Review: Hats off to Kng Edits: it's unusual for us to get through a whole EP's worth of re-edits without being able to name at least one or two of the sources, but they've dug deep enough to leave us baffled here! What you end up once they've finished, though, are a couple of hypnotic soul/disco chugathons ('Give Me What You Got', 'Jackhotel'), one piano-tastic workout for the jazz dancers ('HigJaz') and one fat-assed funker from the Fatback/Ohio Players school of thought. Any and all of which, served to a proper disco/funk floor, should do the most efficiently.
Review: KNG, the partnership of KS French and Mr Given Raw is back with three new disco edits, and they're summer sizzlers the lot of them. "Got To Get" is a bawdy, swingin' swagger of vintage disco-rock, whilst "Get It On" introduces tougher French house beats and loops to the mix. Lastly "Brown Groove" turns its filters to 11 for a low-slung cocktail house jam. Groovy!
Review: KS French and Mr Given Raw are like two peas in a pod. A disco-shaped pod. Here they join forces again, both providing both solo tracks and a joint collaboration too. Label boss KS French plonks a platform show on the dancefloor first with the tight James Brown-sampling funk of "Still On the Case". Then MGR takes over for two sizzlers - the catchy soul-pop lament "Beggin You" and the psychedelic soul stomp of "Funky Mama". Finally the titans clash on the phased disco-boogie joy of "Never Give You Up". Good times.
Review: Despite its' matter-of-fact title, the Four Cuts EP is something of a departure for FKR Recordings. It's an all-star affair, designed to showcase the re-edit work of a trio of scalpel-wielding party starters. Mr Given Raw kicks things off with the impassioned, low-slung gospel funk of "Get Up On Girls", before label boss KS French sets aside his filters and house beats in favour of some swinging, bumpin' disco-funk goodness on the rather good "Kiss My Baby". The package is completed by two reworks from Miami native KNG Edits, who recently made his debut on Rebel Hearts. Choose between the effortlessly sweet, groovy and dewy-eyed "So Right", and the camp disco explosion that is "Shoot (Dancefloor Edit)", easily the EP's strongest moment.