Review: The titles here might suggest a re-edits EP but rest assured the five tracks ARE actually original, albeit sample-based, productions. 'Step Off The Train', for instance, does indeed bite EBTG's 'Missing' as you'd expect, but simply takes a two-line vocal snip and loops it up over a slo-mo grinder that sits right on the deep house/nu-disco cusp, while 'Oops Upside' is another house/disco fusion that draws not on The Gap Band but on a female-sung cover thereof. So let's not worry about sources and inspirations and just say these are five classy midtempo groovers that'll suit more discerning nu-disco floors down to the ground.
Review: Here's one of those releases that really doesn't need a lot of explaining - anyone with even a passing interest in nu-disco should be more than familiar with all four artists involved, as well as the label! Hotmood brings the 70s vibes on the string-drenched, guitar-flecked 'You Are A Star', C Da Afro fast-forwards to the 80s boogie era with the shiny-suited 'So Good For Me', while Loshmi arguably gets the most inventive, mixing up Afro, Latin and spy movie soundtrack vibes on 'Regah'. It's the lazy, laidback funk/jazz-funk of Mitiko's 'Back To Dance', though, that takes the gold.
Review: This is at least the tenth album-length release that Montenegro's Sascha Mitich has produced for Serbian label Disco Fruit, a work rate rivalled only by label boss Tonbe (AKA Loshmi). As ever, the seven tracks featured here blur the lines between re-edits and sample-based productions, with the energetic, good time Afro-tropical vibes of 'Desperately' (think Barrabas, Osibisa) the standout for this reviewer, and the Hammond-sporting (and fairly self-explanatory) 'Foot Stompin' Music' a close second. A lounge-y cover of Stevie Wonder classic 'Ma Cherie Amour' may prove a little more Marmite ("you either love it or hate it"), but isn't without its charms.
Review: Prolific Montenegrin producer Mitiko (real name Sasha Mitich) will need no introduction to nu-disco lovers by now, and here he brings us seven more very playable nuggets on a release you can call an EP or LP as you see fit! 'Are You Ready' revisits Fatback Band's classic 'Do The Bus Stop' - serviceably if perhaps a little unnecessarily - while Marley/Clapton classic 'I Shot The Sheriff' gets covered (not re-edited) inna disco style; the other five cuts are similarly 70s-themed, with the slow-moving, sleazy funk of 'On Ya' leading the charge for this reviewer on the strength of that squelch bassline alone.
Review: The 70s force is strong in this one... listen to this latest full-length collection from Montenegran producer Sasha Mitich, AKA Mitiko, and you may have to remind yourself, as this writer did, that you're actually listening to a brand new album and not a set of re-edits! There are no spangly Nang-esque synths here, no wonked-out Italo-cosmic excursions, just seven slabs of fat-assed funk ('Real Nasty'), lavish disco-soul ('Thank You For Tonight') and, perhaps most interestingly, a couple of tracks ('Lay Down On Me', 'Universal Love') that lean towards a mellower, more 'crossover' style ? la Bill Withers or The Bellamy Brothers.
Review: Prolific Montenegran producer Sasha Mitich, better known to disco lovers as Mitiko, returns to his regular home of Disco Fruit with, incredibly, his third full-length release of the year, following June's 'Disko Diss' and September's 'Best Of'. Things get off to a flying start with the stunning 'Akugen', as deep house, disco and Balearica collide in the heart of the rain forest. Elsewhere, cuts like 'It's A Long Ride' and 'Living After Time' have a more soulful feel, 'Now I Can See' is a dubby late-night groove, and 'Tour De Happiness' and 'Looking Back' house things up a little, making for a varied and enjoyably listen all round - though 'Akugen' remains the stone-cold killer.
Review: Serbia's Disco Fruit bring us a digital collection of tracks that were (mostly) previously only available on wax. Label boss Tonbe supplies four of 'em, and with most of the rest coming from equally familiar names such as Dr Packer, Hotmood, Mitiko and Loshmi, you know the bar's set high! Stylistically, the album ranges from authentic-sounding low-slung funkers like Hotmood's 'Let's Ride' and Tonbe's 'Gem Picker' to the breezy uptempo soul of 84Bit's 'Mamma Jamm' and the boogie nouveau of Dr Packer & Loshmi's 'In Case Of Emergency', while special shout-outs go to Evil Smarty, who almost out-Fatbacks Fatback, and to Mitiko's excellent reworking of the mighty Janet.
