Review: The first volume in Kiwi's Hedonistic Tendencies series of EPs was a must-check affair in which the hard-working producer effortlessly joined the dots between rushing piano house, mind-altering acid breaks, nu-disco and sparkling Italo-disco. They opt for a similarly excitable, full-throttle approach on this second part. Opener 'String Theory' is a thickset, retro-futurist delight where spacey bleep melodies, intergalactic synth-strings and shimmering electronic motifs dance atop a chunky bassline and unfussy dancefloor drums. 'More Raves', meanwhile, is another fine, boundary-blurring affair built around mid-90s melodic motifs, Orbital-esque musical themes, rushing breakdowns, snappy beats and more thickset, speaker-bothering bass.
Review: Here we have the first ever release from Polari, a new label set up by Northern Irish DJ/producer Cormac, and doing the honours is London producer Kiwi, whose work has previously graced imprints such as Future Boogie, Needwant and Optimo. 'Hit Me', the standout for this reviewer, is an uptempo instrumental that sits right on the house/disco cusp and sports some very 'Star Trek'-like synths as well as a euphoric hands-in-the-air piano line. 'Schulze' is more electronic-sounding and veers towards Italo, while finally 'Clack The Fan' is an almost archetypally Balearic affair that comes with or without a 80s-sounding male vocal snip that repeats throughout (or doesn't).
Review: Most labels and collectives are challenged to last a decade in electronic music's fleeting landscape, but so far Kompakt has endured for twice this lifespan. This is largely due to the fact that the Cologne operation boasts a tightly-knit group of artists who continue to release on its many labels. For the twentieth edition of the annual Total compilation series, many of those producers come correct; Robag Wruhme and founder Michael Mayer both deliver ponderous deep techno tracks, while Jurgen Paape goes even farther, veering into guitar-spangled melancholia on "Vox Acris". This introspective mood seeps through to more overt dance floor tracks, with Sascha Funke's eerie "Atze" and Voigt & Voigt's "Schopper Da Leu" delivering understated but impactful results.
Review: A surprisingly pop-oriented release to have emerged from the Kompakt stables, this one... but that's not necessarily a complaint! 'Hello Echo' itself is the kind of shiny, summery disco-house/nu-disco that once defined the Hed Kandi brand - albeit lent a little extra depth and substance thanks to some tripped-out, Space-like synths that meander off on a jazz-funk excursion as the track progresses - and is served in Original and Radio Edit rubs; if you can handle the pop vocal, it's really quite irresistible. Elsewhere on the EP, 'Down With The Rhythm' has a mid-80s electro/proto-house feel, while 'Acqua Panna' is a delicately tinkling Balearic affair underpinned by muted, shuffling drums.
Review: Future Disco invites you poolside and guides you through the long hot summer days, where the parties begin early and finish late. Taking you from lounging by the pool under the clear blue sky to sunset house, this is perfect for any laidback occasion. an essential summer soundtrack that features key artists such as: Dutch trio Kraak & Smaak who present the sensual lo-slung disco of "Don't Want This To Be Over" (Jean Tonique Remix), U.S. artists David Marston & Life On Planets who team up for the evocative deep house groove of "Contortions" feat. Hannah Noelle & Dan Izco, and Berlin-by-way-of Vancouver artist Jayda G who serves up the hypnotic Detroit vibe of "Rishikesh". Elsewhere, the ever reliable Butch delivers the main room dancefloor drama of "Lale", and Brazilian techno legend Renato Cohen makes his comeback on "Sweet Nightmare" but makes a departure from what we're used to on this funky house anthem. Also comes with a continuous DJ mix.
Review: Alex 'Kiwi' Warren's first outing on Futureboogie, 2018's "Amityville", was something of a gem, so hopes are naturally high for this belated follow-up. The London-based producer hits the ground running with opener "Charlie's New Vision", a dark and brooding affair that peppers a sleazy, all-action analogue bassline and unfussy dancefloor drums with a bubbly electronic lead lie, echoing blues guitar notes and tipsy spoken word snippets. Johnny Aux provides an even more druggy-sounding remix before Warren returns with "Ghiaccio", a glassy-eyed trip into deep space in which attractive, analogue sounding synthesizer lines buzz around an arpeggio-driven Euro-disco groove. Rounding off a rock solid EP is "Italian Heat", a gloriously shirtless and celebratory dance through revivalist, early'80s Italo-disco pastures.
