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Karen Gwyer

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Karen Gwyer

Browse the latest digital releases by Karen Gwyer
10.01
Various
RRoxymore - "Lost In Synth" - (5:08) 125 BPM Hot
Tyler Dancer - "Silver Linings" - (5:50) 127 BPM
Kerrie - "At Your Peril" - (5:28) 132 BPM
Kamau - "Attribute" - (6:32) 138 BPM
General Ludd - "Stentor Polymorphus" - (6:11) 140 BPM
MGUN - "Fumigation" - (7:50) 145 BPM
Jayson Wynters - "Moving Targets" - (5:27) 134 BPM
Brassfoot - "Brundlefly" - (6:54) 107 BPM
Lurka - "Clean" - (5:32) 105 BPM
Karen Gwyer - "Bloc De Salmonniac" - (6:33) 144 BPM
Mr. Beatnick - "In Carcosa" - (4:49) 109 BPM
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DBA 1001
20 Nov 20
Techno
QUINZE
Various
Johanna Knutsson - "For Gwendoline" - (6:04) 59 BPM Hot
The Belgium - "Sleep Will Do" - (5:38) 70 BPM
Ylia - "Regen" - (4:09) 60 BPM
Leif - "Nq6" - (5:24) 110 BPM
Steve Hauschildt - "Ecce Reverie" - (3:55) 66 BPM
Telefon Tel Aviv - "The Means Whereby Lovers Are Waylaid" - (4:21) 57 BPM
Gacha Bakradze - "Martivi" - (6:10) 65 BPM
Attraktta - "Closer" - (4:56) 63 BPM
Pye Corner Audio - "I Follow You" - (5:07) 57 BPM
Patricia - "Low And Slow" - (8:08) 64 BPM
Karen Gwyer - "Mahler's Heartbeat" - (7:15) 72 BPM
Chevel - "Slip" - (3:17) 60 BPM
GAbbor LAázAr - "Wubs And Wahs" - (4:54) 86 BPM
Machine Woman - "Technoo" - (4:34) 64 BPM
RRUCCULLA - "Hielo Helio" - (2:47) 67 BPM
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LPS 22D
20 Mar 20
Experimental/Electronic
Man On Mountain
Faces On Ankles - (7:32) 140 BPM Hot
Ian On Fire - (5:22) 123 BPM
Cherries On Shoulders - (7:10) 130 BPM
Ribbon On Neck - (6:20) 121 BPM
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DBA 042
12 Jul 19
Minimal/Tech House
Kiki The Wormhole
Free Food/One Men Striper - (9:42) 60 BPM
You Big - (11:27) 60 BPM
Hippie Fracca - (15:20) 66 BPM
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OPAL 029
05 May 19
Experimental/Electronic
Rembo (The Remixes)
The Workers Are On Strike (Via App remix) - (5:29) 131 BPM
He's Been Teaching Me To Drive (Ron Morelli remix) - (5:52) 127 BPM Hot
It's Not Worth The Bother (E. Myers remix) - (5:18) 136 BPM
Why Does Your Father Look So Nervous (M/R remix) - (7:42) 125 BPM
Review: Karen Gwyer's third album, Rembo was one of 2017's best long players. It saw the US artist consolidate her reputation as a purveyor of raw, hardware-driven electronic music and was one of the many highlights in Don't Be Afraid's stellar release schedule. Now Gwyer's material from the album gets reworked by an impressive group of artists. First up is Via App, who drops a grating, abstract take on "The Workers Are On Strike", while Ron Morelli takes time out from running L.I.E.S. to drops a skewed, stripped back techno version of 'He's Been Teaching Me to Drive'. It's hard to choose a highlight, but that honour belongs here to E.Myers, who uses sublime keys and a funk bass to turn 'It's Not Worth the Bother' into a gloriously soulful affair.
