Review: Two heroes of the new breed kick off a new mix series for Jamie Jones' esteemed Hot Creations imprint. Jones began Paradise at DC10 (Ibiza) five years ago and it's gone on to be a huge success, inviting the biggest names in the business to come play alongside his crew of residents. The first mix is courtesy of Toronto's Nathan Barato, a frequent collaborator with local heroes such as Carlo Lio and The Junkies and whose career has been on the rise with releases on Cajual, Saved, Circus and Defected. Highlights include the Derrick Carter classic "Where Ya At?" (Mix Originale), Makam's brooding "Loleatta" and Jared Wilson's rusty acid odyssey "Girl, I'm Waitin". UK talent Patrick Topping this year completed his third summer as resident at DC10 in Ibiza for Paradise. Here Topping showcases the sound and style of his sets with high energy from the word go. His mix features several of his own productions guaranteed for maximum dancefloor impact, as well as Metaboman's lo-slung and exotic "Next Please" through to Dave Clarke's massive remix of Jark Prongo's "Movin Thru Your System".
Review: If your finances couldn't quite stretch to buying all four releases in the unique Dekmantel x Patta series - in which limited edition vinyl EPs came packaged with exclusive items of clothing - this digital compilation is something of a lifesaver. For starters, the exclusive material - first included on the hard-to-get EPs, and now showcased here - is pretty darn tasty. The various Amsterdam-based producers involved generally hit the spot, from the melodious, analogue-rich Balearic techno of Young Marco's "The Best I Could Do (With What I Had)", and sparkling Detroit retro-futurism of Mark Du Mosch's "2nd 5ystem", to the cosmic deep house shimmer of Tom Trago's "Brutal Romance", and bizarre, off-kilter deep house-jazz of Makam's "The Struggles". Aardvark's quirky rumba-house workout, "Kubaa Rumbaa" is rather good, too.
Review: A second sampler for Ryan Elliott's newly dropped Panorama Bar 06 mix opens with "Take It Slow", a rugged house jam of the finest order from The Oliverwho Factory and proceeds to take in cuts from former label manager Nick Hoppner, Deadbeat, Dettmann and Sushitech mainstay Makam. Individually the standard of these exclusives is remarkably high and it will be interesting to see how Elliott has slotted them all together for the free to download mix. If we had to guess, Deadbeat's superb glistening house burner "Woah" would make an appearance towards the end thanks to his high tempo, whilst Dettmann's swirling layers of ambience on "Light" feel very much like a set opener.
Review: Dekmantel commence their fifth anniversary series with a weighty three-track offering. Awanto3 serves up a roaming 12 minutes of understated groove for the slow blend, employing a moody key line and punchy disco beat to ride out in a haze of warm-up bliss. Makam is a little more in yer face, taking a classic funk sound base to create a masterclass in feeling good without trying too hard. Lone brings his own inimitable style to bear on "Risttowe", full of electronica synth warbles and jacking beats yet still ploughing the same delirious, dreamy furrow that so much Dekmantel output manages to wind up in.
Review: Dutch producer Makam has largely remained on the fringes of the acceptance his prolific output deserves. Based in The Hague, the producer cut an impressive swathe with his 2009 debut, the Sushitech released New York Hustler, and has been responsible for a steady stream of quality house in the subsequent period - mostly on the Berlin label. (Indeed we are still basking in the delights of Dreams Of Tommorow, a double 12" release on Sushitech that contained some of his finest work to date.) Having contributed to Dekmantel's Fifth Anniversary Series, Makam here graces the Amsterdam label with "What Ya Doin", which essentially picks up where he left off on the aforementioned Sushitech release, betraying his love for the heady times of house music's origins at The Music Box, playing a breathy vocal off against a procession of 909 rim shots. On the flip FunkinEven applies the deranged dynamics of his recent Apron endeavours to the track with typically explosive results.
Review: Makam doesn't let up! The Dutch hero re-appears on homebase Dekmantel where he's surely become a stalwart of the label and their sound. On "Riding High" he gives us a melodic deep house journey full of emotion and equal parts mystery over its glorious five minutes that you'll wish never stopped. Ge serves up something much more atmospheric on the grainy ambience of "Them Sadet", a collage of trippy exotic samples over emotive elements makes this one definitely to remember also.