Review: By now, we should all know what to expect from Toolroom's "Poolside Ibiza" compilation strand, namely groovy nu-disco, house and laidback Balearic beats inspired by afternoons spent lounging by the water in stonking White Isle heat. Naturally, there are plenty of gems to be found amongst the 40 unmixed tunes selected by chosen DJs Moullinex and Xinobi, from their own collaborative post-punk/dub number "X Marks The Spot", to the slick '80s synth-pop dreaminess of Tensnake's fine remix of Xinobi's "Far Away Place" and the drowsy, Morricone-influenced soundscape weirdness of Simple Symmetry's remix of Moscoman's "I Ran". Throw in some seriously good cuts from Felipe Gordon, Donald Dust, Pin Up Club and Meera (whose carnival-ready boogie jam "Fine Without You" stands out), and you have a fine collection of summery cuts.
Review: Dutch super trio Kraak & Smaak go poolside: Miami style here for Toolroom. Indeed this compilation showcases the many shades of house music that soundtracked some serious fun in the sun, at 2018's edition of Miami Music Week. The longtime staples of the UK imprint Jalapeno serve up all things deep, funky, nu-disco and even a bit of French Touch for good measure. Highlights include Lindstrom & Prins Thomas' disco odyssey - translated via their remix of Temples' "Born Into The Sunset", Freerange boss Jimpster's lush and hypnotic "English Rose" (original mix), last year's comeback by Parisian legend Alex Gopher & Pierrick Devin on "Jazz Rock" (receiving another well deserved rinse!) and the inimitable Detroit legend Andres with his remix of Cool Peepl's "Free" (feat Billy Love, Amp Fiddler & Sundiata O.M). Several of the trios funked-up tracks feature throughout in addition to a continuous mix of the playlist.
Review: Since transferring to Discotexas (he was previously associated with Gomma), Munich man Moullinex has delivering some impressive outings, not least the loose, jangly and life-affirming dancefloor cheeriness that is recent single "Love, Love, Love". Here, it gets given the remix treatment by a trio of talented producers. Up first is Larse, whose intoxicating version laces the original's multi-tracked, dream-pop style vocal hooks over a rolling, acid-flecked, analogue style house groove. Switchdance opts for a hazier, slightly deeper approach - think haunting flute lines, slightly foreboding bass and bubbly electronics - while Les Loups weighs in with a jaunty, energy-packed, disco-flecked deep house rub.