Review: Disco Fruit's latest two-track missive sees label regular Loshmi join forces with Glitterbox regular and disco remixer to the stars Dr Packer. First up is "A Case of Emergency", which sounds like a tidied up, extra-fresh revision of a sparkling '80s soul/electrofunk jam full of addictive synth bass, sing-along chorus vocals, chiming melodies and twinkling pianos. Equally as impressive is accompanying cut-job "House In Downtown", another '80s soul style revision blessed with funk-fuelled boogie bass guitar, spacey synthesizer flourishes, life-affirming brass blasts and a vaguely familiar lead vocal that will have dancers singing along in unison. Proper party music for those who like their dancefloor grooves to come accompanied by shoulder pads, Jheri curls and a side order of cherry wine.
Review: The long-standing Editorial stable have welcomed many choice boogie and disco heads to do the honours in reviving classic gems from the seemingly endless mine of 70s and 80s wares, and they're at it once again with the Good Fot Get Down collection. Regular contributors Ed Wizard and Disco Double Dee keep things lightly shuffling and laid back on "Let U Go" while The Owl gets into a more stripped and stiff floor-focused funk. The Funk District have more clear intentions in getting the party started with "Disco Dynamite", while Spankie Hazard gets a little jazzy on "Party". Whatever your funky needs, Editorial have it all and more.
Review: Here we have four more sure-fire bullets for your disco machine gun, coming courtesy of Serbia's Disco Fruit label. Mexico's Hotmood is up first with the fairly self-explanatory 'I Love To Boogie', which is followed by 'The Groove To Make You Dance', a reworking of T-Connection's 1977 TK Disco classic 'Groove To Get Down' by Guildford's own re-edit don Evil Smarty. Montenegran producer Sasha Mitich, AKA Mitiko, then takes liberties with Janet Jackson (and gets away with it) on 'What Have You Done For Me', before label co-owner Loshmi plays us out with laidback, headnodding instrumental 'Soul Food'
Review: Astonishingly, Loshmi's long-running "Serious Edits" series is now 15 volumes deep. We can happily confirm that he's not run out of steam yet with the seven-track selection featuring some suitably playable, floor-friendly revisions that are well worth your hard-earned cash. Our highlights include the gently housed-up 80s disco goodness of "Delightful", the heavy disco-funk/proto-rap fusion of "Funky Animals" - all eccentric mic flow, mazy organ lines and beefed-up disco grooves - and the languid, glassy-eyed loveliness of head-nodding warm up gem "Soul Food". There's naturally plenty to set the pulse elsewhere across the EP, too, so give all of the clips a listen if you have time.
Review: Serbia's Milos Djordjevic, AKA Loshmi, brings us Vol 14 in his long-running re-edit series, with five tracks covering a range of musical ground. Opening instrumental 'Juice & Boogie' draws on brass-tastic 70s funk (exact source unknown, but there's a strong Blaxploitation soundtrack vibe), while 'El Grande Funk' plunders what would appear to be some heavy Indian sitar funk of the period. 'Very Tough' reworks Angela Bofill's 'Too Tough' from 1983 (ever so slightly!) while another, unknown 80s boogie cut inspires 'Sensual Love'. The standout, though, is 'Palm Springs', a shiny nu-disco jam that makes devastating use of the guitars from Blondie's 'Call Me'.
Review: Eight re-edits here that, somewhat unusually, draw largely on classic hip-hop rather than the standard old school funk, disco and boogie for inspiration - opener 'Ding Dong', for example, lifts a chunk of vocal from Sequence's Sugarhill classic 'Funk You Up' - though musically we're firmly in disco/house territory. Standouts include 'Burn The Floor' with its infectious P-funk synths and George Clinton-via-Death Row vocal chant, the seriously phat 'n' squelchy 'Real G', and 'In Your Face', which comes on like Ice-T having a go at that oompah-loompah, Balkan-style tech-house that was so popular around 2010 or so.
Review: We haven't had an instalment of the Serious Edits series since last November, so the arrival of volume 11 has us doing back flips with joy. AS expected Disco Fruit boss Tonbe has once again assumed his Loshmi moniker for editing duties resulting in a typically more light-hearted vibe. Highlights of the eight party tunes here include the perky "Find Another Race" which takes a leaf from the Prodigy by updating an early reggae classic, the electro funk 80s anthem "All About You" and the skippy jazz/garage grooves of "Closer".
Review: It's always a thrill when we hear that disco/house dude Tonbe is donning the spandex and cape of his Losmi guise for another outing. Here he's steering the Serious Edits ship for the tenth time, delivering six new jams for our listening pleasure. Highlights include the pounding disco-rock-flute workout "Drugstore", the slammin' toughened-up Gil Scott Heron rework "Revolution" and the brassy boogie sass of the swaggering "Night Life". Quality scalpel jobs as always.