Review: Montenegrin producer/re-editor Sasha Mitich, better known as Mitiko, has been extremely prolific since emerging onto the scene around five years ago, reliably turning out a new album-length EP every few months - which has left him with a rich back catalogue to plunder for this 'best of' compilation. Most of the tracks here would appear to be re-edits rather than original productions, but if so then he's dug admirably deep - there are reworks of cuts by Sister Sledge, Janet Jackson and Kool & The Gang ('Celebremos' was the band's own Spanish-language version of 'Celebration'), but most of the other source material escapes us. Which, of course, just makes this set sound all the fresher!
Review: Here we have four more sure-fire bullets for your disco machine gun, coming courtesy of Serbia's Disco Fruit label. Mexico's Hotmood is up first with the fairly self-explanatory 'I Love To Boogie', which is followed by 'The Groove To Make You Dance', a reworking of T-Connection's 1977 TK Disco classic 'Groove To Get Down' by Guildford's own re-edit don Evil Smarty. Montenegran producer Sasha Mitich, AKA Mitiko, then takes liberties with Janet Jackson (and gets away with it) on 'What Have You Done For Me', before label co-owner Loshmi plays us out with laidback, headnodding instrumental 'Soul Food'
Review: Since a young age, Montenegro-based Mitiko has shown a great passion for music. 10 years ago his productions began to surface, many tracks in the vein of nu-disco and deep house found on such labels as Fruity Flavor and Cherry Cola Records - and of course his very own Disco Fruit. Following up his previous long player from last month entitled 'Summer' he's already back into the groove with 'My Sugar', featuring a fine collection of sweltering edits. From the roaring vocals on the uplifting "Can't Wait No Longer", the neon-lit '80s pop vibe of "Hold Me", the slo-mo boogie down feels of the title track and last but not least - an oldie but a goodie to be heard on "Straight To Your Arms".
Review: Montenegran producer Sasha Mitich returns to Serbia's Disco Fruit with his second album proper, which follows 2018's 'Disko Adriatiko'. We're in nu-disco/disco-house territory as opposed to straight-up 70s pastiche - in fact it's 80s boogie/electrofunk, rather than 70s disco per se, that's the most obvious influence, particularly on cuts like 'Pray For Another Day'. But the album's perhaps at its most interesting when it crosses over into other musical pastures: there's some fine jazz-funk playing to be heard on Ronnie Laws/Incognito cover 'Always There', for instance, while the standout for this reviewer is jazz-fuelled deep houser 'Sound Of The Rain' - think St Germain jamming with the Average White Band!
Review: Something of a departure for Mitiko here: a regular on Disco Fruit, the Montenegran producer is best known for disco and boogie vibes that pay very faithful homage to the sounds of the 70s and 80s, but on this five-tracker he takes a left turn into Latin music territory. Disco jocks who favour rhythmic workouts over serotonin-rush diva vocals will find this an EP that's worth exploring, and while its appeal to the disco beards in cities such as Manchester or Berlin may be somewhat limited, that's certainly not gonna be the case in party destinations like Miami, Ibiza or Mexico.
Review: For his last outing on Disco Fruit, Montenegro-based Mitiko served up some "Naughty Things". On his return to the label, he's decided to share his "Beach View". It's a fine vista which naturally comes accompanied by the kind of warm, sun-kissed re-edits that will sound suitably saucy blasting out of the windows of locked-down houses this summer. Highlights are plentiful, from the low-slung, delay-laden Stevie Wonder revision that kicks things off ("Come Back Once More"), to drowsy, synth-laden jazz-funk-meets-electrofunk goodness of "To The Boogie Found", via the grandiose disco stomp of "How Sweet It Used To Be" and the pitched-down, R&B-goes-house warmth of closing cut "How I Feel".
