Review: Despite the varying states of difficulty the world seems to find itself in, the growth of bass music across the globe doesn't seem to have slowed down in any way, with Night Bass remaining one of the most talked about imprints in the game. This latest helping from Kendoll is a perfect example of how to stay ahead of the curve, kicking off with 'Fall Back' alongside the legendary AC Slater and rapidly rising Sophiegrophy. This one sets the tone perfectly with it's kuduro-sounding percussive syncopations and catchy vocal inputs, before the unpredictable soundscapes and quirky melodic influxes of 'Wasted Again' takes the EP somewhere completely different. Finally, the ever-ready Dread MC joins the party for some rave-ready vocal additions on the big room stomper named 'Never Sleep', which comes to us dripping in acidic expression and original texture.
Review: If there is one thing that the legendary imprint known as Night Bass is able to do time and time again, it's step up to the occasion as they here bring together a fantastic 7 track compilation project, showcasing the best of their new school roster additions. This release showcases such a fantastic array of styles, from the crunchy drum switches of 'French Prince' from Movenchy, the rolling percussive stutters of 'Killers' from NuKid and Jordan Burns to Gerry Gonza's deeper 'Make My Eyes Roll Back' alongside Bekah. We also hear fantastic contributions from the likes of Kendoll with an electronic powerhouse entitled 'Denial', along with heaters from Shdws, MNNR, Tombz, Hotel Garuda and Julius Jetson, making this one a must have for bass fans worldwide.
Review: The Night Bass train continues to roll out furiously as they employ the services of five brand new faces across their brand new compilation 'Night Bass Freshmen'. Being one of the most popular bass labels in the UK, the standard is set very high and everyone steps up to the mark, kicking off with Blossom's vibrant 4x4 belter 'Go'. We then move into Nukid's highly experimental electro balad in 'Front2Back' before landing on the techy bass rolls of 'The Burbs' from Jordan Burns. Next up, Kendoll with his slightly acidic stomper in 'Stop Calling Me' before we round of the EP with some minimalist UK Bass from the rapidly rising duo of Nubass & Deppz.
Review: Four40 records always keep things entertaining with a rounded collection of artists, they are determined to show us the full spectrum of modern day UKG, and this latest release from Kendoll is no different. He may be named after Barbie's super cute, plastic fantastic bff, but super cute this is not, taking a walk into the grittier side of garage, 'Strange Tings' keeps things funky with its classic patterned drums, the vibe is darkened with some tough mutated sub stabs. 'Area 51' is our favourite track of the release with its pulsating bass and weird, itchy, glitchy sci-fi effects.
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