Review: Junktion is Hans Peeman from Nijmegen, Netherlands, co-founder/A&R at Outplay. The deeper side of house and everything that goes with it is his thing and The Wide Awake EP is good evidence of this. There's a real Thomas Bangalter style vibe to this EP, as evidenced on the low-slung disco loop goodness of the title track and "What We Are" following in suit, with more wicked sample cut ups rocking the night away on this funky groove. Then we've got "Don't Mess Up" which is perfect for those Summer open-air parties with its dusty arrangement and hands in the air vibe; the real highlight on here.
Review: Brooklyn's Razor-N-Tape reach out to the Lowlands and coax Hans Peeman into donning his Junktion alias for a new four-track EP on their Razor-N-Tape Reserve label. Living up to it's dignified and reserved billing, this release on the offshoot finds the Nijmegen-based Peeman laying down some luscious, colourful disco vibes that will brighten up any sun laden afternoon on the terrace. Title track "Hot & Bothered" sets the tone with a summery vibe underpinned by some bumping drums, whilst "I'm wishin'" glides with a subtle house bump and some wonderful vocal touches. "Fling Cleaning" sees Peeman veer off into disco chug territory, whilst "Visions of You" ends the EP on a soulful note.
Review: Hans Peeman (Junktion) and Daniel Leseman's Outplay is strictly committed to spreading the gospel of deep house music and this sermon comes courtesy of the aforementioned, with a bit of help from Laurence Guy. He appears first with the title track, which samples a pretty breathtaking strings section mixed with a spangling Derrick May style synth melody which fades out and gives way to a pretty wicked arpeggio... and some cowbells; sold already? Next up is Junktion with "Breakfast At Midnight" an offering of deep and dusty late night disco that certainly takes its cues from KDJ, but that's totally fine by us. The Brame & Hamo remix is more dancefloor friendly, slo-mo deep house that fans of Genius of Time or MCDE will appreciate. Finally Leseman's "On My Mind" offers us another deep and dusty house gem that revels in its beautifully sombre Motor City vibes. Not bad for a guy from Utrecht!
Review: Deeply dug freshness from the Dusty Fingers crew, School Yard Breaks Volume 8 is another masterclass in super-fine-tuned source material searching. Big swinging drums, fuzzy organs, heaving horns, clam-tight guitars and yet more big swinging drums, whether you're a sample fiend, an eclectic DJ or just love the music from THE most important era in modern music, this is essential. Highlights across the 25 tracks can be found on every corner but stand outs have to be the subversive covers such as The Bully Boys' take on Harry Nilsson's "Everybody's Talkin'" and The First Impressions lo-fi, garage-rock style twist on "SGT Peppers Lonely Hearts Club Band". Recess over... Back to class.
Review: Since launching back in 2012, Brooklyn imprint Razor-N-Tape has been responsible for releasing some of the finest reworks the re-edit scene has to offer. For proof, check out this second trawl through the label's rapidly expanding back catalogue. There's nary a duffer in sight, with highlights including the mid-tempo, eyes-closed disco brilliance of Michael The Lion's "Any Time", the swirling deep house/disco fusion of Junktion's "I'm Wishing" and the tactile boogie throb of Deep&Disco's sought-after "So Tight" (the best Thelma Houston rework we've ever heard), to the spiraling saxophones of Tom of Brooklyn's tasty "Summer Jam" and COEO's wonderfully evocative and slightly beefed-up Escort rework, "Light Star".