Review: Veteran Ninja Tune artist Bonobo has been putting out seriously decent tunes pretty much since the birth of the highly regarded Late Night Tales compilation. It's amazing that they haven't crossed paths before, but with the release of this 33rd entry into the series, the time has finally come for Green to take us on his own nocturnal mission. This 21-track odyssey is seamlessly mixed but the unmixed tracks are also presented so we can enjoy highlights like the velvety soul of 'Didn't I", the hippy funk of "Flowers" and the distorted, fuzzy trap of "Gutter Glitter".
Review: Earthboogie's debut album, Human Call has rightly earned praise upon its release earlier in the year, with listeners responding positively to its sticky and humid dancefloor fusions of African and South American rhythms, chunky dub disco, retro-futurist house, spacey analogue electronics and sun-kissed Balearica. Hot on the heels of that release, Leng Records has sourced new remixes of two album highlights. The remix of "High Minded Man" from Running Back label boss Gerd Janson is an electrifying classic house rendition with an Afro influence that's just as neon-lit as you'd expect. Next, synthesizer-wielding Balearic stalwart Pete Herbert gives "Silken Moon" the late night boogie-down vibe that this veteran of nu-disco always does so well.
Review: Apart from Ministry Of Sound and Fabric, the Late Night Tales crew is perhaps the best and most respected compilation series these days. Moreover, these guys have invited some of the biggest names in the game over the last fifteen years, a highly impressive catalogue which includes the likes of Fatboy Slim, Jamiroquai, AIR, Arctic Monkeys, Sly & Robbie, and many more of the same calibre. This September is Germany's Nils Frahm who takes care of the selection, and the DJ/producer serves up a gorgeously vast selection of sounds from around the globe and from all corners of time. Inside, you get shreds of house and techno from Four Tet and Nils Frahm himself, among others, but the mix explores much wider terrains; Miles Davis makes an appearance with the masterful "Concerto De Aranjuez", electronic dub maestros Rhythm & Sound join the party the timeless "Mango Drive", and even Nina Simone's "Who Knows Where The Time Goes" gets selected. It's as excellent and compelling as you would expect from this sublime mix series. A class act.
Review: For this latest Mr Jones EP by Nina Kraviz, she withdraws any sentiments of ghetto house heard on last year's debut album and turns in something house and techno inspired for Rekids. Her sultry, accented vocals still play a large role in her music however, best heard in the dark house of "Desire", the first track of this double EP. "Mr Jones" begins much the same was as "Desire", but when the beat does drop, it's not as tough, but twice as haunting - complementing the EPs cover art. Kraviz teams up with Luke Hess for the Detroit techno drum track that is "Remember", while "Black White" offers the some respite from the previous productions gloominess with something more festive and tropical. From here Kraviz provides some classic, minimal, and percussive deep house in "So Wrong", which leads perfectly into the club drumming of "Sheer". A superb follow up by Kraviz.