Review: 2019 marks a decade since the Needwant label first sprung into life. Those ten years have been action packed to say the least, as this epic anniversary compilation proves. What's on offer is a mixture of label highlights from Needwant's bulging back catalogue, a handful of previously unheard tracks and the odd exclusive remix. There's much to admire throughout, from the spacey deep house goodness of Kim Ann Foxman's "Return It" and the delay-laden late night retro-futurism of Tuff City Kids' acid-fired rework of VIMES' "Minds", to the throbbing, Italo-influenced brilliance of Res Mo's "Train To Kyoto", Octa Octa's atmospheric early morning tweak of Few Nolder's "Porcelain" and the Revenge's slo-mo, glassy eyed cover of SOS Band classic "Just Be Good To Me".
Review: Alex "Kiwi" Warren has barely put a foot wrong in recent times, with a superb DJ Rocca collaboration and some fine EPs on Disco Halal, Cin Cin and Paradise Palms. Here he adds another record label to the CV via a second outing on Needwant. In its original form, "Kiya" is a baggy, sunrise-ready house cut drive forwards by low-slung bass, chiming melodies, layered percussion, twinkling pianos and choice snatches of vocal apparently borrowed from an old African record. The "Rave Mix" is a more driving excursion smothered in intergalactic motifs and trance-like synth sounds, while the Brian Ring revision is looser, sparser and altogether more glassy-eyed. Warren rounds things off via the "Dreamscape Mix", a stunning ambient interpretation for those who like their sounds swirling and beat free.
Review: A decade has now passed since Future Disco's debut compilation of colourful nu-disco treats and disco-fired house grooves first hit record stores. To celebrate that fact, they've given their distinctive design a makeover and asked chief compiler Sean Brosnan to serve up another hot-to-trot collection of cuts in their usual style. As you'd expect, Brosnan has picked some belters, with highlights including Darshan Jesrani's sublime, mid-'80s NYC style revision of Galaxians' "How Do U Feel", the D-Train inspired synth shuffle of Flamingo Pier's "Hold It", the sun-kissed '80s soul/Whispers style warmth of Kiwi's "Midnight Driver" and the dreamy, synth bass-propelled deepness of Force of Nature's loved-up rework of Khotin's "Aloe Drink".
Review: Hot Chip founder and one-half of The 2 Bears Goddard teams up with London-based producer Alex Warren on a four-track EP that demonstrates the pair's shared love of vintage Chicago house and Detroit techno sounds. Goddard's 'Jack Come Back' centres around a 303 bassline, 909 drum hits and a spoken/chanted vocal intoning the title, while the Detroit-y 'Moebius Trip' is pacier BPM-wise, yet somehow still more reflective in feel. As for Warren's contributions, 'LakE' tops a dark, 303-tinged backdrop with stuttering cut-up vox that sound almost tribal, while 'KatE', the most contemporary-sounding cut here, is all insistent, live-sounding bass, synth swirls and disembodied vocal fragments.
Review: Alex "Kiwi" Warren is undoubtedly a star in the making. Since he last appeared on Futureboogie in 2016, his stock has risen further thanks to fine outings on Moda Black, Blitz and 17 Steps. Predictably, this is another fine EP. We're particularly enjoying the horror-inspired Italo-disco chug of "Amityville", where Warren makes terrific use of notable vocal samples and a thickset arpeggio bassline, though DJ Tennis's breezier, disco-tinged deep house re-make is almost as good. There's more dark and throbbing Italo-disco style fun to be had via the thrillingly heavy and pulsating "Warriors", while EP closer "Paco" - all glacial, tumbling synthesizer melodies, undulating acid bass and unfussy drum machine beats - offers a more considered option for those searching for solid warm-up fare.
