Review: The mysterious Lockertmatik, who runs a label of the same name, debuts on Bas Mooy's Mord. "Interlock 1" is a stomping, bleep-heavy affair, laced with siren stabs. Its grey, monochrome nature makes it sound like a cross between Sleeparchive and Marcel Dettmann. On the second "Interlock", there are hints of early 90s UK techno influences - brought to life on the InSync-like riff that plays away in the background, but the dominant element is the dense, hammering rhythm. "Interlock 3" and "Interlock 4" both see the producer ramp up the intensity with thunder claps, rock-hard kicks and acrid acid lines, while a nightmarish scenario is presented on the fifth "Interlock", as droning synths are fused with intense, 303-laced kicks.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.