Review: With his fingers itching to re-edit once more, disco wizard Tonbe is back to his Loshmi moniker, presenting here a selection of four new jams. It's a high-octane offering too, with things kicking off with the fast and furious "First On The Top", which is all heavy riffs and slamming snares. Elsewhere "Proper One" maintains the energy with some soulful and dreamy funky house, "Inches", meanwhile, is a slightly deeper trip into hazy afterhours vibes and "Free" ends on a euphoric, gospel/boogie high. Serious Edits, serious fun.
Review: Disco and edit wizard Tonbe returns to his Loshmi moniker for a new episode of sultry funk goodness on his own Disco Fruit outlet. "Sweet & Nasty" is just about as seductive as you can get - those strings do some real damage in that groove - while "Still Loving You" is a more driving take on a classic boogie monster from the '80s. Aside from those two beauts, "Your Move" gets the hats-off from us - those itchy guitar riffs in the depths of the mix are a pleasure on the ears and a stand-out on the speakers.
Review: Since his previous installment of his Serious Edits series in May, Serbia's Loshmi (aka Tonbe) has clearly had a purple patch, having already rustled up another six disco-house bombs for Volume 7. Highlights include thumping new wave groover "Be With Me", the teched-up Chic-style slinker "Coming With You" and the catchy '80s pop vibes of "Honest With Me".
Review: Serbia's Tonbe is busy man but, despite the workload, he still makes sure that he keeps his alter ego Loshmi's regular monthly appointments with the Serious Edits series. This sixth installment sees him tackle exactly six of the best party classics around. Highlights include a Chimpmunked Dazz Band jam "Can You Be Good", the raw 80s electro-funk jam "Hot Rubber" and the sizzling hot Cameo rework "Lonely Life".
Review: Tonbe is keeping himself busy. This fifth volume in the Serious Edits series, credited to his alternative Loshmi alias, comes hot on the heels of the fourth. As usual, it's an expansive collection, delivering tidily put together reworks that get the right balance between the original material and the needs of contemporary dancefloors. Kicking off with the fluid disco-funk of "Evil Girls", the Serbian producer variously touches on swinging, blue-eyed soul ("George The Man"), hot-to-trot disco hustlers ("Goodbye", "Her Shine"), Solar Records style '80s vocal disco ("I Wanna Be Ready"), and filter-heavy versions of radio-friendly disco anthems ("This Is The Night"). Best of all, though, is "Secret Game", a breathy, sleazy exercise in Rhodes-laden disco sweatiness.
Review: Serbian disco/house type Tonbe seems to reserve the Loshmi alter-ego for some of his finest reworks; killer edits of often obscure or overlooked material that shows due reverence to the source material. That's certainly the case here, as he works his way through a variety of styles over the course of six suitably hot edits. So, he treats us to some soaring '80s soul revivalism ("Real Love"), jaunty but tight, piano-laden electrofunk ("Be My Love"), surging, high-octane, disco-funk (the string laden madness that is "Depends On You"), and even a dash of punchy boogie-rap (the brilliant "Sad Future", which comes complete with an excellent spoken vocal and some terrifically sleazy sax solos).
Review: Prolific disco-house dude Tonbe is back under his Loshi moniker for his biggest Serious Edits installment yet on his Disco Fruit label. There's a whopping eight new scalpel jobs this time and it's all about the glorious sound stardust and neon sprinkled late 70s American dance floors. Highlights include the liquid silk bass of the Jacksons-esque "Few More Steps", the sleazy late night block-rocker "Funky Stroke" and the bewildering spacey strings of "Trouble Man".
Review: It's a lucky week for Tonbe fans because here, under his Loshmi alias, we have his second EP in the last seven days. "Serious Edits Vol 2" is a different kettle of fish to Cactus Jack altogether. Instead of the housey funk of the latter, it's all about vintage party disco. Highlights include "Disco Chola", which sounds like a long lost Frank Farian Euro gem, "Music Forever" - a Paradise Garage-style muscular retro funk jam and the obvious but good "The Way I Like It".
Review: Re-edit maestro and disco/house producer Tonbe dons the lesser-used Loshmi alias for this four-tracker on his Disco Fruit imprint. This time out, he's exploring a P-funk/electrofunk flex, delivering Serious Edits that subtly toughen up and rework a quartet of little-known '80s jams. There's a delightfully celebratory feel about opener "Bring Me There", whose jaunty horns, party atmos and synth squiggles are backed by a superbly rubbery low-end groove. There's more urgent slap bass action to be found on the baggier "Fighting For Nothing", while "Wsoop Wsoop" and "Whatever You Do" both deliver heavy, floor-friendly P-funk workouts. In other words, Tonbe delivers all killers, no fillers.