Review: Fresh from the market, Disco Fruit offers up a suitably large pallet of juicy re-edits, tasty revisions and sun-ripened reworks. As you'd expect, there's plenty to get your teeth into from start to finish. Our highlights include the fuzzy 21st century disco-funk of Brian SNR's "Down For Some Loving", the bouncy, synth-bass-propelled funkiness of C Da Afro's "Music Is Love", the sleazy sweatiness of Frank Virgilio's flash-fried "Thick As A Brick (The ReThink)", the throbbing goodness of Loshmi's Italo-disco/80s rock revision "Palm Springs", the mid-tempo disco bliss of Mitiko's "It's Over, It's Over" and the disco-house bump of Tonbe's "Make It Last Forever".
Review: Montenegro's own disco don Mitiko clearly isn't a subscriber to the "less is more" theory: since 2016 he's put out no fewer than nine albums, all on Disco Fruit, and now here comes number 10. Don't expect any huge, groundbreaking innovation here: faithful homages, not sonic experiments, are Mitiko's stock-in-trade. But from the chuggy, laidback 'Nights Near The Fire' to the 80s boogie of 'Having Any Doubts' and 'Standing On The Line', and from the jazz-funk groove of 'On The Rock' to the unabashed cheesy/novelty vibe of 'Bad Man Of The West', it's all well executed and authentic-sounding, making this an enjoyable listen all the same.
Review: "Street Groove" sees Disco Fruit's most prolific producers - Serbian boss man Tonbe and Montenegro-based hero Mitiki - join forces on a seven-track collection of brand new tunes that cannily combine elements of deep house, nu-disco and '90s style U.S house. Our highlights include the aptly named house retro-futurism of "Something Jazzy", the bounding, bass-heavy haziness of title track "Street Groove", the colourful nu-disco/deep house fusion of "Feels So Good" and the slap-bass propelled wonder that is "I Think You Like", where bongo-heavy hand percussion and bumpin' house drums combine to create an energy packed peak-time mood.
Review: Montenegro-based groove lord Mitiki is in a celebratory mood on his latest Disco Fruit re-edit outing. He gleefully skips between the beefed-up Spanish language disco cheeriness of "Celebremas" - a rework of a cover of Kool & The Gang's "Celebrate" - and the Clavinet-happy disco-funk muscularity of K.I.D tweak "Do It Again", before charging towards disco-house dancefloors via the beefed-up sweetness of "Love Somebody Today". The pie-eyed, smiling fun continues via the delicious disco-funk party vibes of "Ohio" and closing cut "To The Top", a chunky, horn-toting revision of another sing-along disco workout.
Review: Get ready to boogie till you drop as Montenegro-based scalpel fiend Mitiko offers up a seven-track selection of lightly beefed-up re-edits. There's plenty of tried-and-tested fun to enjoy, from the chugging, synth-sporting disco-rock antics of "Boogie Till We Drop" and the surging K.I.D rework business of "I'll See It Again", to the low-slung swamp funk sleaziness of "Music Is Her Lover" and the rubbery boogie-soul goodness of slap-bass sporting workout "Won't You Blame Me". Wisely he's included a smattering of superb slow jams, too, with the '80s soul shuffle of "Out Of The Night Time" and slow disco groover "It's Over, It's Over" standing out.
Review: Serbia's Disco Fruit bring us a split EP from two label regulars: Montenegro's Sasha Mitich, better known as Mitiko, and Milos Djordjsevic, better known as prolific re-editor (his 'Serious Edits' compilation series is now up to Vol 11) Loshmi. Mitiko brings us two retro funkers - 'My Shoes', with its infectious wukka-wukking guitar riff, and 'Too Hot To Handle', which marries a sung/rapped male vocal to an 80s sounding synth-woodwind hook. Loshmi, meanwhile, takes us into more Latin-leaning funk territory with 'Portoriko' and 'Pretty Chiquita'. All four are built with the simple aim of moving booties on dancefloors, and all four will do that for sure.
Review: With 15 tracks from nine different artists, this is the first compilation from Disco Fruit, making it the ideal opportunity to get acquainted with the Serbian label - or just great value for money if you're in search of some fine contemporary disco, funk and boogie grooves. Ranging from the sprightly jazz-house of Munky Five's 'Peace Of Jazz' to the Fatback funk of Mike Woods 'Get What You Need Y'All', via the Parliament/Zapp-esque squelch of JB Boogie's 'Party Underground', the attitude-y disco-house strut of Jack Roy & Peitzke's 'On The House' with its Scissor Sisters-ish vocal and Hiva's cheeky 'Superfreak'-biting 'Yea Yeah', there's no shortage of mirror ball goodness here.
