Charlie Rotten - "The Myriad Part 3" (continuous DJ mix) - (16:49) 181 BPM
Review: Sub-liminal are one of those very prolific, very underground labels that tends to go unnoticed yet releases some absolute bangers. So, getting a whole compilation full of them from a variety of up and coming producers is only going to go one way - hard. The first tune - 'Iggy' - from Garry K & RV is an instant stand out, a wobbling riff of force and hurting energy, all tied up in a jump-up sized package. 'Vultures' by Zapya and MC Karter is another top-level cut, a skippy drum-line and menacing vocals sit above a fiercely minimal roller that clicks and clanks with satisfying precision. There are a bunch more excellent tunes on this release, so go check them out.
Review: Damage Report is an appropriate name for this artist and, listening through his Monster EP, you can hear why. This release is a solid envelope of four tunes which demonstrate a serious understanding of jump-up's nastier end, the type of jump-up which some hate but which inspires a passionate love for the genre in others. The title track is the best example of this, its pointed, jagged-edged basslines are cutting and penetrating at the same time, snappy drums lie underneath and the whole tune is packaged with effortless finesse. Check out the others for some of the hardest-hitting D&B around.
Review: Sub-Liminal solider Mentah continues to dig deep into his craft as he unleashes two more disturbingly heavy workouts. "Shadow Of Doubt" is a real grumbling, bone-shaking rattler with a warped bassline that echoes with deep unease. "Autoguns" fires with more of a laser-lashed edge as rough metallic bass textures groan with alien aggression. Both hitting that sweet spot between tech and dancefloor with serious attention to detail and dynamics, these kill it... Undoubtedly.
Review: Young Worthing warrior Mentah continues to go loco in the Sub-Liminal kitchen cooking up no less than five fiery courses. Five! Each dish is a feast in itself, loaded with gruff groaning basslines, swinging drums and precision dug samples. Those with a penchant for gluten will fatten up nicely on the moaning bass tones of tracks such as "Can't Fool I" and "The Rules", those looking for a little citrus zest will be all over the electrical buzzy tones and block snare bumps of "Clear" while those who go straight for dessert should lap up the sweet treacle bass of "If You Need A Name". More? Look no further than the EP title track "Orders To Move". Grills set to murderation, this is cooked to perfection.
Review: To catch a thief you need to think like a thief. And there's no better thief than an invisible one. Ones like Mentah, one of Sub-Liminal's most consistent and bad-assed artists. He scopes everything from the unseen shadows, he knows everything about you and he knows exactly what type of dark funk hitters you need in your set. Hitters like the pranged-out grunter "What's The Catch", the graveyard bare-knuckle fight with a turbine engine that is "A Strange Presence" and the spooky charm and tense build and sheet metal slaps of "I Don't Feel Well." And that's just the half of it. Heavyweight material.
Review: After a string of slamming EPs, Sub-Liminal mainstay Mentah delivers his debut album and it's a powerful piece of work. Punchy and concise at nine tracks, the focus is fully on the floor and hyper-charged with an on-point modern jump-up hybrid sound. The type of cuts you can imagine Randall playing at Breaking Science, 4am, the basslines wobble, the textures drone ominously, the riffs never get too OTT and they all seriously hurt! Highlights include the Benny L style swampy bass on "No Disrespect", the nan-slapping foghorn heaviness of "Alone In The Light" and stinking distorted tripletty finale "Grudges" but that just not even half of this universally heavy tale. Big up Mentah.
Review: Fresh from his LP investigations into Time, Space & Matter earlier this year, young Mentah peels back the fa?ade on more of his personal tribulations with "This Life". The title sets the tone with a raffled harmonic drone bassline and rattled breaks, "Curveball" is flabbier than your dear old lady with its loose lapping bass seeping over the edge of the drums before "Bad To Worse" goes in with the higher frequency bassline and sweet shades of dub. For his final hoorahs Mentah brings the big drone drama on "Louanne" and "Lock The Door". Both armed with turbine bass blasts that echo for days, they've got horse power enough power to keep your car running for months without petrol.
Review: Mentah goes back to last years Time Space & Matter album and picks one of the track ripest for remixing. To be fair, the whole release was ripe but he's picked the rolling, grunting thunder jam "No Disrespect". We respect that decision, especially when the remixes are as good as these... Donny Jaydan gets brutal with his drums and perks up the bassline while the mysterious Lash Lams dusts off the breaks for more of a junglised slap-about. Both the original and remixes absolutely kill it. And we mean this in all due respect.
