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Marco Faraone
Browse the latest digital releases by Marco Faraone
from $1.89
UNCAGEX 051
30 Jun 23
Techno
30 Jun 23
Techno
from $1.89
FOA 122B
16 Dec 22
Techno
16 Dec 22
Techno
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WATB 095
11 Nov 22
Techno
11 Nov 22
Techno
Played by: Juno Recommends Techno
Review: Marco Faraone and Flug have both impressed with separate releases on Rekids and Drumcode. Now they pool their talents to deliver this high-impact EP. Issued on Faraone's label, it's inspired by early-00s loop techno and is designed for peak-time use. The title track is powered by a menacing bass and a rolling rhythm, with these elements providing the backdrop for intense, filtered builds. The duo uses a similar approach on "Dirty Funk". Led by a frenetic groove and peppered with chord stabs, its disco filters and vocal snatches make it stand out. Both tracks serve to underline the fact that when it comes to peak-time, banging techno, they have few peers.
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UNCAGEX 048
14 Apr 23
Techno
14 Apr 23
Techno
from $1.89
F93RECS 011XB
19 Nov 21
Minimal/Tech House
19 Nov 21
Minimal/Tech House
Review: For the second set of No Filter remixes, label owner Matt Edwards aka Radioslave takes on Faraone's "Addiction". This new version draws on grating synth stabs and a jacking, insistent rhythm. Combined with relentless percussion and a series of deft drops, it's tailor made for peak time use. The label has also tapped Gene Richards Jr, who has released on Faraone's Uncage, to remix "Frog Face" - and his version inhabits a similar space as the Radioslave remix: led by a firing groove that's populated by chopped up vocal samples and tweaked tones, it's sure to cause dance floor mayhem when clubs re-open this summer.
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REKIDS 178
07 May 21
Techno
07 May 21
Techno
Played by: Juno Recommends Techno
Review: Rekids has recruited to two very high-profile producers to contribute interpretations to the first remix package from Faraone's 2020 No Filter album. Chris Liebing, best known for running and releasing on the CLR label, is given "No Drama" to rework. In his hands, it morphs into a mysterious, rolling groove that underpins mysterious synth hooks and has echoes of Detroit techno. Mathew Jonson gets the same track to remix. Favouring a more stripped back approach, he drops a complex rhythm that acts as the canvas against which he conjures up atmospheric synths while in the background, the faintest echo of a vocal sample is audible.
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REKIDS 176
09 Apr 21
Techno
09 Apr 21
Techno
Review: Marco Faraone follows last year's Don't Need You release on Rekids with this tough but soulful EP. The title track revolves around an insistent, chugging groove that resounds to insistent chord stabs and repetitive vocal loops. On "Want Me", the Italian producer toughens up his approach, and uses dense drums and an insistent rhythm to provide the basis for what sounds like a vocal sample from Aretha Franklin's soul classic, "Chain of Fools". Faraone changes tact once again on "Safari": it's a more linear affair than the others, and is based on a prowling electronic bass and a series of repetitive chord stabs that when combined, ooze menace.
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REKIDS 162
11 Sep 20
Techno
11 Sep 20
Techno
Review: It sounds like Rekids has gone back to its roots. On Marco Faraone's third release for the label, a tough, sample-heavy house sound prevails; it's audible on the title track, where vocals are chopped up and layered over steely tribal drums, insistent thunder claps and ominous chord stabs. "Hardgroove Community" features a faster tempo, but some of the same elements - the looped vocal samples and tough kicks - remain at the heart of this arrangement. Meanwhile, "Survive" sees the Italian producer opt for a more tracky approach, with the track's name intoned in monotonous fashion over a heads-down rhythm. "Not A Crime" completes this old school-inspired EP, with churning chords and joyous screeches unravelling over banging drums
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REKIDS 144
18 Oct 19
Techno
18 Oct 19
Techno
Review: "Way" is Faraone's second EP for Rekids this year, but prior to this, he had already built up a distinguished catalogue for labels like Drumcode, Ovum and Moon Harbour. It's not hard to understand the attraction of this record to Rekids. The title track marries the pumping Radioslave approach to techno with jacking Chicago beats, stuttering vocals and tales of music industry hubris. Aside from the a cappella, Rekids has commissioned Addison Groove to deliver a high-paced, footwork takes on the Italian producer's original version. If that's too frenetic, then the dub acid rework, with its tough kicks, searing acid line and filtered vocal snatches, will appeal for those who like it tracky.
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REKIDS 119
01 Jun 18
Techno
01 Jun 18
Techno
Review: Etruria Beat founders Faraone and Agnelli deliver a excellent DJ tool release for Loco Dice's label. The title track sets the tone, its rasping percussion and insistent drums laying the basis for a series of deranged vocal samples. They keep "Last Call" instrumental, with a percussive groove rolling and filtering all the way through, supported by reverberated drums. But the duo are also clearly interested in using the human voice as an instrument and the drum-heavy "La Feria" is full of out there voices, while 'Hold It Like That' features dreamy synths and a spaced out woman intoning the track's title.
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DESOLAT X022
10 Jun 13
Minimal/Tech House
10 Jun 13
Minimal/Tech House