Review: Like many of the most recognizable names on the re-edit and nu-disco scenes, Sasha Mitich AKA Mitiko has served up a steady stream of rock solid EPs over the last few years. His latest is typically groovy, atmospheric and floor-friendly with a quartet of killer cuts to get the juices flowing. Opener "Back To Dance" is a lolloping mid-tempo revision of gnarled swamp-funk groover rich in crunchy guitars and hazy horns, while "I Love Your Body" is a deliciously synth-heavy romp through delay-laden drum machine hits, chiming mid-80s melodies, bubbly bass and echoing vocal snippets. Mitich successfully switches mood and tempo on the thrusting Sylvester revision "I Who Have No One" before finishing on a high via the Jam & Lewis style '80s power-pop-soul of closing cut "The Power of Woman".
Review: Sasha Mitich is a native of Kotor in Montenegro, and for the past decade he's been delivering a stream of re-edits and original material drawing on his love of classic disco, soul, funk and boogie. Seven such cuts are gathered together on this EP/mini-album, no fewer than three of which - 'What Have You Done For Me', 'Think Of You' and 'Doesn't Know That' are very playable Janet Jackson re-edits. Elsewhere, 'Rising Sun' features some fine cheesy sax work, 'You're My Kind Of Woman' borrows from Sho Nuff's 1980 boogie gem 'It's Alright', the title track has an 80s Miami feel and 'Superstar' reworks Amadeo's 'Moving Like A Superstar' from 1977.
Review: Montenegro's Mitiko is taking a journey "From Paris to NY" and the good news is that we're all invited along for the ride. In typical fashion, the prolific producer's soundtrack is packed to the rafters with club-ready disco workouts guaranteed to get a party going on any Transatlantic flight. Our picks include the Clavinet-heavy disco-funk bounce of "Give It Up", the mid-80s, Fairlight stab-sporting electrofunk madness of "Let It All", the chiming synths and Jam & Lewis style beats of '80s soul revision "The One Who Loves You" and the rolling disco-house bounce of superior title track "From Paris to NY". In other words, it's a veritable smorgasbord of tasty re-edit treats.
Review: Mitiko's last outing on Disco Fruit, September 2018's "Easy To See", was a particularly expansive and action-packed set. The prolific, Montenegro-based producer seems to have simmered down a little, because this return to Tonbe's popular imprint contains just three tracks. Crucially, though, they all hit the spot. First up is the groovy, electric piano-laden dancefloor sweetness of "You Make Me", whose elastic bassline and fizzing nu-disco synths catch the ear. "Staring Into Blackness" is a slow disco-house chugger built around heavy bass guitar and Meters-style Hammond organ licks, while "Should I Go Now" sees our hero wrap snaking sax lines around another sumptuous, slow-motion groove and suitably Balearic acoustic guitar flourishes.
Review: Serbia's Disco Fruit Records present a 15-track collection packed with disco, nu-disco and disco-house goodness. It's very much an in-house affair - label boss Tonbe contributes two tracksm while Disco Fruit regular Mitiko is behind a further six - which makes the general standard of what's on offer even more impressive. Highlights include Mitiko's boogie-ish 'Do You Really Want My Love?', Loshmi's gloriously camp, Euro-inspired 'Easy Night Drive', Hotmood's lazy, low-slung 'Let's Ride' and Tonbe's phat-assed jazz-funker 'That Sample', while special mention should be made of Kellini's 'No Balance' which, to older ears, is Animotion's 'Obsession' in disguise.
Review: Montonegro's Mitiko is one of the nu disco's scene's more prolific producers, releasing regular missives - most notably expansive EPs - on Tonbe's Disco Fruit label. Here he returns to action with another bumper crop of tried and tested reworks. This time round, his inspiration is guttural funk and heavy-duty dancefloor soul, with each slo-mo and mid-tempo revision coming with lashings of raw-throated vocals, bustling Blaxploitation guitars and weighty grooves. Highlights include the horn-heavy disco-funk/funk-rock fusion of "My Shoes", the sweeping, dewy-eyed disco sentimentality of "Easy To See", the Southern fried thrust of opener "Get Me Some Lovin" and the fiery funk-rock grit of "It Ain't Funny", which boasts some seriously intense guitar solos.