul ("Everytime") and even a touch of Osunlade style tribal bounce ("Silent Stars"). In other words, it's superb.
Review: With its flowering piano motifs, hazy chord progressions, African-influenced percussion, soulful Jinadu vocals and blissful, midtempo deep house vibe, "The Sun Comes Up" is not only one of Jimpster's most evocative releases in years, but also the undoubted highlight of the Freerange co-founder's recent album, Silent Stars. This deserved single release not only contains the peerless original version, but also a pleasingly wide-eyed, early house-meets-modern-deep house "6AM Mix" by Peggy Gou. Elsewhere, there's another airing for the warm and woozy, similarly Afro-influenced "Silent Stars" and a fluid, broken house revision of "Where You Are" by Steve Urulu. Essential stuff, all told.
Review: As befits a producer and label owner with his level of experience, Jimpster has done a great job in hand picking producers to rework his double A-side single "Burning Up/Becoming Cyclonic". Perhaps the most ear-catching tweak comes from Bawrut, whose inspired revision flits from off-kilter, polyrhythmic madness to wonky, angular and percussive insanity midway through. It's unusual, but also undeniably powerful and filthier than a skip-load of 1970s jazz mags. That said, Telfort's smooth, spacey and rush-inducing deep house take on "Becoming Cyclonic" is also superb, while Charles Webster's woozy, organic-sounding, mid-tempo rework of "Burning Up" is a deliciously deep, slow burning delight.
Review: Unswerving in all his capacities as a label owner, DJ and artist, Jimpster continues to burn into another vintage year with this superlative three track EP on his own Freerange imprint. "Curve" hits with the shimmers almost instantly but gets progressively cosmic as more layers are added while "The Sweetness Of That Song" eases us deeper into the dance with a maze lead layers all pointing the same mildly jazzy direction as a meatier electronic arpeggio runs amok beneath. "Simmering Down" lives up to its name on a much more introspective slower note that sounds best either at the very start or end of a perfect party.
Review: Put up the bunting: Jimpster's back! The Freerange Records co-founder has been rather quiet of late, with the "One EP" delivering his first new material for nearly two years. Predictably he's in fine form from the off, successfully joining forces with Osunlade collaborator Casamena on brilliant opener "One" - a jaunty, loose-limbed fusion of jumpy broken house beats, huggable chords, sweaty percussion fills and a post hip-house spoken word vocal from the track's guest star. Detroiter Waajeed re-frames it as a bass-heavy chunk of starry deep house positivity before Jimspter offers up bonus cut "The Way It Is", a slightly more rubbery jog through ear catching deep house positivity rich in jazzy piano solos and squeezable synth bass.
Review: Like its' predecessors, the fifth installment in Freerange's ongoing 20th anniversary EP series contains some killer new cuts. Fittingly, it's label boss Jimpster who leads the charge, encouraging us to sway in the afternoon sunshine on the deep, tactile and woozy "Ceilings" (which also features evocative vocals from Laura Barrick). The water-side, alfresco dancing vibe is accentuated by Shur-I-Kan on "Beach Life", a hazy, wide-eyed trip into symphonic deep house territory that ranks amongst his finest productions to date. Elsewhere, Brian Ring melds Mascara-clad '80s new wave and early Chicago house on the fine "Love Taken Over", while Clavis layers dreamy marimba melodies on top of huggable deep house grooves on the delightful "Cydalise".
Review: Freerange Records kick off the first part of their Double Century vinyl edition with four finely honed cuts of prime contemporary deep house that reflect the ever evolving tastes of the label. Boss man Jimpster takes the lead spot with the cyclical and spiritual "Head Spin" while by way of contrast Matt Masters and Pippo Ceretti bring a much more minimal approach to their tribal-flavoured "Xenophilia". Andy Hart has a more classic, smooth deep house approach on "MYLNY" which comes on rousing and romantic with its heartfelt string lines, and then Shur-I-Khan throws down a moody beat track to get you loose and limbered up.
Review: Suol's weekly open-air parties at IPSE, Hallo Montag, have become a summer fixture in Berlin over the past few years. Like the parties, the accompanying series of EPs showcase "sunny tracks" from the label's roster of artists and like-minded guests. This second part of the 2018 edition contains some suitably bright and breezy cuts, with Jimpster's "Lightshine" - a carnival-ready chunk of deep house dancefloor bliss rich in dreamy chords and Latin percussion hits - standing out. There's plenty to gently warm the soul elsewhere across the EP, though, from the snappy, low-slung grooves, toasty chords and CeCe Rogers vocals of Atjazz's remix of Chopstick and JohnJon's "What Is House Music", to the sparkling, life-affirming goodness of Zepherin Saint's "Take You There (featuring Divinity)".
Review: This year marks two decades since Jamie 'Jimpster' Odell founded Freerange Records. To celebrate 20 years in the game, Odell has put together a five-disc vinyl boxset of previously unheard material, which is also being released on a number of digital EPs. There's much to admire on this first volume, from the hazy deep house chug of KiNK's "Roads", and the glitchy, broken-house thrills of Odell's Jimpster remix of Tim Toh & Ranavalona's "All I See", to the loose, jazzy deepness of The New Tower Generation's "Eyes Can See". Best of all, though, is "We Play Pads", a wonderfully deep, melodious, hazy and evocative chunk of boogie-influenced deep house from Luv Jam & Jimpster.
Review: Dutch super trio Kraak & Smaak go poolside: Miami style here for Toolroom. Indeed this compilation showcases the many shades of house music that soundtracked some serious fun in the sun, at 2018's edition of Miami Music Week. The longtime staples of the UK imprint Jalapeno serve up all things deep, funky, nu-disco and even a bit of French Touch for good measure. Highlights include Lindstrom & Prins Thomas' disco odyssey - translated via their remix of Temples' "Born Into The Sunset", Freerange boss Jimpster's lush and hypnotic "English Rose" (original mix), last year's comeback by Parisian legend Alex Gopher & Pierrick Devin on "Jazz Rock" (receiving another well deserved rinse!) and the inimitable Detroit legend Andres with his remix of Cool Peepl's "Free" (feat Billy Love, Amp Fiddler & Sundiata O.M). Several of the trios funked-up tracks feature throughout in addition to a continuous mix of the playlist.
Review: Wazi Wazi is usually the label on which we hear Nils Penner's productions, but the dude has also released on Freerange before, and he comes through on the label with a handsomely hand-picked compilation of the label's best from recent months. On the beautifully presented thirteen-tracker you'll find a selection of different forms of house, ranging from the deeper territories to more jacking and pumped up house cuts. The highlights include "My Man" by Lovebirds, Detroit Swindle's "Brother Man", and label head Jimpster with "Distant Light". You also get a continuous mix for good measure. Get in there.