Review: Burnski and Kelper are two of the hottest artists in the game right now - their output is relentless and their quality is always high. It is now on the former's Constant Sound that they appear with three fresh new collaborative cuts aimed squarely at the floor. 'Follow Me' has nice hooky drum loops and subtle synth stabs under a seductive vocal. It's fun and functional in equal measure. Things get more naughty with hints of a dirty speed garage bassline under 'Frequency'. The vibe flips again on closer 'Underwater' which has disco-tinged loops and more laidback groves that bring a little warmth and sunshine.
Review: Is there anyone in the game that has been turning out such essential club sounds in so many different styles for such a long and consistent run as Burnski? Whatever he has on his cornflakes, we want some, because he's done it again here, this time with pal Kepler. 'What I Want' is a mix of everything from deep house to minimal to Chicago jack. It's a busy, restless tune with a hooky vocal that keeps you locked. 'This' is a more tripped-out 5am groove with warped deep space sound designs and airy drums that float. 'Lucid State' taps into a dreamy 90s tech house vibe that is utterly compelling.
Review: The ever reliable Constant Sound is back, with Burnski's imprint serving up a full LP release by the ascendant Leeds DJ/producer Matthew Farrow aka Kepler. A solid selection of retro techno cuts are featured on Freedom Mills, and all for maximum dance floor impact. From the bleep techno euphoria of 'Fold', or the classic '90s house motifs of "Contact" to the dusty rolling beats of 'Professor Pace' and the sunset breaks of "Era" - they are all sure to bang the party. Tip!
Review: Kepler has already been on a barnstorming run over the past 12 months with key drops on Pleasure Zone, Hoarder and Discotech amongst many others, not to mention his killer garage excursions as 0113. Now he shores up on Constant Sound with some fizzing, energetically charged techno that packs a punch and dazzles on top thanks to an acute sense of melody. DX7 organ basslines collide with cosmic arps and a thumping rhythm section on "Contact", while "Afterglow" takes things a little deeper without dropping the tempo. "Movement" revels in a cascade of interwoven synth lines, while "Pulse" takes a leaner, clubbier route without losing that up-for-it rush around the upper 120 BPM range.
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