Review: Tommy Four Seven's eponymous imprint returns with more bleak and dystopian techno tools of industrial strength grade. Featuring the always ferocious Ancient Methods and the wonky drones of "System", Berlin duo Oake hypnotise you into submission as always with their esoteric imaginary soundtrack entitled "Anaxamines" before Italian producer VSK delivers the EPs finest moment on the rather Surgeon sounding broken techno stomper "Breaking Symmetry". The man himself T47 closes this fine EP out with the shredding body bash of "Dromod" that's mangled up amongst metallic textures, grinding sub bass and generous servings of clipped distortion; business as usual!
Review: Brandishing a dark sound that draws from electronics and string-based instruments and adds a touch of the crepuscular to finish, the Lupine-fancying OAKE have become a most suitable act for the current iteration of Karl O'Connor's Downwards label. First emerging on DNS early last year with the Offenbarung EP, the Berlin duo have subsequently committed another EP of claustrophobic electronics to the label as well as contributing to the rather fine Halha compilation. Auferstehung is an 11-track debut album from OAKE, which offers the pair more of a canvas to work with. With a title that translates as "resurrection" and a rather opaque theme that apparently "marks an end and a beginning at the same time," there is plenty that is open to interpretation about Auferstehung, and the album is largely free of any techno aspirations. Instead OAKE elect to coax you deeper into their web of sonic paranoia, which at times is a joyously crushing experience.
Review: Despite being over 20 years old, Downwards is a label that seems more willing than ever to push the boundaries of expectation. Lycan obsessives OAKE join the label with their debut missive Offenbarung, a three-track release that sits close to Samuel Kerridge's work in the scale of things, though the Berlin duo has their own unmistakable sound. From the off, OAKE are all about building and executing a sense of tension; the first two tracks seem them slither in the direction of your senses, not necessarily driven forward but creeping none the less. Scraping textures act as the rhythmic base and low groaning vocals meld with dissonant, rumbling tones. Final track "Nihnin Ned Bargund" is the closest thing to techno, commencing in dramatic fashion with a gong like singular kick drum sucking you in before a rising crescendo of reverberant metallic textures and psychosis inducing strings pull you into a nightmarish dimension.
Review: The wolf and caps lock loving pair known simply as OAKE make a welcome return to Downwards, complementing their stunning debut from earlier this year with a four track EP that is, if anything, even heavier going! Quite where Karl O'Connor found OAKE isn't clear but the Berlin pair fit right in on the current configuration of Downwards alongside the likes of Cut Hands, Kerridge, DVA Damas et al. Whereas OAKE's three track debut Offenbarung was finely balanced between cinematic strings and vocals reminiscent of Coil and a pin-dropping bass-heavy dread shared with kindred spirits Demdike Stare and The Haxan Cloak, Vollstreckung is resolutely darker in execution. See, for example, the serating bass tones of "Sehtohree Diin Chromtas Vehns" and the cacophonous drums of "Tuturden Giit Chreteen Dwe" that both drowning out the more delicate vocals.
Review: Giving the vast and slightly daunting discography the Downwards label has built up since its foundation by Karl 'Regis' O'Connor and Peter 'Female' Sutton in 1993, it makes for little surprise that this 20th anniversary compilation does not opt for the traditional 'greatest hits' route. Of course that wouldn't be the Downwards way either, such is their mischievously contrary nature. Instead this nine-track compilation opts to slip in a few rare curios from the label's early years alongside a selection of tracks from its current roster. O'Connor naturally features heavily; there's an unreleased Substance remix of a track from his debut LP, a track recorded along with Sutton under the rarely used Mark Farmer alias and his more recent Concrete Fence project with Russell Haswell features too, getting a typically loopy Sleeparchive remix. For long term Downwards fanatics it will be the inclusion of tracks from Antonym and Fret (aka ex Napalm Death drummer Mick Harris) that will really excite - with the latter's "Untitled" sounding particularly ahead of it's time. Music from OAKE, Kerridge and newcomers Talker hints at Downwards future.
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