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DBALP 003R
02 Feb 18
Techno
Rembo
Why Is There A Long Line In Front Of The Factory? - (3:44) 138 BPM
The Workers Are On Strike - (7:11) 136 BPM Hot
Why Don't You Make Your Bed? - (5:52) 126 BPM
It's Not Worth The Bother - (1:59) 136 BPM
Why Does Your Father Look So Nervous? - (5:44) 132 BPM
He's Been Teaching Me To Drive - (7:55) 136 BPM
Did You Hear The Owls Last Night? - (3:59) 136 BPM
Yes, But I Didn't Know They Were Owls - (2:48) 152 BPM
Played by: ORKA
Review: Given her rising reputation in recent years, it's something of a surprise to find that Rembo is Karen Gwyer's first full-length excursion since 2013's Kiki The Wormhole on Opal Tapes. While that latter set was impressive, Rembi is arguably even better. For starters, Gwyer refuses to settle on one groove, following a glistening ambient opener with a fuzzy, IDM-influenced chunk of left-of-centre dancefloor techno, which in turn makes way for a beat-less slab of hazy synthesizer positivity. It's a pattern that continues throughout, as the talent American producer delivers bustling, redlined techno jams laden with dirt-encrusted synthesizer motifs, spacey IDM club tracks and picturesque electronic soundscapes that sidestep easy categorization.
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DBALP 003
21 Jul 17
Techno
Prophase Metaphase Anaphase Telophase
Prophase Metaphase Anaphase Telophase - (9:03) 124 BPM Hot
And Again Those Eyes - (1:13) 136 BPM
Meiosis Gametes - (8:53) 90 BPM
Played by: J Khobb
Review: London-based electronic artist Karen Gwyer has kept on impressing us over the last four years. With releases for labels like No Pain In Pop, Kaleidoscope, and Nous, Semtek's Don't Be Afraid seems like a natural fit to her improvisational take on techno. "Prophase Metaphase Anaphase Telophase" is a stunner, a nine minutes' techno journey that's spans the whole length over nine minutes with its loose, aqueous groove barely held in place by raw, analog drum programming. "And Again Those Eyes" sees the artist return to more familiar territories thanks to a broken sway of beats and melodics, whereas "Meiosis Gametes" is a harsh, menacing techno swing with an electrifying buzz running through its groove. Solid, as per usual. This material comes hotly recommended. She's one to watch out for in 2016 and beyond.
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DBA 026
23 Sep 16
Techno
Interpretations On FAAC Judd
Various
Ian Helliwell - "Solid States" - (8:31) 144 BPM
Perc - "Woodford" - (5:24) 116 BPM
Chris Carter - "Flip-Flop" - (4:19) 110 BPM
Holly Herndon - "Control Sample" - (3:47) 150 BPM
Mordant Music - "Hoarded House" (Fredit remix) - (6:15) 150 BPM
The Boats - "Space Judder" - (5:11) 143 BPM
Pye Corner Audio - "Splice Block" - (4:58) 100 BPM
Leyland Kirby - "Slim Jim Wimshurst Mechanicals" - (4:51) 141 BPM
Karen Gwyer - "Judd Drums" - (5:12) 54 BPM Hot
Peter Rehberg - "FJUDDmix 032013" - (5:05) 160 BPM
Bandshell - "Concrete Teeth" - (5:39) 120 BPM
Ekoplekz - "Fredwrek" - (5:00) 112 BPM
Played by: Perc
Review: The latest release from the excellent Public Information sees them return to the works of early electronic pioneer F.C. Judd with a selection of remixes from some well chosen contemporary artists. Originally the subject of a retrospective release from Public Information early in 2012 entitled Electronics Without Tears, F.C. Judd was an under-appreciated figure of early electronic music who experimented with oscillators, filters and amplifiers, alongside his own self-built electro-mechanical drum machine and experimental synthesiser, primarily during the 1950s and 60s. Interpretations On F.C. Judd is the result of the label haven given all artists involved access to Judd's entire archive of sounds, tone experiments, field recordings and lectures, and left them to "produce an audio artefact befitting of Judd himself". RVNG artist Holly Herndon, techno veteran Perc, Bandshell, Karen Gwyer, Ekoplekz and Throbbing Gristle's Chris Carter all contribute to an engaging collection of works.
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PUBINF 010
23 Jun 14
Industrial/Noise
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