Review: Out of the frying pan, into the "Fire Pit", long-time Sub-Liminal soldier Mentah heats things up once again with this epic six track EP. The title track takes the lead and sets the energy and tone with its scorched harmonics and ruffneck breaks. Elsewhere highlights include the warped elastic bass roars of "Observed" and the pummelling drums and theatrical dynamics of "Break This Down". Topped off with a crucial remix of "No Disrespect" from Jaydan and you've got yourself one of Sub-Liminal and Mentah's biggest EPs to date so far. Fire!
Review: DJ Agro's Sub-Liminal unleash their largest message yet with their debut compilation They Myriad Vol. 1. A chance to catch up, a chance to fill holes in your collection, a chance to realise the amount of next gen, hugely-hyped talent the label has... Damage Report, Dialogue, Too Greezey and Leaf lead the way as he run the label's vast gully gamut. From Fena's Moving Fusion-style womps on "Right Place Right Time" to Agro's gutter-chomping subversive Urban Takeover style bass roller "Not Fools" via Leaf's savage staccato stepper "New Life", the whole collection reflects just how much exciting D&B can be found just beneath the all too shiny surface.
Review: Ooof! Sub-liminal are spoiling us right here: 19 tracks and a mix killer mix from gully professor Too Greezey. Loaded with upfront exclusives, VIPs and classics in equal measure. One moment we're squelching and squirming to the wet bass on Warhead's "Bad Trip", the next we're gurning and turning to Benny L's Dillinja-esque remix of Hybrid & Agro, the next we're spooking out to the Clipz-style harmonies on Guzi's "Business" VIP, the next we're writing out our last will and testament to Agro's incredible mix of Leaf's "New Life". That's just scratching the tip of this murky iceberg, there are myriad other bangers awaiting your attention, just tuck in.
Review: Elsta's Murky Digital look back over five years of uncompromised murk-mastery and handpick 15 of their favourite moments. A great way for us to fill any holes in our collection and a timely reminder of the label's timeless weight and sense of dark groove; highlights and power points rattle and slap from every corner. Key cuts include T>I's humungous subbed-out roller VIP of "The Gorgon", Zero's twisted orchestral cascades on "Corrupt Cop", Fena & Barbarix's urgent vocal-looping sizzler "Devoted" and Too Greezey's husky dusty dark jazz charm on "Take My Hand". Here's to the next five years.
Review: Two and a half years deep into their dark star safari Sub-Liminal continue to shred up the dance with a crack team of heavy bass innovators. Bass riffs galore and aesthetics so unforgiving, every track is tailored for the most underground floor... The worming low-end mashery of Too Greezey's "Modulation", Leaf's oddball drum funk and melting trumpets on "Shoot Off", Warhead's brutal technoid mutations on "A'Gwarn" and Tyrant's absolutely annihilating "Nuclear Bomb" are just four of the 14 high level bangers on display here. There's nothing subliminal about the message on this one: not picking up on this is a criminal offence.
Review: Forget your daft screechy dubstep variant of the same name, Sub-liminal deal strictly in proper riddims. Wobbly riddims, fat riddims, stinking riddims, gully riddims. They have done for almost five years now, and this new Riddim Return collection is a reminder of just how much ground they cover, how many super talented darksmiths they work with and how much skin of yours their releases will melt. Highlights on this 50 track strong collection (yes, 50!) come from every angle but you'd be mad not to lick a shot from Agro & Raz on their melted bass weird-out "Ah Like It", do air trumpet to Warhead's "Cop Killa" or get wonked the heck out by Leaf's concrete steps on "Hold Up". Dig hard and take a deep breath... You're in riddim country.
Review: Sub-liminal sleepers this one is for you... The UK label have just repurposed and repackaged some of their many successes on this epic 20 track compendium. Ranging from the white knuckle neuro pace of Fena's "Viral" to Dominator's gamechanging grumpy-bass twist on Agro's "Noise Complaint" via Dialogue's ultra-grot wobbler "If You Can't Beat 'Em", Tyrant's Nightflight-style jungle slap-about "Bomb", Agro's sinful stepper "Tank" and many more, this is a perfect snapshot of the label's breadth, weight and uncompromised sound so far. Riddim stinkers.
Review: Everyone likes a good compilation, right? What's better than having as big a range of artists as possible in one condensed place? It's essentially an album with the ease of listening of a single, so we're all for it. Subliminal have come out with the 2020 edition in their Riddim Return series and it's packed full of bangers, across a range of styles, and it's one of those albums which doesn't try to be cool or sophisticated by chucking in a few fillers for the sake of diversity - it's just hard stuff here. It works great, with Sam Harris' tendency for muscular minimosity coming on loud and clear on Boom Ting, a wickedly devilish and driving roller.