Review: Freerange co-founder Jamie 'Jimpster' Odell recently reached a significant musical milestone, namely the passing of 25 years since the release of his first record. To mark the occasions, he's been releasing a series of retrospective compilations. This is the third and, like its predecessors, is packed to the rafters with career highlights. For the most part the set focuses on the more downtempo end of Odell's output, flitting between evocative nu-jazz ('Bad Hair Blues', the ultra-dreamy lusciousness of 'Maiden Voyage'), squelchy electronica ('Makin' Weird'), jazz-funk-fired broken beat ('Standing Wave'), bruk/hip-house fusion (Capitol A collaboration 'Left & Right') and slow-motion soundscapes ('Fluorescent Blue'), with only occasional forays into deep house. In a word: superb!
Review: Astonishingly, a quarter of a century has now passed since Jamie 'Jimpster' Odell delivered his debut single, Martian Arts. While his sonic style has gradually evolved in the years since, his ability to craft warm, rich, emotive and sonically detailed music remains as strong as ever. That much is proved by 'Soul Spectrum', a sumptuous slab of organic deep house in which Odell's melancholic keys and Greg Paulus' similarly bittersweet trumpet lines ride above a percussion-rich groove. It's available in a slightly more stripped-back, effects-laden Dub Mix form, too, for those looking for added energy and heaps more hand percussion. Elsewhere, 'Sanguine' is a slightly more driving deep house number rich in colourful synth sounds and fluid piano lines, and 'Think of You Always' is ultra-deep and jazzy (think Boulevard-era Saint Germain, and you're close).
Review: As befits a producer and label owner with his level of experience, Jimpster has done a great job in hand picking producers to rework his double A-side single "Burning Up/Becoming Cyclonic". Perhaps the most ear-catching tweak comes from Bawrut, whose inspired revision flits from off-kilter, polyrhythmic madness to wonky, angular and percussive insanity midway through. It's unusual, but also undeniably powerful and filthier than a skip-load of 1970s jazz mags. That said, Telfort's smooth, spacey and rush-inducing deep house take on "Becoming Cyclonic" is also superb, while Charles Webster's woozy, organic-sounding, mid-tempo rework of "Burning Up" is a deliciously deep, slow burning delight.
Review: Unswerving in all his capacities as a label owner, DJ and artist, Jimpster continues to burn into another vintage year with this superlative three track EP on his own Freerange imprint. "Curve" hits with the shimmers almost instantly but gets progressively cosmic as more layers are added while "The Sweetness Of That Song" eases us deeper into the dance with a maze lead layers all pointing the same mildly jazzy direction as a meatier electronic arpeggio runs amok beneath. "Simmering Down" lives up to its name on a much more introspective slower note that sounds best either at the very start or end of a perfect party.
Review: Thanks to the slowly shifting warmth, gentle breeziness and sun-kissed appeal of the twelve tracks on Coastal Soul Volume 4, we now have a strong desire to kick off our shoes and flop down on the nearest sandy beach. You'll struggle to find a more languid and life-affirming chunk of jazz-funk/deep house/soul fusion than Jimpster's "Closer To You", while Kiss Me Again's gorgeous "Garden Waves" is arguably best enjoyed while sipping something boozy, cold and fruity. Highlights continue to come thick and fast throughout, from the subtly D-Train influenced throb of Jex Opolis's remix of Jules Etienne's "Free As A Man", to the lazy sunset warmth of Andras Fox's hybrid electronic/organic Balearic house take on Ponzu Island's "Super Koto".
Review: Over the course of the last decade, Swiss stalwart Deetron has been responsible for a string of impressive remixes. Happily, these - and many others you may have missed - have now been collected together on the decidedly epic Re-Creation: Remixes Compiled. As you'd expect, the 25-track set flits between full-throttle, peak-time friendly techno futurism, bustling deep house goodness and more downbeat explorations that defy his reputation as a maker of killer club cuts. Highlights include the loved-up synth breakdowns and jacking, Chicago-style groove of his Juan MacLean remix, a wonderfully retro-futurist take on George Fitzgerald's "Every Inch", a thrusting, stab-happy revision of Quarion and a lusciously jazzy take on Todd Terje's "Alfonso Muskedender". That said, on another day we could have listed another five or six highlights: it really is that good.
