Review: You'd expect a compilation curated by open-minded DJ/producer Hunee to be eclectic in nature, and Hunchin' All Night is just that and more. Marketed simply as "a collection of his favourite dancefloor cuts from the '70s until modern time", the compilation set is packed with obscure and inspired jams in a variety of styles. Compare, for example, the gentle but tribal rhythms and new age synthesizers of Carlos Maria and Nuno Canavarro's "Blue Terra" with the glistening, mid-80s Balearic jazz-funk brilliance of Stanislas Tohon's "Owhaaou" (as re-edited by French digger Raphael Top-Secret), or even the Clavinet-heavy Highlife brilliance of Pat Thomas's "Yesu San Bra Disco Hi Life". And that's before we get to the acid-flecked techno madness of Villa Abo and Hunee's wonderfully dreamy and dubbed-out pulse of Mappa Mundi's "Trance Fusion".
Review: When Eskimo Recordings approached Bill Brewster with the idea of putting together a compilation exploring his epic record collection, the acclaimed journalist and DJ decided to take a widescreen approach. While the CD and vinyl versions are split into multiple, themed editions ("Post-Punk", "Balearic" and "House"), this vast, 41-track digital edition gathers everything together in one place. Predictably, it's a hugely impressive and eye-opening set, with Brewster serving up largely obscure or long-forgotten cuts that range in scope from trippy, dubbed-out post-punk disco, jaunty jazz-funk, synth-heavy boogie and heavily percussive Afro-disco grooves, to saucer-eyed European synth-pop, the dub techno of Maurizio, Swag's early UK tech-house and the East Midlands deep house bump of Charles Webster's "A Love From San Francisco" project. In other words, it's a cracker from start to finish.
