Review: The ever-correct Prime Numbers series is still going strong, this time bringing together a thoroughly eclectic range of producers to lay down some solid club fodder. Adesse adopts the tenderest approach, bringing a soft African lilt to a subtle arrangement of light drums and poignant chords. Truss is certainly in no mood to chill on "Redbrook", going for a big room techno flavour that favours rigid beats, acid parps and epic swathes of organ. Massimo Di Lena is on a far more twitchy tip, with a snagging assortment of percussion and some woozy synths that leave one feeling wonderfully dizzy.
Review: It seems like an eternity since slow, chugging edits were all the rage. It's good to see, then, that Mantova-based Massimo Vanoni is still keeping the flame alive. The Italian producer's style feels like a slightly less loopy take on fellow countryman LTJ, with the emphasis on head-nodding grooves and tactile disco shapes. There's much to enjoy here, from the pitched-down AOR disco stomp of "Got The Power", and 12-minute boogie chugger "69", to the undulating sweetness of "Deeper", and Italo-influenced, Moroder-ish bob of "Deeper". Judge Funk remixes the latter track, pitching it up to 112 BPM for additional dancefloor pleasure.
Review: The latest missive from the Editorial camp is something of a summery treat, with a sextet of producers taking it turns to lay down warm and inviting dancefloor treats, First up is Matt Hughes, whose "Lonestar" joins the dots between eyes-closed deep house and rich, bass-heavy Balearic disco. Hotmood lays down a chunk of horn-heavy, party-hearty disco house, while Massimo Vanoni marinades a sweet, sun-kissed disco cut in several gallons of tasty rum punch. Elsewhere, Sunner Soul works the filters hard on the low-slung disco house shuffler "Good Parts", I Gemin gets all sweaty and loopy on "Disco Fevah", and Andy Buchan does a great job reinventing an 80s synth-pop cut as a saucer-eyed slab of peak-time goodness.
Review: There's a reason that Midnight Riot's eponymous compilations frequently charge to the top of the Juno Download charts. Put simply, they never disappoint. This ninth installment sticks to the now tried-and-tested formula - house-friendly re-edits and originals from across the disco, boogie, soul and funk spectrum - but predictably hits the spot throughout. As usual, there's a bonus mix - this time put together by globe-trotting scalpel jockey Rayko - and tracks come from both label regulars ('80s Child, Ziggy Phunk, Chewy Funk) and an impressive array of new or unheralded talents. It's in the latter category that you'll find some of the most impressive fare - see Phil Jaimes deliciously Balearic "Nowhere To Hide" and Cosmocomics' kaleidoscopic synth-funk jam "Mary Jane" - though the standard remains pleasingly high throughout.