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Juan Ramos
Browse the latest digital releases by Juan Ramos
Various
FRAGILE - "Certain Sensitivity (Live With FRAGILE At BOFFO 2018)" (feat Wolfgang Tillmans) - (2:50) 130 BPM
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REIF 01
10 Dec 21
Techno
10 Dec 21
Techno
DJ Holographic / Various
Review: For the latest volume in Planet E's long-running Detroit Love compilation, label boss Carl Craig has handed over to DJ Holographic (real name Ariel Corley), a rising star of the Motor City scene. It's a hugely entertaining collection told, with Corley doing her best to showcase artists on the up - from both Detroit and elsewhere - as well as established stars of the underground. Musically, it's as diverse and mixed-up as you'd expect, kicking off with revivalist Afrobeat (Underground System), slick deep house (Pontchartrain with Javontte) and revivalist '80s soul (Shri Schwartz), before taking in everything from broken house and nu-disco, to sci-fi techno, sleazy warehouse jams, sleazy acid, percussion-rich Latin house and much more besides.
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PEDL 005D
16 Apr 21
Deep House
16 Apr 21
Deep House
Review: 11 months on from his first appearance on Lovefingers' impressive ESP Institute imprint, Juan Ramos returns with two more chunks of throbbing late night heat. Once again breaking up the rhythms for an altogether groovier experience, virtual A-side "ATKM" sees the producer joining the dots between bubbling techno, rolling proto-house and Young Marco style new age house. There's an extra-humid feel about the track that follows, "Globalizacion Acido", with Ramos gleefully joining the dots between bustling Afro-acid, trippy tropical house, unsettling alien funk and percussive tribal motions. It's utterly bonkers, but also rather stunning. The boy has clearly got talent.
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ESP 052
02 Jun 17
Disco/Nu-Disco
02 Jun 17
Disco/Nu-Disco
Played by: Juno Recommends Experimental
Review: Lovefingers seems to be struggling a little with what to write on ESP Institute's distinct centre labels. For this Juan Ramos 12" - the producer's first for the New York based imprint - he's posed a question: "what colour Speedo should she wear this summer?" By the sounds of the fuzzy, broken beats, popping electronics, tribal percussion hits, drunken melodies and stretched out chords that mark out "Last Of The Natives", we'd suggest a rich shade of green. That said, if you also take the woozy, intense and cluttered - but nevertheless impressive - flipside "Enemy Of Enemy" is friend into consideration, dark brown might be a better option.
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ESP 051
01 Jul 16
Experimental/Electronic
01 Jul 16
Experimental/Electronic