Review: Following up the Cold Heart EP by label bosses Dusky, 17 Steps present a new one by Kiwi: the London producer's debut on the label. Having recently released on labels such as Futureboogie, Correspondant and Optimo Music, his distinctive sound is a mix of Italo, techno and electro. The uplifting epic "Marmora's Theme" is powered by a razor sharp arpeggio and balanced out by those hands in the air style piano loops. We were about to draw comparisons to scene heroes Tuff City Kids, but whaddya know: they're up next on the remix! They work their magic as always with a retro flavoured piece of dancefloor drama: they found it fitting to throw in a gnarly Reese bassline too. Epic!
Review: British DJ Kiwi has been steadily refining his skills as a producer since the mid noughties, releasing on labels such as Optimo, Disco Halal and Futureboogie. His style encompasses a wide array of influences, with elements of disco, techno and electronica always present. Moreover, the likes of Erol Alkan, Andrew Weatherall and DJ Harvey can be counted as fans. Now, making his debut on Moda Black, Kiwi delivers a banging track in the form of "Rabbit Hole" (feat Cactus Sauna), a sleazy indie dance gem that will appeal to fans of the Correspondant or I'm A Cliche sound. It is perfectly backed up by remixes from cult favourites Lord of the Isles (who delivers an absolutely 'kosmische' rendition) and NYC's Willie Burns: who delivers a pitched down EBM mutation which was right up our alley!
Review: Toy Tonics' Mushroom House series has so far sparkled, delivering a series of "weirdo house" inspired EPs full of tracks that look to "ethno, Afro and psychedelic" music for inspiration. Each of the producers involved in this third installment predictably hit the mark, with Ponty Mython's trippy opener - think rolling tropical deep house with hallucinatory flourishes - expertly setting the tone. Fast-rising producer Kiwi steals the show with a low-slung fusion of dub disco and smacked out Afro-house, while the Barking Dogs join forces with Tom Trago for a seductive trip into cosmic deep house territory. Red Axes also do a terrific job turning Munk's "The Bolero Brunel" into a hazy chunk of nu-disco psychedelia.
Review: Next up on Bristol's Futureboogie is Alex Warren aka Kiwi who has had previous releases on the likes of Optimo Music, Blase Boys Club and Sneaky Music in addition to promoting for well known London parties and clubs like Orlando Boom/Kate Boss and The Nest. The versatile producer wastes no time getting stuck in, starting out with the explosive "Orca" which features one of the most amazing arpeggios this side of "I Feel Love". There's more vintage, synth driven disco vibes on "Minke" or "Logmans Break" while the feel good nu-disco vibes of "Pygmy" are reminiscent of modern greats like Jay Shepheard or Milton Jackson.
Review: For the seventh volume in Optimo Music's Disco Plate series, JD Twitch has recruited Alex Warren AKA Kiwi, whose previous releases on Blase Boys Club were particularly well received. "Throw Down" is arguably his most ambition cut yet: a cover version of Carmen's cult 1986 electrofunk jam of the same name that comes in two contrasting versions. On the virtual A-side you'll find Warren's original version, where Ciara Holder's confident, nuanced vocal rides a chunky synth bassline, clipped guitars, sparkling synthesizer flourishes and an unfussy, toe-tapping drum machine rhythm. Arguably even better is the Latin Freestyle mix, which sounds like a long lost Latin Rascals production with additional, spine-tingling piano riffs.
Review: Clouded Vision boss Matt Walsh's first mix CD, The Clouded Vision Experiment, gained plenty of praise on its 2012 release. Three years on, he's finally got round to putting together a follow-up. As with its predecessor, The Clouded Vision Experiment Level 2 aims to join the dots between bouncy, electro-influenced techno, warehouse-friendly tech-house, glistening nu-disco (see the Eskimo Twins' "Elegy") and hard-to-define, dancefloor-friendly electronica (Richard Norris's "Dim The Lights" being a great example). The unmixed portion of the collection is full of gems, including tracks and remixes from The Hacker, Pulp Disco & The Outcasts (whose P-funk goes-acid banger "3.142" stands out) and the brilliantly named Forty Fingers Dynamo.
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