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Lee Gamble
Browse the latest digital releases by Lee Gamble
Review: Over the last five years, Lee Gamble has surely solidified his name as top dog among the techno deviants, and each time one of his new releases drops onto our shelves ours ears prick up instantly. Having made a name for himself on PAN, it's now time to curate his own UIQ label, and "004" is exactly the sort of tune to catch the listener's attention: an unsteady techno beat that mangles it way through rough, distorted waters. In the same way, "For Infernomatics" challenges the status quo, and renders the techno experience a much more wide-eyed, wholesome experience that branches off into different territories. "Kinematics" develops this 3D techno feel further thanks to the help of a sea of washed-out sonics and brittle beats, while "Cnull" heads towards the genreless, the only thing placing it anywhere near dance music being its jittery, improvisational kick-hi-hat combo. Excellent.
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UIQINV 0001
27 May 16
Experimental/Electronic
27 May 16
Experimental/Electronic
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HDBCD 065S2
28 Sep 23
Balearic/Downtempo
28 Sep 23
Balearic/Downtempo
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HDBCD 065S1
25 Jul 23
Experimental/Electronic
25 Jul 23
Experimental/Electronic
Various
Played by: Juno Recommends Bass
Review: With 19 Hyperdub artists on show here, this intrigue of a collaboration to help Hyperdub commemorate its 15th year of operation sees the label connect with late night television network Adult Swim. The likes of Burial, Ikonika, Fatima Al Qadiri and Kode9 all sign in with tracks specifically made for the compilation, with stand out numbers coming from Skratch DVA via the toxic and percussive "Baka" alongside the white noise crackles and subtle dub and industrial techno grooves of Nazar's "Unruly". Other oddball highlights include Mana's "Climbing The Walls" and the slow march of Doona Kanda's "Perfume". Late night TV has never sounded so good.
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HDBD 049
23 Nov 19
Bass
23 Nov 19
Bass
Review: Google the term conceptronica and you'll find an article by Simon Reynolds on the rise of club music that's maybe more suited to museums. If it's Lee Gamble now showing at Museum Le Conceptronique, Exhaust would be showing something of an example of the club sphere and scene being turned out at the moment. Twisting spirals of deconstructing rhythms fly around the room, forming new shapes and bends, colours are sliced into bold, matte and metallic shapes. Exhaust, in all its hyperfluorescent form, pitches deconstructed club music into a new realm of idealistic harmony, dissonance and contortion. Take this as the second record in a triptych released at the start of 2019 by Hyperdub.
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HDB 127D
15 Nov 19
Bass
15 Nov 19
Bass
Review: The legendary Hyperdub return in style here as they bring forward Lee Gamble, who presents us with an awesome collection of 7 originals. In typical hyperdub style, this one pushes all the boundaries wherever they lay, from the glitchy soundscaping of 'Chant', to the softened arpeggio structures of 'Cry' and the experimental synth movements of 'BMW Shuanghuan X5'. Overall this project shows a real sense of character and a level of confidence to explore that which is unexplored in sound. Other standouts from this one have to include the juke-like drum arrangements of 'Moscow' and the incredible harmonic layers of 'Many Gods, Many Angels'.
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HDB 119D
01 Feb 19
Bass
01 Feb 19
Bass