Review: Jamie Odell aka Jimpster's London based label Freerange returns with a new compilation series entitled Almanac which showcases this highly regarded deep house imprint's current extended roster and believe us right now when we tell you: there's a who who on offer here! Featuring Aussie Andy Hart, Dutch duo Detroit Swindle and Hamburg's Kollektiv Turmstrasse to name but a few. Our favourites, again, if only we could pick a few, are as follows: We Play House main man from Belgium Red D with the sultry and emotive deepness of "Chez", Montreal's undisputed king of latin-microhouse Guillaume Coutu Dumont with the summery disco sleaze of "You Lost It" and Pittsburgh Track Authority with the dusty MPC jack of "Gold Trim". Oh and one more? It'd have to be Chicago's Chrissy with the sexy late night EBM noir crossover of "Presidential Astrologer" which will also appeal to fans of the Comeme or Correspondant sound of late.
Tim Toh & Ranavalona - "All I See" (Jimpster remix) - (6:15) 118 BPM
The New Tower Generation - "Eyes Don't Lie" - (6:36) 116 BPM
Squares - "Spark's Entry" - (7:08) 112 BPM
Manuel Tur - "Computer Chess" - (6:15) 119 BPM
Review: Its 20 years of Jamie Odell aka Jimpster's revered deep house imprint and he's celebrating in great style with this 20 track compilation that demonstrates that business is as good as ever and they're testament to how much the label has remained relevant. The label head honcho himself appears of course; first with Luv Jam on the smooth and dubby "We Play Pads" and the sombre and emotive "Ceilings" featuring Laura Barrick. Other highlights include Bulgarian hardware maverick KiNK's "Roads", Detroit Swindle's fiercely bumpin' "Race Against The Machine" and Pittsburgh Track Authority's magnificent high tech soul jam "Oculus Sinister".
Review: Marc Romboy's esteemed tech house imprint has reached its 77th release? You bet! And it goes out all guns blazing this time around with a massive compilation with some great tracks, new and old, by the likes of Robert Babicz, Guy Mantzur, Wehbba and Stephan Bodzin. There are some pretty kick ass remixes on offer too by the likes of Adam Port, Adriatique, Nick Curly and Petar Dundov. Highlights? Head honcho Romboy's rendition of OCH's "Time Tourism", Ibadan boss Jerome Sydenham's ecstatic "Systematic Dub" and Technasia's druggy and tunnelling odyssey "Hold Me".
Review: Freerange Records kick off the first part of their Double Century vinyl edition with four finely honed cuts of prime contemporary deep house that reflect the ever evolving tastes of the label. Boss man Jimpster takes the lead spot with the cyclical and spiritual "Head Spin" while by way of contrast Matt Masters and Pippo Ceretti bring a much more minimal approach to their tribal-flavoured "Xenophilia". Andy Hart has a more classic, smooth deep house approach on "MYLNY" which comes on rousing and romantic with its heartfelt string lines, and then Shur-I-Khan throws down a moody beat track to get you loose and limbered up.
Review: By now, we should all know what to expect from both the Balance series and Danny Howells, namely slick, atmospheric, spine-tingling electronic music of both an uptempo and downbeat bent. This bumper digital version of his latest double CD mix features some exceptionally good tracks, from the exotic, psychedelic techno of Will Saul and October's rework of Michael Mayer's "Mantasy" and the evocative Balearic deep house of Joakim's "Another Light", to the dreamy fluidity of Matthias Voigt's remix of Ian Pooley's "I Got You", and the crystalline electronics and wide-eyed beauty of Maricopa's ambient delight "Neon Shoals". It is, then, a sizzling hot collection of evocative electronic music for dancers and dreamers. Don't sleep.
Review: Next month sees Freerange boss Jimpster return to the album game with Porchlight and Rocking Chairs, this release acts as a neat teaser for what to expect. Lead track "Rollergirl" pumps in arpeggio like a night drive scene from a '80s music video clip, while breathy male vocals whisper in the tracks background. It's a melodic piece fuelled by muted tension and soft aggression. Accompanying it is "Hold My Hand", a track featuring all the Jimpster trimmings; deep piano chords, spoken word vocals, chromatic synth loops and soft, yet thumpy drums.
Review: Amazingly, it's been eight long years since the release of Freerange's first Colour Series compilation ("Yellow"). A few things have changed in that time for Jimpster's label, but his commitment to musically rich deep house remains. That's much in evidence here, particularly on the contributions from Andre Lodemann, fast-rising starlet Mic Newman and Jimpster himself (whose woozy "Late Night Blues" is his best for some time). There's also a distinct old skool feel to some of the cuts, with Alexkid's percussive "Class of 95" and Milton Jackson's robust "DS1" offering plenty of vintage US house flavour. The real standout, though, is Arithmetic's' "Time", which sounds like a long lost deep house anthem.
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