Review: Serbia's Disco Fruit bring us a split EP from two label regulars: Montenegro's Sasha Mitich, better known as Mitiko, and Milos Djordjsevic, better known as prolific re-editor (his 'Serious Edits' compilation series is now up to Vol 11) Loshmi. Mitiko brings us two retro funkers - 'My Shoes', with its infectious wukka-wukking guitar riff, and 'Too Hot To Handle', which marries a sung/rapped male vocal to an 80s sounding synth-woodwind hook. Loshmi, meanwhile, takes us into more Latin-leaning funk territory with 'Portoriko' and 'Pretty Chiquita'. All four are built with the simple aim of moving booties on dancefloors, and all four will do that for sure.
Review: Serbian disco stu Tonbe, together with partner in retro crimes Loshni, get together to compile some late night sleaze for Eurotrash, plain and simple. Tonbe turns in some cosmic party jams in the form of "Cosmic Nag", Disco Frisco" and "Rhapsody" taking in some cheeky well known samples in the process. Loshmi on the other hand goes for the more funky disco house vibe on "Long Night" and does a good re-edit of Fatback's "Is This The Future" on "Sad Future".
Review: With a new year upon us, Tonbe has decided to gather together another selection of highlights from his dependable Disco Fruit imprint. As you might expect, the ten tracks are all "tried and tested" dancefloor destroyers, most of which effortlessly blur the boundaries between original disco and boogie, and more contemporary, house-centric grooves. Highlights are plentiful, from the sinewy strings and breezy beats of Tonbe's "I Feel Energy" and Deelicious' bustling AOR disco rework "Why Did You Do It", to the rubbery slap-bass and spiraling synthesizers of Evil Smarty's stand-out "This Is". Gradient Logic's "Juice", the most recent release on the collection, is also rather fine.
Review: Serbia's Disco Fruit label offer digital buyers another high-VFM collection of tracks that were previously only available on wax, with the album's 31 cuts coming from just six artists including scene faves Tonbe and Loshmi and label regular Evil Smarty. Between them, they run the gamut from scorching, bottom-heavy funk (Evil Smarty's 'The Get Down', Dave Allison's 'Ain't Nuthin To It', Loshmi's 'Drugstore') to deep n' soulful house (Tonbe's 'Broken Heart'), via Gradient Logic's glacial boogie nouveau and jazzier cuts like Dave Allison's 'Trade Off' and Tonbe's 'Something Jazzy'. It's more one for the jazzbos and funkateers than outright disco dollies, admittedly, but on the whole that's probably a good thing...
Review: Serbia's Disco Fruit bring us a digital collection of tracks that were (mostly) previously only available on wax. Label boss Tonbe supplies four of 'em, and with most of the rest coming from equally familiar names such as Dr Packer, Hotmood, Mitiko and Loshmi, you know the bar's set high! Stylistically, the album ranges from authentic-sounding low-slung funkers like Hotmood's 'Let's Ride' and Tonbe's 'Gem Picker' to the breezy uptempo soul of 84Bit's 'Mamma Jamm' and the boogie nouveau of Dr Packer & Loshmi's 'In Case Of Emergency', while special shout-outs go to Evil Smarty, who almost out-Fatbacks Fatback, and to Mitiko's excellent reworking of the mighty Janet.
Review: Fresh from the market, Disco Fruit offers up a suitably large pallet of juicy re-edits, tasty revisions and sun-ripened reworks. As you'd expect, there's plenty to get your teeth into from start to finish. Our highlights include the fuzzy 21st century disco-funk of Brian SNR's "Down For Some Loving", the bouncy, synth-bass-propelled funkiness of C Da Afro's "Music Is Love", the sleazy sweatiness of Frank Virgilio's flash-fried "Thick As A Brick (The ReThink)", the throbbing goodness of Loshmi's Italo-disco/80s rock revision "Palm Springs", the mid-tempo disco bliss of Mitiko's "It's Over, It's Over" and the disco-house bump of Tonbe's "Make It Last Forever".
Review: Serbia's Disco Fruit Records present a 15-track collection packed with disco, nu-disco and disco-house goodness. It's very much an in-house affair - label boss Tonbe contributes two tracksm while Disco Fruit regular Mitiko is behind a further six - which makes the general standard of what's on offer even more impressive. Highlights include Mitiko's boogie-ish 'Do You Really Want My Love?', Loshmi's gloriously camp, Euro-inspired 'Easy Night Drive', Hotmood's lazy, low-slung 'Let's Ride' and Tonbe's phat-assed jazz-funker 'That Sample', while special mention should be made of Kellini's 'No Balance' which, to older ears, is Animotion's 'Obsession' in disguise.