Review: Deep in the Jungle continue their onwards march with this, the seventh edition in their widely acclaimed Anthems series, a compilation that always finds the ideal mix of current and future talent to showcase. In the case of the former, well-travelled producers Epicentre and Kumarachi roll things out and tear them down on 'Light Em Up', which features a gnarly array of interlinked bass nodes and torn low frequency sonics, al underpinned by a percussion section that's the perfect blend of rusty and sharp. New talent emerges in the form of Trobe and Mirage, who have their first label release with '89', although you wouldn't have guessed it based off this tune's razor clean percussive edge and expert use of space, a hard thing to get right and one this pair blow out the water here. Rave samples, expansive basslines and a synth arrangement you won't be able to shake - unmissable. 34 tracks later and Deep in the Jungle have nailed every single one of them - big ups.
Murder Most Foul - "Can You Stand The Rain" - (4:43) 164 BPM
Hmr - "Curfew" - (6:42) 162 BPM
DJ Hybrid - "Boom In 93" - (4:14) 168 BPM
Daffy - "Bottle Shape" - (5:08) 174 BPM
Xian Juan - "Deep In Tha Jungle" - (4:34) 175 BPM
Review: Deep In The Jungle Records is a UK jungle imprint that have been making bigger and bigger waves over the past several years, a big part of which is their affinity for fat compilations that straddle numerous sub-genre boundaries and which represent lots of different artists. This next one is about classics and it features artists like Conrad Subs, Kumarachi, DJ Hybrid, Kartoon and more. Conrad Subs is a favourite of ours and his cut, Takeover, is a wicked, deep rolling piece of work that packs a sick bassline, one which makes you think of late-night raving at its finest. This is a top compilation from a star label of the new wave.
Review: Deep In The Jungle got picked out by UKF has one of the top labels of 2018 the other week and it's certainly well deserved, for they just consistently bang out some of the most vibey jungle around. They also represent forthcoming artists and we'll always support those who give a platform to people who otherwise might not. The album is a huge fifty tracks, spanning some well-known names like DJ Hybrid, SL8R, Conrad Subs, RMS and Kumarachi. The latter kicks off the album with a bang, 'Have You Here' sweeping down the range with its DLR-esque bassline and riotous attitude. It's a emblematic of the quality present on the rest of the album - check it out.
Review: From deep in the jingle, Deep In The Jungle arise from their Christmas chrysalis with their biggest album to date... 44 absolute beasts from some of their closest allies, freshest friends and long-time sparring partners. From the soaring synths and twisted drum switches of Kumarachi's "For You" to the classical rave feels of Demented Frequency's "Amens On The Nile" via absolute toxic gully from the likes of Galvatron, Didak, Veak, Redline, Epicentre, Sweet N Sikka, Conrad Subs, Martyn Nytram and the bossman DJ Hybrid himself this is a pure steel steal. Nothing short of essential.
Review: THIS MEANS WAR: Hybrid's Deep In The Jungle crew dust off their best breaks for a second bout in their authentic roller battle. Label boss Hybrid teams up with rising star RMS for the ragga-raged lead track before we're treated to crucial cuts from the across the label's ever-growing talent roster: DJ Cautious's "Romy" is a stripped back swinger with stacks of space for the distinctive Top Cat style vocal chants, Galvatron pulls of the switch of his life on the expertly-tuned skank shock out "Revolution" and Lavery's awesomely titled "Akai Blackeye". Watch out for those cascading pitched snares, they're lethal. Let us see your war face!
Review: One of the savviest axis-flexors in the D&B / jungle game, DJ Hybrid has an all seeing eye across the soundboy spectrum with his two labels and mixed-style signature. Here the full focus is on his flagship label Audio Addict with his first exclusive-powered mix album that covers all the crucial corners. Every track rattles and shakes with energy and subversion: the jungle chaos of his own "Mix & Blend", the iced-out atmos and toxic drop of Swerve's "Massive & Crew", the gunshot bass holes caused by Lost Dynamics "New Funk", the jaw-dropping ruthlessness of Ray Keith's take on "Badboy", the list goes on... DJ Hybrid levels up once more.