Review: For reasons not made clear, the esteemed Gomma label collared Peaches and decided to record some cover versions of tracks from the back catalogue of the iconic Casablanca Records label. Purists might sneer at the mere idea of this concept but the end products are undeniably fun (and its refreshing to hear Ms Nisker actually sing as opposed to, you know, act like Peaches). Moullineux step up first with a burning punk funk rendition of Flashdance's "Maniac", whilst Telonius' take on Donna Summer's "Our Love" gets bonus points for having Mr Harold Faltemeyer on keys! Other highlights in the eight track include Munk's chunky disco funk take on the Stephanie Mills classic "You Can't Run From My Love" whilst the ever excellent Phenomenal Handclap Band embellish the Halloween standard "Walk The Night" with their own distinct brand of loose limbed funk.
Review: Dutch super trio Kraak & Smaak go poolside: Miami style here for Toolroom. Indeed this compilation showcases the many shades of house music that soundtracked some serious fun in the sun, at 2018's edition of Miami Music Week. The longtime staples of the UK imprint Jalapeno serve up all things deep, funky, nu-disco and even a bit of French Touch for good measure. Highlights include Lindstrom & Prins Thomas' disco odyssey - translated via their remix of Temples' "Born Into The Sunset", Freerange boss Jimpster's lush and hypnotic "English Rose" (original mix), last year's comeback by Parisian legend Alex Gopher & Pierrick Devin on "Jazz Rock" (receiving another well deserved rinse!) and the inimitable Detroit legend Andres with his remix of Cool Peepl's "Free" (feat Billy Love, Amp Fiddler & Sundiata O.M). Several of the trios funked-up tracks feature throughout in addition to a continuous mix of the playlist.
Review: Since transferring to Discotexas (he was previously associated with Gomma), Munich man Moullinex has delivering some impressive outings, not least the loose, jangly and life-affirming dancefloor cheeriness that is recent single "Love, Love, Love". Here, it gets given the remix treatment by a trio of talented producers. Up first is Larse, whose intoxicating version laces the original's multi-tracked, dream-pop style vocal hooks over a rolling, acid-flecked, analogue style house groove. Switchdance opts for a hazier, slightly deeper approach - think haunting flute lines, slightly foreboding bass and bubbly electronics - while Les Loups weighs in with a jaunty, energy-packed, disco-flecked deep house rub.
Review: Portugal's Moulinex, otherwise known as Luis Clara Gomes, has made his name on his native Discotexas label, an outlet reserved for positive, disco-filtered house music. This latest effort sees Gomes' "Take A Chance" tune being rewired, remangled and transformed by a pair of remixers; the first is by Satin Jackets who goes for a strictly hazy, utterly boogied-out approach for the summer months, while Black Loops takes care of turning the original into a dark, dubby and pulsating floor stomper with subtle filter-house waves.
Review: Munich-based studio boffin Moullinex quietly impressed with his recent debut album, the jaunty and synth-heavy Flora. Here, he delivers extended, club-friendly versions of six album staples. His style - bubbling, smile-inducing nu-disco with just the right balance between electrofunk revivalism and synth-heavy house - is best expressed on the chunky "Deja vu", but there are plenty more reasons to be cheerful. The snappy, loose-limbed "Let Your Feet (Do The Extra Work)" is a cheery, stab-laden delight, while "Flora" is almost unbelievably upbeat (and all the better for it). There's also some joyous, piano-laden house shuffle in the shape of the grinning "Sunflare", and a rubbery chunk of cheeky synth-funk ("Hypnotize") that's almost impossible to dislike.
Review: By now, we should all know what to expect from Toolroom's "Poolside Ibiza" compilation strand, namely groovy nu-disco, house and laidback Balearic beats inspired by afternoons spent lounging by the water in stonking White Isle heat. Naturally, there are plenty of gems to be found amongst the 40 unmixed tunes selected by chosen DJs Moullinex and Xinobi, from their own collaborative post-punk/dub number "X Marks The Spot", to the slick '80s synth-pop dreaminess of Tensnake's fine remix of Xinobi's "Far Away Place" and the drowsy, Morricone-influenced soundscape weirdness of Simple Symmetry's remix of Moscoman's "I Ran". Throw in some seriously good cuts from Felipe Gordon, Donald Dust, Pin Up Club and Meera (whose carnival-ready boogie jam "Fine Without You" stands out), and you have a fine collection of summery cuts.
Review: Some 12 months after we offered lavish praise for its predecessor, volume five in Shir Khan's "Exploited Ghetto Trax" compilation series arrives. As usual, he's selected some absolute bombs from the Exploited catalogue, enthusiastically sprinting between the drowsy deep house warmth of Kotelekk and Zadak's "The Big Feeling", the jazzy peak-time breakbeats of Enduro Disco, the heart-warming disco-house rush of Art LeRock's "When", the late night deep-tech hypnotism of Marcus Meinhardt's Innervisions-esque "House of Beats (Dub)" and the snappy early morning heaviness of Anti-Anti's warehouse-ready "Heat". There are naturally plenty more highlights elsewhere across the set, but for space reasons we can't champion them all. In a word: essential.